Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe
portes grátis
Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe
Radomska, Magdalena; Preda, Caterina
Taylor & Francis Ltd
11/2024
292
Dura
9781032731742
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Introduction Part I: Plural Geographies of East-Central European Art 1. Plural geography(ies) - Between Class Division and Relations of Production 2. Discontinuity. Considering East-Central Europe as a Discontinuous Space 3. Points East: the Geo-Epistemology of East European Art through Conference History 4. Capitalism, Geographies, the Racial/Colonial and the Imperial/Colonial Divide Part II: Multiple Geographies - Non-hierarchical, flexible mapping and non-mapping 5. Plurimodern Constellations: Scales of Analysis in the Spatial History of Art 6. The Hegemonic Gaze and East-Central Europe - Challenging the Totalitarian Paradigm 7. The Arts of Mapping (East Central) Europe and David Cerny's Entropa 8. A Shift From the Geopolitics of Place to the Chronopolitics of Time in East-Central Europe? Part III: Geographies of Peripheral Solidarity 9. The Alternative Geography of Socialist Cultural Internationalism: Trans-Regional Artistic Solidarity Between East-Central Europe and Latin America 10. Black Masks White Skin. Self-Identification with Africa in the Polish Culture During Late Socialism 11. From Postsocialist Geographies to Late Socialist Networks: The Role of Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia 12. Transnational Zones for Museums and Archives Between Latin America and Eastern Europe Part IV: Geographies of "Strategic Essentialism" 13. Inside the Trans/National. Feminist Geographies of Close Otherness in the Art of East-Central Europe 14. An Art History of Place 15. Atemporal Histories and the Geographies of East-Central Europe, or, Why Have There not Been no Great Moldovan (Performance) Artists? 16. A Different Narrative of Nonalignment? The Case of Socialist Albania in the Art History of Central and Geography of East-Central Europe
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art history;artistic;geography;Eastern Europe;Central Europe;politics;Piotr Piotrowski;marginal;hegemony;counter hegemonic;communism;communist;global;alter global;alter;alterity;region;diversity;ethnic;ethnicity;theory;critical;geopolitics;cultural studies;culture;chronopolitics;1945;1989;colonial;racial;colonialism;imperialism;capitalism;totalitarian;transnationalism;cartography;socialism;socialist;Africa;Poland;exhibitions;global south;museums;archive;Moldova;Albania;performance art;Latin America;Cold War;Romania;Bulgaria;Iron Curtain;Berlin Wall;curator;curatorial;Bialorus;Belarus;El Hadji Sy;Senegal;Yugoslavia;USSR;Soviet;Russia;Brazil;Socialist Realist;Czechoslovakia
Introduction Part I: Plural Geographies of East-Central European Art 1. Plural geography(ies) - Between Class Division and Relations of Production 2. Discontinuity. Considering East-Central Europe as a Discontinuous Space 3. Points East: the Geo-Epistemology of East European Art through Conference History 4. Capitalism, Geographies, the Racial/Colonial and the Imperial/Colonial Divide Part II: Multiple Geographies - Non-hierarchical, flexible mapping and non-mapping 5. Plurimodern Constellations: Scales of Analysis in the Spatial History of Art 6. The Hegemonic Gaze and East-Central Europe - Challenging the Totalitarian Paradigm 7. The Arts of Mapping (East Central) Europe and David Cerny's Entropa 8. A Shift From the Geopolitics of Place to the Chronopolitics of Time in East-Central Europe? Part III: Geographies of Peripheral Solidarity 9. The Alternative Geography of Socialist Cultural Internationalism: Trans-Regional Artistic Solidarity Between East-Central Europe and Latin America 10. Black Masks White Skin. Self-Identification with Africa in the Polish Culture During Late Socialism 11. From Postsocialist Geographies to Late Socialist Networks: The Role of Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia 12. Transnational Zones for Museums and Archives Between Latin America and Eastern Europe Part IV: Geographies of "Strategic Essentialism" 13. Inside the Trans/National. Feminist Geographies of Close Otherness in the Art of East-Central Europe 14. An Art History of Place 15. Atemporal Histories and the Geographies of East-Central Europe, or, Why Have There not Been no Great Moldovan (Performance) Artists? 16. A Different Narrative of Nonalignment? The Case of Socialist Albania in the Art History of Central and Geography of East-Central Europe
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
art history;artistic;geography;Eastern Europe;Central Europe;politics;Piotr Piotrowski;marginal;hegemony;counter hegemonic;communism;communist;global;alter global;alter;alterity;region;diversity;ethnic;ethnicity;theory;critical;geopolitics;cultural studies;culture;chronopolitics;1945;1989;colonial;racial;colonialism;imperialism;capitalism;totalitarian;transnationalism;cartography;socialism;socialist;Africa;Poland;exhibitions;global south;museums;archive;Moldova;Albania;performance art;Latin America;Cold War;Romania;Bulgaria;Iron Curtain;Berlin Wall;curator;curatorial;Bialorus;Belarus;El Hadji Sy;Senegal;Yugoslavia;USSR;Soviet;Russia;Brazil;Socialist Realist;Czechoslovakia
