Playfulness in Shakespearean Adaptations

1. "Did Shakespeare really write this racy stuff?": Playfulness in Shakespearean Adaptations Section 1: Page to Stage / Stage to Page Page to Stage / Stage to Page 2. "This great stage of fools": Anachronisms and Mockery in Three Victorian Burlesques of King Lear 3. "Covering the main points": Playing with The Tempest in Margaret Atwood's Hag-Seed 4. "I wish the bastards dead": Adapting Richard III in Children's Literature 5. Playing with Genre and Form: The "Magic Art" of Graphic Novel Adaptation in Shakespeare 6. When Fictions Collide: Shakespearean Inspiration and Adaptation in Terry Pratchett's Wyrd Sisters Section 2: Practising Shakespeare On Stage and Screen Practising Shakespeare On Stage and Screen 7. Byte-Size Shakespeare: The Irreverent Play of Shakespeare Republic 8. An Irreverent richard III redux: [Re]cripping the Crip Section 3: Adapting the Man Adapting the Man 9. Bill Begins: The Rise of the Contemporary Shakespeare 'Origin Story' 10. William Shakespeare and Elizabeth I: The Special Relationship? Section 4: Adapting the Plays Adapting the Plays 11. Hamlet 2, Shakespeare, and Cruel Optimism 12. Sport, Meritocracy, and Shakespeare 13. "What's in a gnome?": Gender, Intertextuality, and Irreverence in Gnomeo and Juliet

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• Teorias literárias
• Estudos literários: c 1500 a c 1800
• Estudos literários: clássica, primitiva e medieval
• Peças de Shakespeare

Richard III;Shakespeare's Richard III;graphic novels;Amazing Spider Man;popular culture;Bicycle Kick;Shakespearean adaptations;Midsummer Night's Dream;Shakespearean Source Text;Wyrd Sisters;Timeless;Travestie;Wo;Persona;Reverent Irreverence;Cruel Optimism;Shakespeare's Biography;Shakespeare's Life;Televisual Depictions;Shakespeare's Works;King Lear;Easter Eggs;Horrible Histories;Good Life;Bald Cap;Hogarth Series