Plants, Places, and Power
portes grátis
Plants, Places, and Power
Toward Social and Ecological Justice in German Literature and Film
Stehle, Professor Maria
Boydell & Brewer Ltd
02/2023
186
Dura
Inglês
9781640141254
15 a 20 dias
Descrição não disponível.
Preface and Acknowledgments: People and Places
Introduction: Living in Relation: Plants, Place-Making, and Social Justice
1: Landscapes: Infrastructures, Power Topographies, and Feral Gardens in Juli Zeh's Unterleuten (2016), Valeska Grisebach's Western (2017), and Anna Sofie Hartmann's Giraffe (2019)
2: Uncanny Gardens: Migration and Belonging in Doerte Hansen's Altes Land (2015) and Sasa Stanisic's Herkunft (2019)
3: Trees, Roots, and Anti-Racism in Ilija Trojanow's Nach der Flucht (2017), Mo Asumang's Roots Germania (2007) and Die Arier (2014), and Elliot Blue's Home? (2018)
4: Defiant Flowers and Manufactured Happiness in Vera Chytilova's Daisies (1966), Pipilotti Rist's Pepperminta (2009), and Jessica Hausner's Little Joe: Glueck ist ein Geschaeft (2019)
5: Senses, Queer Interrelations, and Decolonial Geographies in Yoko Tawada's Das nackte Auge (2004), Shari Hagen's Auf den zweiten Blick (2012), and Faraz Shariat's Futur Drei (2020)
Epilogue: Erasures and Different Stories
Bibliography
Index
Introduction: Living in Relation: Plants, Place-Making, and Social Justice
1: Landscapes: Infrastructures, Power Topographies, and Feral Gardens in Juli Zeh's Unterleuten (2016), Valeska Grisebach's Western (2017), and Anna Sofie Hartmann's Giraffe (2019)
2: Uncanny Gardens: Migration and Belonging in Doerte Hansen's Altes Land (2015) and Sasa Stanisic's Herkunft (2019)
3: Trees, Roots, and Anti-Racism in Ilija Trojanow's Nach der Flucht (2017), Mo Asumang's Roots Germania (2007) and Die Arier (2014), and Elliot Blue's Home? (2018)
4: Defiant Flowers and Manufactured Happiness in Vera Chytilova's Daisies (1966), Pipilotti Rist's Pepperminta (2009), and Jessica Hausner's Little Joe: Glueck ist ein Geschaeft (2019)
5: Senses, Queer Interrelations, and Decolonial Geographies in Yoko Tawada's Das nackte Auge (2004), Shari Hagen's Auf den zweiten Blick (2012), and Faraz Shariat's Futur Drei (2020)
Epilogue: Erasures and Different Stories
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Landscapes; German Novels; German Film; Mo Asumang; Roots Germania; Faraz Shariat; Futur Drei; Yoko Tawada; Das nackte Auge; Sasa Stanisic; Herkunft; Gender Inequity; Nationalism
Preface and Acknowledgments: People and Places
Introduction: Living in Relation: Plants, Place-Making, and Social Justice
1: Landscapes: Infrastructures, Power Topographies, and Feral Gardens in Juli Zeh's Unterleuten (2016), Valeska Grisebach's Western (2017), and Anna Sofie Hartmann's Giraffe (2019)
2: Uncanny Gardens: Migration and Belonging in Doerte Hansen's Altes Land (2015) and Sasa Stanisic's Herkunft (2019)
3: Trees, Roots, and Anti-Racism in Ilija Trojanow's Nach der Flucht (2017), Mo Asumang's Roots Germania (2007) and Die Arier (2014), and Elliot Blue's Home? (2018)
4: Defiant Flowers and Manufactured Happiness in Vera Chytilova's Daisies (1966), Pipilotti Rist's Pepperminta (2009), and Jessica Hausner's Little Joe: Glueck ist ein Geschaeft (2019)
5: Senses, Queer Interrelations, and Decolonial Geographies in Yoko Tawada's Das nackte Auge (2004), Shari Hagen's Auf den zweiten Blick (2012), and Faraz Shariat's Futur Drei (2020)
Epilogue: Erasures and Different Stories
Bibliography
Index
Introduction: Living in Relation: Plants, Place-Making, and Social Justice
1: Landscapes: Infrastructures, Power Topographies, and Feral Gardens in Juli Zeh's Unterleuten (2016), Valeska Grisebach's Western (2017), and Anna Sofie Hartmann's Giraffe (2019)
2: Uncanny Gardens: Migration and Belonging in Doerte Hansen's Altes Land (2015) and Sasa Stanisic's Herkunft (2019)
3: Trees, Roots, and Anti-Racism in Ilija Trojanow's Nach der Flucht (2017), Mo Asumang's Roots Germania (2007) and Die Arier (2014), and Elliot Blue's Home? (2018)
4: Defiant Flowers and Manufactured Happiness in Vera Chytilova's Daisies (1966), Pipilotti Rist's Pepperminta (2009), and Jessica Hausner's Little Joe: Glueck ist ein Geschaeft (2019)
5: Senses, Queer Interrelations, and Decolonial Geographies in Yoko Tawada's Das nackte Auge (2004), Shari Hagen's Auf den zweiten Blick (2012), and Faraz Shariat's Futur Drei (2020)
Epilogue: Erasures and Different Stories
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
