Pivotal Lines in Shakespeare and Others
portes grátis
Pivotal Lines in Shakespeare and Others
Finding the Heart of the Play
Homan, Sidney
Taylor & Francis Ltd
11/2024
216
Mole
9781032348643
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction
Chapter 1: Hamlet: "Who's there?"
Chapter 2: Stoppard, Rosencrantz and Guildenstern Are Dead: "Where we went wrong was
getting on a boat."
Chapter 3: The Taming of the Shrew: "Kate: Where did you study all this goodly speech?
Petruchio: It is extempore, from my mother wit."
Chapter 4: Pinter, Old Times: "No, I'll run it myself tonight."
Chapter 5: A Midsummer Night's Dream: "And grows to something of great constancy."
Chapter 6: Shepard, True West: "So, they take off after each other straight into an endless
black prairie."
Chapter 7: The Comedy of Errors: "And here we wander in illusions." and "I'll Entertain the
Offered Fallacy."
Chapter 8: Beckett, Waiting for Godot: "Tell him ... [he hesitates] ... tell him you saw me and
that ... [he hesitates] ... that you saw me."
Chapter 9: Brecht and Weill, The Threepenny Opera: "Reprieved"
Chapter 10: King Lear: "Do you see this? Look on her! Look, her lips."
Conclusions: A Manual for Pivotal Lines and the Audience
Chapter 1: Hamlet: "Who's there?"
Chapter 2: Stoppard, Rosencrantz and Guildenstern Are Dead: "Where we went wrong was
getting on a boat."
Chapter 3: The Taming of the Shrew: "Kate: Where did you study all this goodly speech?
Petruchio: It is extempore, from my mother wit."
Chapter 4: Pinter, Old Times: "No, I'll run it myself tonight."
Chapter 5: A Midsummer Night's Dream: "And grows to something of great constancy."
Chapter 6: Shepard, True West: "So, they take off after each other straight into an endless
black prairie."
Chapter 7: The Comedy of Errors: "And here we wander in illusions." and "I'll Entertain the
Offered Fallacy."
Chapter 8: Beckett, Waiting for Godot: "Tell him ... [he hesitates] ... tell him you saw me and
that ... [he hesitates] ... that you saw me."
Chapter 9: Brecht and Weill, The Threepenny Opera: "Reprieved"
Chapter 10: King Lear: "Do you see this? Look on her! Look, her lips."
Conclusions: A Manual for Pivotal Lines and the Audience
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sidney;Pivotal;Homan;Shakespeare;Richard III;California State University;Shepard's True West;Kate's Line;Pivotal Lines;Marymount Manhattan College;Young Men;Tea Pot;Johnny Appleseed;Screen Play;Kate's Speech;Kate's Audience;Unique Opposite;Lee's Speech;Violate;Threepenny Opera;True West;Hamlet Senior;Quick Costume Change;Midsummer Night's Dream;Upstage Doors;Induction Scenes;Chekhov's Uncle Vanya;Great Constancy;Kate's Hand
Introduction
Chapter 1: Hamlet: "Who's there?"
Chapter 2: Stoppard, Rosencrantz and Guildenstern Are Dead: "Where we went wrong was
getting on a boat."
Chapter 3: The Taming of the Shrew: "Kate: Where did you study all this goodly speech?
Petruchio: It is extempore, from my mother wit."
Chapter 4: Pinter, Old Times: "No, I'll run it myself tonight."
Chapter 5: A Midsummer Night's Dream: "And grows to something of great constancy."
Chapter 6: Shepard, True West: "So, they take off after each other straight into an endless
black prairie."
Chapter 7: The Comedy of Errors: "And here we wander in illusions." and "I'll Entertain the
Offered Fallacy."
Chapter 8: Beckett, Waiting for Godot: "Tell him ... [he hesitates] ... tell him you saw me and
that ... [he hesitates] ... that you saw me."
Chapter 9: Brecht and Weill, The Threepenny Opera: "Reprieved"
Chapter 10: King Lear: "Do you see this? Look on her! Look, her lips."
Conclusions: A Manual for Pivotal Lines and the Audience
Chapter 1: Hamlet: "Who's there?"
Chapter 2: Stoppard, Rosencrantz and Guildenstern Are Dead: "Where we went wrong was
getting on a boat."
Chapter 3: The Taming of the Shrew: "Kate: Where did you study all this goodly speech?
Petruchio: It is extempore, from my mother wit."
Chapter 4: Pinter, Old Times: "No, I'll run it myself tonight."
Chapter 5: A Midsummer Night's Dream: "And grows to something of great constancy."
Chapter 6: Shepard, True West: "So, they take off after each other straight into an endless
black prairie."
Chapter 7: The Comedy of Errors: "And here we wander in illusions." and "I'll Entertain the
Offered Fallacy."
Chapter 8: Beckett, Waiting for Godot: "Tell him ... [he hesitates] ... tell him you saw me and
that ... [he hesitates] ... that you saw me."
Chapter 9: Brecht and Weill, The Threepenny Opera: "Reprieved"
Chapter 10: King Lear: "Do you see this? Look on her! Look, her lips."
Conclusions: A Manual for Pivotal Lines and the Audience
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sidney;Pivotal;Homan;Shakespeare;Richard III;California State University;Shepard's True West;Kate's Line;Pivotal Lines;Marymount Manhattan College;Young Men;Tea Pot;Johnny Appleseed;Screen Play;Kate's Speech;Kate's Audience;Unique Opposite;Lee's Speech;Violate;Threepenny Opera;True West;Hamlet Senior;Quick Costume Change;Midsummer Night's Dream;Upstage Doors;Induction Scenes;Chekhov's Uncle Vanya;Great Constancy;Kate's Hand
