Pioneers of the Global Art Market
portes grátis
Pioneers of the Global Art Market
Paris-Based Dealer Networks, 1850-1950
Force, Christel H.
Bloomsbury Publishing PLC
05/2022
312
Mole
Inglês
9781350282841
15 a 20 dias
Descrição não disponível.
List of Plates
List of Figures
Series Editor's Introduction
Acknowledgements
1. Introduction: Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850-1950, Christel H. Force (The Metropolitan Museum of Art, USA)
2. Parisian Dealers and the American Market, 1860-1920, Paolo Serafini (Sapienza Universita di Roma, Italy), translated by Angelica Modabber
3. Old and New Worlds: Durand-Ruel and the International Market for Impressionism, Jennifer A. Thompson (Philadelphia Museum of Art, USA)
4. Moving Mountains: Paris-Based Dealers and the Economics of Translocation, David M. Challis (Melbourne University, Australia)
5. Daniel-Henry Kahnweiler's International Partnerships, 1907-1937, Verane Tasseau (Independent Scholar, France), translated by Celia Abele
6. Promoting Modernism in the 1920s: The Art Journals of Paul Guillaume, Leonce Rosenberg, and Alfred Flechtheim, Ambre Gauthier (Marc Chagall Foundation, Paris, France)
7. Paul Guillaume, Marius de Zayas and African Arts: A Transatlantic Partnership, 1914-1923, Yaelle Biro (The Metropolitan Museum of Art, USA)
8. The Thannhauser Galleries: Forming International Alliances in an Era of Change, Valerie Nikola Ender (University of Cologne, Germany)
9. "A Viking sailing over the savage sea, far, far to the north": Walther Halvorsen, Christel H. Force (The Metropolitan Museum of Art, USA)
10. When French Dealers "Turned their Eyes Towards Scandinavia": The Svensk-Franska Konstgalleriet in Stockholm, Christina Brandberg (University of Loughborough, UK)
11. The Galerie Paul Rosenberg and the American Market in the Interwar Era, MaryKate Cleary (New York University, USA)
12. International Dealer Networks and the Market for Impressionism in London and Glasgow: Etienne Bignou, A.J. McNeill Reid, and Ernest Lefevre, Frances Fowle (University of Edinburgh, UK)
13. Etienne Bignou: The Gallery as Antechamber of the Museum, Christel H. Force (The Metropolitan Museum of Art, USA)
14. Capricious Cohorts: Rene Gimpel's Associates, Rivals, and Patrons Diana J. Kostyrko (Australian National University, Australia)
15. Valentine Dudensing and the Valentine Gallery: Selling the US on the School of Paris, Julia May Boddewyn (Independent Scholar, USA)
16. Conclusion, Veronique Chagnon-Burke (Christie's Education, New York, USA)
Author Biographies
Index
List of Figures
Series Editor's Introduction
Acknowledgements
1. Introduction: Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850-1950, Christel H. Force (The Metropolitan Museum of Art, USA)
2. Parisian Dealers and the American Market, 1860-1920, Paolo Serafini (Sapienza Universita di Roma, Italy), translated by Angelica Modabber
3. Old and New Worlds: Durand-Ruel and the International Market for Impressionism, Jennifer A. Thompson (Philadelphia Museum of Art, USA)
4. Moving Mountains: Paris-Based Dealers and the Economics of Translocation, David M. Challis (Melbourne University, Australia)
5. Daniel-Henry Kahnweiler's International Partnerships, 1907-1937, Verane Tasseau (Independent Scholar, France), translated by Celia Abele
6. Promoting Modernism in the 1920s: The Art Journals of Paul Guillaume, Leonce Rosenberg, and Alfred Flechtheim, Ambre Gauthier (Marc Chagall Foundation, Paris, France)
7. Paul Guillaume, Marius de Zayas and African Arts: A Transatlantic Partnership, 1914-1923, Yaelle Biro (The Metropolitan Museum of Art, USA)
8. The Thannhauser Galleries: Forming International Alliances in an Era of Change, Valerie Nikola Ender (University of Cologne, Germany)
9. "A Viking sailing over the savage sea, far, far to the north": Walther Halvorsen, Christel H. Force (The Metropolitan Museum of Art, USA)
10. When French Dealers "Turned their Eyes Towards Scandinavia": The Svensk-Franska Konstgalleriet in Stockholm, Christina Brandberg (University of Loughborough, UK)
11. The Galerie Paul Rosenberg and the American Market in the Interwar Era, MaryKate Cleary (New York University, USA)
12. International Dealer Networks and the Market for Impressionism in London and Glasgow: Etienne Bignou, A.J. McNeill Reid, and Ernest Lefevre, Frances Fowle (University of Edinburgh, UK)
13. Etienne Bignou: The Gallery as Antechamber of the Museum, Christel H. Force (The Metropolitan Museum of Art, USA)
14. Capricious Cohorts: Rene Gimpel's Associates, Rivals, and Patrons Diana J. Kostyrko (Australian National University, Australia)
15. Valentine Dudensing and the Valentine Gallery: Selling the US on the School of Paris, Julia May Boddewyn (Independent Scholar, USA)
16. Conclusion, Veronique Chagnon-Burke (Christie's Education, New York, USA)
Author Biographies
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Paris; capital of the art world; Impressionism; Post-Impressionism; modernism; modern art; contemporary art; salon system; dealer-critic system; competition vs collaboration; art-dealer network; transnational art-market network; transatlantic art market; global art market; modern art market; historical art market; Syndicat des editeurs d'art et negociants en tableaux modernes; Harrison and Cynthia White; David Galenson; Robert Jensen; Raymonde Moulin; marchand en chambre; dealer expert; entrepreneurial dealer; dealer as patron; ideological dealer; careers and canvases; monopoly; oligopoly
List of Plates
List of Figures
Series Editor's Introduction
Acknowledgements
1. Introduction: Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850-1950, Christel H. Force (The Metropolitan Museum of Art, USA)
2. Parisian Dealers and the American Market, 1860-1920, Paolo Serafini (Sapienza Universita di Roma, Italy), translated by Angelica Modabber
3. Old and New Worlds: Durand-Ruel and the International Market for Impressionism, Jennifer A. Thompson (Philadelphia Museum of Art, USA)
4. Moving Mountains: Paris-Based Dealers and the Economics of Translocation, David M. Challis (Melbourne University, Australia)
5. Daniel-Henry Kahnweiler's International Partnerships, 1907-1937, Verane Tasseau (Independent Scholar, France), translated by Celia Abele
6. Promoting Modernism in the 1920s: The Art Journals of Paul Guillaume, Leonce Rosenberg, and Alfred Flechtheim, Ambre Gauthier (Marc Chagall Foundation, Paris, France)
7. Paul Guillaume, Marius de Zayas and African Arts: A Transatlantic Partnership, 1914-1923, Yaelle Biro (The Metropolitan Museum of Art, USA)
8. The Thannhauser Galleries: Forming International Alliances in an Era of Change, Valerie Nikola Ender (University of Cologne, Germany)
9. "A Viking sailing over the savage sea, far, far to the north": Walther Halvorsen, Christel H. Force (The Metropolitan Museum of Art, USA)
10. When French Dealers "Turned their Eyes Towards Scandinavia": The Svensk-Franska Konstgalleriet in Stockholm, Christina Brandberg (University of Loughborough, UK)
11. The Galerie Paul Rosenberg and the American Market in the Interwar Era, MaryKate Cleary (New York University, USA)
12. International Dealer Networks and the Market for Impressionism in London and Glasgow: Etienne Bignou, A.J. McNeill Reid, and Ernest Lefevre, Frances Fowle (University of Edinburgh, UK)
13. Etienne Bignou: The Gallery as Antechamber of the Museum, Christel H. Force (The Metropolitan Museum of Art, USA)
14. Capricious Cohorts: Rene Gimpel's Associates, Rivals, and Patrons Diana J. Kostyrko (Australian National University, Australia)
15. Valentine Dudensing and the Valentine Gallery: Selling the US on the School of Paris, Julia May Boddewyn (Independent Scholar, USA)
16. Conclusion, Veronique Chagnon-Burke (Christie's Education, New York, USA)
Author Biographies
Index
List of Figures
Series Editor's Introduction
Acknowledgements
1. Introduction: Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850-1950, Christel H. Force (The Metropolitan Museum of Art, USA)
2. Parisian Dealers and the American Market, 1860-1920, Paolo Serafini (Sapienza Universita di Roma, Italy), translated by Angelica Modabber
3. Old and New Worlds: Durand-Ruel and the International Market for Impressionism, Jennifer A. Thompson (Philadelphia Museum of Art, USA)
4. Moving Mountains: Paris-Based Dealers and the Economics of Translocation, David M. Challis (Melbourne University, Australia)
5. Daniel-Henry Kahnweiler's International Partnerships, 1907-1937, Verane Tasseau (Independent Scholar, France), translated by Celia Abele
6. Promoting Modernism in the 1920s: The Art Journals of Paul Guillaume, Leonce Rosenberg, and Alfred Flechtheim, Ambre Gauthier (Marc Chagall Foundation, Paris, France)
7. Paul Guillaume, Marius de Zayas and African Arts: A Transatlantic Partnership, 1914-1923, Yaelle Biro (The Metropolitan Museum of Art, USA)
8. The Thannhauser Galleries: Forming International Alliances in an Era of Change, Valerie Nikola Ender (University of Cologne, Germany)
9. "A Viking sailing over the savage sea, far, far to the north": Walther Halvorsen, Christel H. Force (The Metropolitan Museum of Art, USA)
10. When French Dealers "Turned their Eyes Towards Scandinavia": The Svensk-Franska Konstgalleriet in Stockholm, Christina Brandberg (University of Loughborough, UK)
11. The Galerie Paul Rosenberg and the American Market in the Interwar Era, MaryKate Cleary (New York University, USA)
12. International Dealer Networks and the Market for Impressionism in London and Glasgow: Etienne Bignou, A.J. McNeill Reid, and Ernest Lefevre, Frances Fowle (University of Edinburgh, UK)
13. Etienne Bignou: The Gallery as Antechamber of the Museum, Christel H. Force (The Metropolitan Museum of Art, USA)
14. Capricious Cohorts: Rene Gimpel's Associates, Rivals, and Patrons Diana J. Kostyrko (Australian National University, Australia)
15. Valentine Dudensing and the Valentine Gallery: Selling the US on the School of Paris, Julia May Boddewyn (Independent Scholar, USA)
16. Conclusion, Veronique Chagnon-Burke (Christie's Education, New York, USA)
Author Biographies
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Paris; capital of the art world; Impressionism; Post-Impressionism; modernism; modern art; contemporary art; salon system; dealer-critic system; competition vs collaboration; art-dealer network; transnational art-market network; transatlantic art market; global art market; modern art market; historical art market; Syndicat des editeurs d'art et negociants en tableaux modernes; Harrison and Cynthia White; David Galenson; Robert Jensen; Raymonde Moulin; marchand en chambre; dealer expert; entrepreneurial dealer; dealer as patron; ideological dealer; careers and canvases; monopoly; oligopoly
