Phonographic Modernity
portes grátis
Phonographic Modernity
The Gramophone Industry and Music Genres in East and Southeast Asia
Wang, Ying-fen; Wang, Ying-fen; Yamauchi, Fumitaka; Hosokawa, Fumitaka; Shing, Yung Sai; Wang, Ying-fen; Yamauchi, Fumitaka; Yamauchi, Fumitaka; Gibbs, Jason; Steen, Andreas
University of Illinois Press
12/2024
360
Dura
9780252046124
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Preface
Ying-fen Wang
Notes on Names, Transliterations, and Translations
Introduction: Phonographic Modernity and Audible History in East and Southeast Asia
Fumitaka Yamauchi
Part I: East Asia
Chapter 1. Technological Innovations and Corporate Power in the Japanese Record Industry, 1877-1945
Shuhei Hosokawa
Chapter 2. Phonographic Modernity and Korean Recordings, 1896-1945
Fumitaka Yamauchi
Chapter 3. The Shellac Period in China: Cooperation, Conflict, and the Sounds of an Era, 1903-1949
Andreas Steen
Chapter 4. Gramophone Industry in Hong Kong: The Production and Consumption of Cantonese Music Records, 1900-1940
Yung Sai Shing
Chapter 5. Sounding Taiwanese through Gramophone Recordings, 1895-1945
Ying-fen Wang
Part II: Southeast Asia
Chapter 6. A Missing Legacy: Evidence of Recorded Sound in Pre-1945 Vietnam
Jason Gibbs
Chapter 7. From Secretive Siam to the Independent Recording Industry of Thailand
James Mitchell
Chapter 8. Gramophone Records in Colonial Indonesia
Philip Yampolsky
Chapter 9. Recording the Modern: Local Hybridity and Meaning in the Pan-Malay Songs of British Malaya, 1903-1950s
Tan Sooi Beng
Appendix: Chinese and Japanese Names and Terms
Contributors
Index
Ying-fen Wang
Notes on Names, Transliterations, and Translations
Introduction: Phonographic Modernity and Audible History in East and Southeast Asia
Fumitaka Yamauchi
Part I: East Asia
Chapter 1. Technological Innovations and Corporate Power in the Japanese Record Industry, 1877-1945
Shuhei Hosokawa
Chapter 2. Phonographic Modernity and Korean Recordings, 1896-1945
Fumitaka Yamauchi
Chapter 3. The Shellac Period in China: Cooperation, Conflict, and the Sounds of an Era, 1903-1949
Andreas Steen
Chapter 4. Gramophone Industry in Hong Kong: The Production and Consumption of Cantonese Music Records, 1900-1940
Yung Sai Shing
Chapter 5. Sounding Taiwanese through Gramophone Recordings, 1895-1945
Ying-fen Wang
Part II: Southeast Asia
Chapter 6. A Missing Legacy: Evidence of Recorded Sound in Pre-1945 Vietnam
Jason Gibbs
Chapter 7. From Secretive Siam to the Independent Recording Industry of Thailand
James Mitchell
Chapter 8. Gramophone Records in Colonial Indonesia
Philip Yampolsky
Chapter 9. Recording the Modern: Local Hybridity and Meaning in the Pan-Malay Songs of British Malaya, 1903-1950s
Tan Sooi Beng
Appendix: Chinese and Japanese Names and Terms
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Photography; Japan; Korea; China; Hong Kong; Taiwan; Vietnam; French Indochina; Malaysia; British Malaya; Indonesia; Dutch East Indies; Siam; Thailand; colonialism; Peranakan; nationalism. phono-capitalism; cultural intermediary; major label; minor label; transimperial history; trans-local identification; intra-regional connection; constellated community; imagined community; phonographic past; phonographic present; Chinese diaspora; jazz; kayo; popular song; yuhaengga; fashionable song; sin min'yo; new folk song; xiqu; opera music; quyi; verbal arts; shidaiqu; songs-of-the-times; Cantopop; kua-a-hi; ballad opera; liu-hing-kua; longing for the past; reform; phleng Thai sakon; international style song; luk thung
Preface
Ying-fen Wang
Notes on Names, Transliterations, and Translations
Introduction: Phonographic Modernity and Audible History in East and Southeast Asia
Fumitaka Yamauchi
Part I: East Asia
Chapter 1. Technological Innovations and Corporate Power in the Japanese Record Industry, 1877-1945
Shuhei Hosokawa
Chapter 2. Phonographic Modernity and Korean Recordings, 1896-1945
Fumitaka Yamauchi
Chapter 3. The Shellac Period in China: Cooperation, Conflict, and the Sounds of an Era, 1903-1949
Andreas Steen
Chapter 4. Gramophone Industry in Hong Kong: The Production and Consumption of Cantonese Music Records, 1900-1940
Yung Sai Shing
Chapter 5. Sounding Taiwanese through Gramophone Recordings, 1895-1945
Ying-fen Wang
Part II: Southeast Asia
Chapter 6. A Missing Legacy: Evidence of Recorded Sound in Pre-1945 Vietnam
Jason Gibbs
Chapter 7. From Secretive Siam to the Independent Recording Industry of Thailand
James Mitchell
Chapter 8. Gramophone Records in Colonial Indonesia
Philip Yampolsky
Chapter 9. Recording the Modern: Local Hybridity and Meaning in the Pan-Malay Songs of British Malaya, 1903-1950s
Tan Sooi Beng
Appendix: Chinese and Japanese Names and Terms
Contributors
Index
Ying-fen Wang
Notes on Names, Transliterations, and Translations
Introduction: Phonographic Modernity and Audible History in East and Southeast Asia
Fumitaka Yamauchi
Part I: East Asia
Chapter 1. Technological Innovations and Corporate Power in the Japanese Record Industry, 1877-1945
Shuhei Hosokawa
Chapter 2. Phonographic Modernity and Korean Recordings, 1896-1945
Fumitaka Yamauchi
Chapter 3. The Shellac Period in China: Cooperation, Conflict, and the Sounds of an Era, 1903-1949
Andreas Steen
Chapter 4. Gramophone Industry in Hong Kong: The Production and Consumption of Cantonese Music Records, 1900-1940
Yung Sai Shing
Chapter 5. Sounding Taiwanese through Gramophone Recordings, 1895-1945
Ying-fen Wang
Part II: Southeast Asia
Chapter 6. A Missing Legacy: Evidence of Recorded Sound in Pre-1945 Vietnam
Jason Gibbs
Chapter 7. From Secretive Siam to the Independent Recording Industry of Thailand
James Mitchell
Chapter 8. Gramophone Records in Colonial Indonesia
Philip Yampolsky
Chapter 9. Recording the Modern: Local Hybridity and Meaning in the Pan-Malay Songs of British Malaya, 1903-1950s
Tan Sooi Beng
Appendix: Chinese and Japanese Names and Terms
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Photography; Japan; Korea; China; Hong Kong; Taiwan; Vietnam; French Indochina; Malaysia; British Malaya; Indonesia; Dutch East Indies; Siam; Thailand; colonialism; Peranakan; nationalism. phono-capitalism; cultural intermediary; major label; minor label; transimperial history; trans-local identification; intra-regional connection; constellated community; imagined community; phonographic past; phonographic present; Chinese diaspora; jazz; kayo; popular song; yuhaengga; fashionable song; sin min'yo; new folk song; xiqu; opera music; quyi; verbal arts; shidaiqu; songs-of-the-times; Cantopop; kua-a-hi; ballad opera; liu-hing-kua; longing for the past; reform; phleng Thai sakon; international style song; luk thung
