Performing Indigenous Identities on the Contemporary Australian Stage

Introduction; Chapter 1- Cultural and Historical Context; Chapter 2- Contemporary Indigenous Australian Theatre; Chapter 3- Case Study: Scott Rankin's NAMATJIRA (2010); Chapter 4- Case Study: Wesley Enoch & Anita Heiss' I AM EORA (2012); Conclusion

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• Colonialismo, imperialismo e
• História social e cultural
• Estudos teatrais
• Museus e museologia
• Artes de representação (performativas)
• Estudos cultirais

Young Man;Played Back;contemporary Australian identity politics;Northern Territory National Emergency Response;post-colonial drama;Wemba Wemba;indigenous Australian theatre;Indigenous Australian Identity;indigenous Australian cultural frameworks;Whiteness Studies Scholars;Australian mainstage;Active Relationship Maintenance;Territory National Emergency Response Act;Eora Nation;Helena Grehan;Indigenous Australian Cultures;Albert Namatjira;non-Indigenous Background;Indigenous Australian People;non-Indigenous Audiences;Indigenous Australian;non-Indigenous Identifications;Eora People;Greater Sydney Region;Albert's Story;Australian Space;non-Indigenous Australian;Yolngu Law;Sydney Festival;Colonial Space