Owning Performance | Performing Ownership
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Owning Performance | Performing Ownership
Literary Property and the Eighteenth-Century British Stage
Wessel, Jane
The University of Michigan Press
07/2022
232
Dura
Inglês
9780472133079
15 a 20 dias
Descrição não disponível.
Contents
Introduction
Chapter One
Charles Macklin and the Turn Away from Print
Chapter Two
Samuel Foote's Strategic Ephemerality
Chapter Three
Managerial Interventions: George Colman, Thomas Harris, R.B. Sheridan, and the Practice of Buying Copyrights
Chapter Four
Tate Wilkinson's Re-Performances: Performance as Piracy and Preservation
Chapter Five
Printing and Performing Drama in the Final Quarter of the Century: Elizabeth Inchbald and John O'Keeffe
Epilogue
Performing Ownership before Parliament: Literary Property and the "Decline of Drama"
Notes
Bibliography
Index
Introduction
Chapter One
Charles Macklin and the Turn Away from Print
Chapter Two
Samuel Foote's Strategic Ephemerality
Chapter Three
Managerial Interventions: George Colman, Thomas Harris, R.B. Sheridan, and the Practice of Buying Copyrights
Chapter Four
Tate Wilkinson's Re-Performances: Performance as Piracy and Preservation
Chapter Five
Printing and Performing Drama in the Final Quarter of the Century: Elizabeth Inchbald and John O'Keeffe
Epilogue
Performing Ownership before Parliament: Literary Property and the "Decline of Drama"
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Performance copyright; dramatic literary property act; eighteenth-century theatre; theatre history; performance studies; history of intellectual property; literary property; copyright; Charles Macklin; Samuel Foote; Tate Wilkinson; Elizabeth Inchbald; John O'Keeffe; Richard Brinsley Sheridan; George Colman; mimicry; property; piracy; playbills; select committee on dramatic literature
Contents
Introduction
Chapter One
Charles Macklin and the Turn Away from Print
Chapter Two
Samuel Foote's Strategic Ephemerality
Chapter Three
Managerial Interventions: George Colman, Thomas Harris, R.B. Sheridan, and the Practice of Buying Copyrights
Chapter Four
Tate Wilkinson's Re-Performances: Performance as Piracy and Preservation
Chapter Five
Printing and Performing Drama in the Final Quarter of the Century: Elizabeth Inchbald and John O'Keeffe
Epilogue
Performing Ownership before Parliament: Literary Property and the "Decline of Drama"
Notes
Bibliography
Index
Introduction
Chapter One
Charles Macklin and the Turn Away from Print
Chapter Two
Samuel Foote's Strategic Ephemerality
Chapter Three
Managerial Interventions: George Colman, Thomas Harris, R.B. Sheridan, and the Practice of Buying Copyrights
Chapter Four
Tate Wilkinson's Re-Performances: Performance as Piracy and Preservation
Chapter Five
Printing and Performing Drama in the Final Quarter of the Century: Elizabeth Inchbald and John O'Keeffe
Epilogue
Performing Ownership before Parliament: Literary Property and the "Decline of Drama"
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Performance copyright; dramatic literary property act; eighteenth-century theatre; theatre history; performance studies; history of intellectual property; literary property; copyright; Charles Macklin; Samuel Foote; Tate Wilkinson; Elizabeth Inchbald; John O'Keeffe; Richard Brinsley Sheridan; George Colman; mimicry; property; piracy; playbills; select committee on dramatic literature
