Nomadic Cinema
portes grátis
Nomadic Cinema
A Cultural Geography of the Expedition Film
Griffiths, Alison
Columbia University Press
04/2025
368
Dura
9780231192583
15 a 20 dias
Descrição não disponível.
List of Illustrations
Acknowledgments
Introduction: Decolonial Praxis
Part I. Prehistories and Contexts of the Expedition Film
1. Medieval Cartography and the Repressed Imaginary of the Exploitation Expedition Film
2. The Dialectics of Adventure: Counterhistory and the Explorers Club in New York City
Part II. The Small Expedition Film and Archival Return
3. Intersubjectivity and Selfhood in the Lone-Wolf Expedition
4. Southwest Imaginaries: Native American Identity and Digital Return
Part III. Affective Geography and Spatial Epistemologies
5. Cinema in Extremis: Monumentality, Mount Everest, and Indigenous Intermediaries
6. Cinema as Visual Small Talk: The Anxious Optic of the 1926 Morden-Clark Expedition Across Central Asia
Conclusion: Virtual Reality, Indigenous Futurism, and the Legacy of the Expedition Film
Notes
Filmography
Bibliography
Index
Acknowledgments
Introduction: Decolonial Praxis
Part I. Prehistories and Contexts of the Expedition Film
1. Medieval Cartography and the Repressed Imaginary of the Exploitation Expedition Film
2. The Dialectics of Adventure: Counterhistory and the Explorers Club in New York City
Part II. The Small Expedition Film and Archival Return
3. Intersubjectivity and Selfhood in the Lone-Wolf Expedition
4. Southwest Imaginaries: Native American Identity and Digital Return
Part III. Affective Geography and Spatial Epistemologies
5. Cinema in Extremis: Monumentality, Mount Everest, and Indigenous Intermediaries
6. Cinema as Visual Small Talk: The Anxious Optic of the 1926 Morden-Clark Expedition Across Central Asia
Conclusion: Virtual Reality, Indigenous Futurism, and the Legacy of the Expedition Film
Notes
Filmography
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
performing arts; social science
List of Illustrations
Acknowledgments
Introduction: Decolonial Praxis
Part I. Prehistories and Contexts of the Expedition Film
1. Medieval Cartography and the Repressed Imaginary of the Exploitation Expedition Film
2. The Dialectics of Adventure: Counterhistory and the Explorers Club in New York City
Part II. The Small Expedition Film and Archival Return
3. Intersubjectivity and Selfhood in the Lone-Wolf Expedition
4. Southwest Imaginaries: Native American Identity and Digital Return
Part III. Affective Geography and Spatial Epistemologies
5. Cinema in Extremis: Monumentality, Mount Everest, and Indigenous Intermediaries
6. Cinema as Visual Small Talk: The Anxious Optic of the 1926 Morden-Clark Expedition Across Central Asia
Conclusion: Virtual Reality, Indigenous Futurism, and the Legacy of the Expedition Film
Notes
Filmography
Bibliography
Index
Acknowledgments
Introduction: Decolonial Praxis
Part I. Prehistories and Contexts of the Expedition Film
1. Medieval Cartography and the Repressed Imaginary of the Exploitation Expedition Film
2. The Dialectics of Adventure: Counterhistory and the Explorers Club in New York City
Part II. The Small Expedition Film and Archival Return
3. Intersubjectivity and Selfhood in the Lone-Wolf Expedition
4. Southwest Imaginaries: Native American Identity and Digital Return
Part III. Affective Geography and Spatial Epistemologies
5. Cinema in Extremis: Monumentality, Mount Everest, and Indigenous Intermediaries
6. Cinema as Visual Small Talk: The Anxious Optic of the 1926 Morden-Clark Expedition Across Central Asia
Conclusion: Virtual Reality, Indigenous Futurism, and the Legacy of the Expedition Film
Notes
Filmography
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
