New Wave, New Hollywood
portes grátis
New Wave, New Hollywood
Reassessment, Recovery, and Legacy
Frame, Dr. Gregory; Abrams, Professor Nathan
Bloomsbury Publishing Plc
10/2021
272
Dura
Inglês
9781501360404
15 a 20 dias
531
Descrição não disponível.
List of illustrations
Notes on contributors
Acknowledgments
1. Introduction
Nathan Abrams and Gregory Frame
2. The Great Shift in Hollywood Cinema: Men, Women, and Genre Revisionism
of the American New Wave
Fjoralba Miraka
3. Formal Radicalism vs. Radical Representation: Reassessing The French
Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)
Cary Edwards
4. A Wave of Their Own: How Jewish Filmmakers Invented the New Hollywood
Vincent Brook
5. New Hollywood's "Zany Godards": A "Shirley" Serious Assessment of Zucker-Abrahams-Zucker
Emilio Audissino
6. Design as Authorship: Polly Platt's New Hollywood Aesthetic
Aaron Hunter
7. "The Ultimate Fusion of Commerce and Art": Waldo Salt and Screenwriting in
the 1970s
Oliver Gruner
8. Expanding the Past: Julie Dash and Zora Neale Hurston, African American
Women filmmakers of New Hollywood and Early Cinema
Aimee Dixon Anthony
9. Lost in the Landscape: The Legacy of Barbara Loden's Wanda (1970) on the Contemporary American Independent Female Road Movie
Aimee Mollaghan
10. The New Wave in the New Millennium: Joker, Taxi Driver, Nostalgia, and
Trumpian Politics
Karen Ritzenhoff and Hannah D'Orso
11. Indie Courtship: Pursuing the American New Wave
Kim Wilkins
12. Afterword: New Wave, New Hollywood, New Research
Peter Kraemer
Index
Notes on contributors
Acknowledgments
1. Introduction
Nathan Abrams and Gregory Frame
2. The Great Shift in Hollywood Cinema: Men, Women, and Genre Revisionism
of the American New Wave
Fjoralba Miraka
3. Formal Radicalism vs. Radical Representation: Reassessing The French
Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)
Cary Edwards
4. A Wave of Their Own: How Jewish Filmmakers Invented the New Hollywood
Vincent Brook
5. New Hollywood's "Zany Godards": A "Shirley" Serious Assessment of Zucker-Abrahams-Zucker
Emilio Audissino
6. Design as Authorship: Polly Platt's New Hollywood Aesthetic
Aaron Hunter
7. "The Ultimate Fusion of Commerce and Art": Waldo Salt and Screenwriting in
the 1970s
Oliver Gruner
8. Expanding the Past: Julie Dash and Zora Neale Hurston, African American
Women filmmakers of New Hollywood and Early Cinema
Aimee Dixon Anthony
9. Lost in the Landscape: The Legacy of Barbara Loden's Wanda (1970) on the Contemporary American Independent Female Road Movie
Aimee Mollaghan
10. The New Wave in the New Millennium: Joker, Taxi Driver, Nostalgia, and
Trumpian Politics
Karen Ritzenhoff and Hannah D'Orso
11. Indie Courtship: Pursuing the American New Wave
Kim Wilkins
12. Afterword: New Wave, New Hollywood, New Research
Peter Kraemer
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
List of illustrations
Notes on contributors
Acknowledgments
1. Introduction
Nathan Abrams and Gregory Frame
2. The Great Shift in Hollywood Cinema: Men, Women, and Genre Revisionism
of the American New Wave
Fjoralba Miraka
3. Formal Radicalism vs. Radical Representation: Reassessing The French
Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)
Cary Edwards
4. A Wave of Their Own: How Jewish Filmmakers Invented the New Hollywood
Vincent Brook
5. New Hollywood's "Zany Godards": A "Shirley" Serious Assessment of Zucker-Abrahams-Zucker
Emilio Audissino
6. Design as Authorship: Polly Platt's New Hollywood Aesthetic
Aaron Hunter
7. "The Ultimate Fusion of Commerce and Art": Waldo Salt and Screenwriting in
the 1970s
Oliver Gruner
8. Expanding the Past: Julie Dash and Zora Neale Hurston, African American
Women filmmakers of New Hollywood and Early Cinema
Aimee Dixon Anthony
9. Lost in the Landscape: The Legacy of Barbara Loden's Wanda (1970) on the Contemporary American Independent Female Road Movie
Aimee Mollaghan
10. The New Wave in the New Millennium: Joker, Taxi Driver, Nostalgia, and
Trumpian Politics
Karen Ritzenhoff and Hannah D'Orso
11. Indie Courtship: Pursuing the American New Wave
Kim Wilkins
12. Afterword: New Wave, New Hollywood, New Research
Peter Kraemer
Index
Notes on contributors
Acknowledgments
1. Introduction
Nathan Abrams and Gregory Frame
2. The Great Shift in Hollywood Cinema: Men, Women, and Genre Revisionism
of the American New Wave
Fjoralba Miraka
3. Formal Radicalism vs. Radical Representation: Reassessing The French
Connection (William Friedkin, 1971) and Dirty Harry (Don Siegel, 1971)
Cary Edwards
4. A Wave of Their Own: How Jewish Filmmakers Invented the New Hollywood
Vincent Brook
5. New Hollywood's "Zany Godards": A "Shirley" Serious Assessment of Zucker-Abrahams-Zucker
Emilio Audissino
6. Design as Authorship: Polly Platt's New Hollywood Aesthetic
Aaron Hunter
7. "The Ultimate Fusion of Commerce and Art": Waldo Salt and Screenwriting in
the 1970s
Oliver Gruner
8. Expanding the Past: Julie Dash and Zora Neale Hurston, African American
Women filmmakers of New Hollywood and Early Cinema
Aimee Dixon Anthony
9. Lost in the Landscape: The Legacy of Barbara Loden's Wanda (1970) on the Contemporary American Independent Female Road Movie
Aimee Mollaghan
10. The New Wave in the New Millennium: Joker, Taxi Driver, Nostalgia, and
Trumpian Politics
Karen Ritzenhoff and Hannah D'Orso
11. Indie Courtship: Pursuing the American New Wave
Kim Wilkins
12. Afterword: New Wave, New Hollywood, New Research
Peter Kraemer
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.