New Perspectives on Handel's Music
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New Perspectives on Handel's Music
Essays in Honour of Donald Burrows
Roberts, Professor John H.; Gardner, Prof Matthew; Vickers, David; Ograjensek, Suzana; Jones, Andrew V.; Hunter, David; Wollston, Dr Silas; Vickers, David; Clausen, Dr Hans Dieter; Kimbell, Professor David R.B.
Boydell & Brewer Ltd
10/2022
476
Dura
Inglês
9781783271467
15 a 20 dias
Descrição não disponível.
Ouverture
David Vickers
Act I. Handel's Music and Creative Practices
1 'Almire regiere': Some Reflections on the First Aria in Handel's First Opera
David Kimbell
2 Il pastor fido by Guarini (1585) and Handel (1712): From tragicommedia pastorale to dramma per musica
Suzana Ograjensek
3 Late or Soon? Cadential Timing in the Continuo Recitatives of Handel and his Contemporaries
John H. Roberts
4 Handel's Bilingual Versions of Esther and Deborah, 1734-1737
David Vickers
5 Handel's Compositional Process in the Creation of the Grand Concertos, Op. 6
Silas Wollston
6 The London Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della Verita (1737) and The Triumph of Time and Truth (1757)
Matthew Gardner
Act II. Sources, Documents and Attributions
7 Handel's Continuo Cantatas: Problems of Authenticity, Classification and Chronology
Andrew V. Jones
8 When and Why Did Handel Replace his Conducting Scores?
Hans Dieter Clausen
9 Handel, the Duke of Chandos and Investing in the Royal African Company
David Hunter
10 Handel and Comus at Exton
Colin Timms
11 Wordbooks for Handel's Oratorios, Especially Joseph and his Brethren and Hercules: Copyright and Production
Leslie M.M. Robarts
12 New Music by Handel for Horns?
?Anthony Hicks (rev. Colin Timms)
Act III. Context and Reception
13 Bach and Handel: Differences within a Common Culture of Musical Invention
John Butt
14 Le rivale regine: Faustina and Cuzzoni in Satirical Engravings, Literature and Opera in the 1720s and 1730s
Richard G. King
15 Charles Jennens Revisited
Ruth Smith
16 'O Come, Let us Sing unto the Lord': Performances of the Cannons Anthems during Handel's Lifetime
Graydon Beeks
17 Charity Performances of Handel's Works in Eighteenth-Century Dublin (1736-1760)
Triona O'Hanlon
18 Early Keepers of the Flame: Vanneschi (and Handel) at the Opera
Michael Burden
19 Revamped Handel: The Content and Context of his So-Called 'Miserere'
H. Diack Johnstone
20 Handel's 'celebrated Largo': Remarks on the Reception History of 'Ombra mai fu'
Annette Landgraf
The Works of Donald Burrows
Index of Handel's Works
General Index
Tabula Gratulatoria
David Vickers
Act I. Handel's Music and Creative Practices
1 'Almire regiere': Some Reflections on the First Aria in Handel's First Opera
David Kimbell
2 Il pastor fido by Guarini (1585) and Handel (1712): From tragicommedia pastorale to dramma per musica
Suzana Ograjensek
3 Late or Soon? Cadential Timing in the Continuo Recitatives of Handel and his Contemporaries
John H. Roberts
4 Handel's Bilingual Versions of Esther and Deborah, 1734-1737
David Vickers
5 Handel's Compositional Process in the Creation of the Grand Concertos, Op. 6
Silas Wollston
6 The London Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della Verita (1737) and The Triumph of Time and Truth (1757)
Matthew Gardner
Act II. Sources, Documents and Attributions
7 Handel's Continuo Cantatas: Problems of Authenticity, Classification and Chronology
Andrew V. Jones
8 When and Why Did Handel Replace his Conducting Scores?
Hans Dieter Clausen
9 Handel, the Duke of Chandos and Investing in the Royal African Company
David Hunter
10 Handel and Comus at Exton
Colin Timms
11 Wordbooks for Handel's Oratorios, Especially Joseph and his Brethren and Hercules: Copyright and Production
Leslie M.M. Robarts
12 New Music by Handel for Horns?
?Anthony Hicks (rev. Colin Timms)
Act III. Context and Reception
13 Bach and Handel: Differences within a Common Culture of Musical Invention
John Butt
14 Le rivale regine: Faustina and Cuzzoni in Satirical Engravings, Literature and Opera in the 1720s and 1730s
Richard G. King
15 Charles Jennens Revisited
Ruth Smith
16 'O Come, Let us Sing unto the Lord': Performances of the Cannons Anthems during Handel's Lifetime
Graydon Beeks
17 Charity Performances of Handel's Works in Eighteenth-Century Dublin (1736-1760)
Triona O'Hanlon
18 Early Keepers of the Flame: Vanneschi (and Handel) at the Opera
Michael Burden
19 Revamped Handel: The Content and Context of his So-Called 'Miserere'
H. Diack Johnstone
20 Handel's 'celebrated Largo': Remarks on the Reception History of 'Ombra mai fu'
Annette Landgraf
The Works of Donald Burrows
Index of Handel's Works
General Index
Tabula Gratulatoria
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Handel's music; interdisciplinary musicology; Donald Burrows; traditional philological enquiry; modern interdisciplinary musicology; musical case studies; sources; documents; attributions; context; reception; Handel Institute
Ouverture
David Vickers
Act I. Handel's Music and Creative Practices
1 'Almire regiere': Some Reflections on the First Aria in Handel's First Opera
David Kimbell
2 Il pastor fido by Guarini (1585) and Handel (1712): From tragicommedia pastorale to dramma per musica
Suzana Ograjensek
3 Late or Soon? Cadential Timing in the Continuo Recitatives of Handel and his Contemporaries
John H. Roberts
4 Handel's Bilingual Versions of Esther and Deborah, 1734-1737
David Vickers
5 Handel's Compositional Process in the Creation of the Grand Concertos, Op. 6
Silas Wollston
6 The London Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della Verita (1737) and The Triumph of Time and Truth (1757)
Matthew Gardner
Act II. Sources, Documents and Attributions
7 Handel's Continuo Cantatas: Problems of Authenticity, Classification and Chronology
Andrew V. Jones
8 When and Why Did Handel Replace his Conducting Scores?
Hans Dieter Clausen
9 Handel, the Duke of Chandos and Investing in the Royal African Company
David Hunter
10 Handel and Comus at Exton
Colin Timms
11 Wordbooks for Handel's Oratorios, Especially Joseph and his Brethren and Hercules: Copyright and Production
Leslie M.M. Robarts
12 New Music by Handel for Horns?
?Anthony Hicks (rev. Colin Timms)
Act III. Context and Reception
13 Bach and Handel: Differences within a Common Culture of Musical Invention
John Butt
14 Le rivale regine: Faustina and Cuzzoni in Satirical Engravings, Literature and Opera in the 1720s and 1730s
Richard G. King
15 Charles Jennens Revisited
Ruth Smith
16 'O Come, Let us Sing unto the Lord': Performances of the Cannons Anthems during Handel's Lifetime
Graydon Beeks
17 Charity Performances of Handel's Works in Eighteenth-Century Dublin (1736-1760)
Triona O'Hanlon
18 Early Keepers of the Flame: Vanneschi (and Handel) at the Opera
Michael Burden
19 Revamped Handel: The Content and Context of his So-Called 'Miserere'
H. Diack Johnstone
20 Handel's 'celebrated Largo': Remarks on the Reception History of 'Ombra mai fu'
Annette Landgraf
The Works of Donald Burrows
Index of Handel's Works
General Index
Tabula Gratulatoria
David Vickers
Act I. Handel's Music and Creative Practices
1 'Almire regiere': Some Reflections on the First Aria in Handel's First Opera
David Kimbell
2 Il pastor fido by Guarini (1585) and Handel (1712): From tragicommedia pastorale to dramma per musica
Suzana Ograjensek
3 Late or Soon? Cadential Timing in the Continuo Recitatives of Handel and his Contemporaries
John H. Roberts
4 Handel's Bilingual Versions of Esther and Deborah, 1734-1737
David Vickers
5 Handel's Compositional Process in the Creation of the Grand Concertos, Op. 6
Silas Wollston
6 The London Revisions of Handel's First Roman Oratorio: Il trionfo del Tempo e della Verita (1737) and The Triumph of Time and Truth (1757)
Matthew Gardner
Act II. Sources, Documents and Attributions
7 Handel's Continuo Cantatas: Problems of Authenticity, Classification and Chronology
Andrew V. Jones
8 When and Why Did Handel Replace his Conducting Scores?
Hans Dieter Clausen
9 Handel, the Duke of Chandos and Investing in the Royal African Company
David Hunter
10 Handel and Comus at Exton
Colin Timms
11 Wordbooks for Handel's Oratorios, Especially Joseph and his Brethren and Hercules: Copyright and Production
Leslie M.M. Robarts
12 New Music by Handel for Horns?
?Anthony Hicks (rev. Colin Timms)
Act III. Context and Reception
13 Bach and Handel: Differences within a Common Culture of Musical Invention
John Butt
14 Le rivale regine: Faustina and Cuzzoni in Satirical Engravings, Literature and Opera in the 1720s and 1730s
Richard G. King
15 Charles Jennens Revisited
Ruth Smith
16 'O Come, Let us Sing unto the Lord': Performances of the Cannons Anthems during Handel's Lifetime
Graydon Beeks
17 Charity Performances of Handel's Works in Eighteenth-Century Dublin (1736-1760)
Triona O'Hanlon
18 Early Keepers of the Flame: Vanneschi (and Handel) at the Opera
Michael Burden
19 Revamped Handel: The Content and Context of his So-Called 'Miserere'
H. Diack Johnstone
20 Handel's 'celebrated Largo': Remarks on the Reception History of 'Ombra mai fu'
Annette Landgraf
The Works of Donald Burrows
Index of Handel's Works
General Index
Tabula Gratulatoria
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
