Music in Crime, Resistance, and Identity
portes grátis
Music in Crime, Resistance, and Identity
Peters, Eleanor
Taylor & Francis Ltd
10/2024
128
Mole
9781032030500
15 a 20 dias
Descrição não disponível.
Chapter 1: Introduction
Chapter 2: Revolutionary Music and American Protests: Four Dead in Ohio
Chapter 3: The Norwegian Black Metal Second Wave: A Space for Performative Politics
Chapter 4: Musical Experience as Penumbra, Haecceity & Utopian Fractal
Chapter 5: Indonesian Death Metal Music and Alleged or Apparent Criminality: Policing Death
Chapter 6: Decriminalising Rap Beat by Beat: Two Questions in Search of Answers
Chapter 7: Human Rights and Harms: Music
Chapter 8: Music in the Collective Lives of Prisoners
Chapter 9: The Benefits of Music Engagement Projects on Young People: A Music and Education Perspective
Chapter 2: Revolutionary Music and American Protests: Four Dead in Ohio
Chapter 3: The Norwegian Black Metal Second Wave: A Space for Performative Politics
Chapter 4: Musical Experience as Penumbra, Haecceity & Utopian Fractal
Chapter 5: Indonesian Death Metal Music and Alleged or Apparent Criminality: Policing Death
Chapter 6: Decriminalising Rap Beat by Beat: Two Questions in Search of Answers
Chapter 7: Human Rights and Harms: Music
Chapter 8: Music in the Collective Lives of Prisoners
Chapter 9: The Benefits of Music Engagement Projects on Young People: A Music and Education Perspective
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
music genres and crime;cultural impact of music;crime and politics;Music and human rights;resistance and music;Criminalising Rap;black metal music;Musical revolution;Black Metal;Death Metal;Violate;Young Men;Occupy Wall Street;Youth Justice System;In-cell Television;White Supremacist Capitalist Patriarchy;Sonoric Folds;Musical Listening;Revolutionary Suicide;Carceral Spaces;Metal Scene;Music Programme;Critical Criminology;Dead Kennedys;Black Women Rappers;Hip Hop Wars;Varg Vikernes;Drowning Pool;Narrative Criminology;Traditional Heavy Metal;Drill Music;Rap Music;Young Prisoners
Chapter 1: Introduction
Chapter 2: Revolutionary Music and American Protests: Four Dead in Ohio
Chapter 3: The Norwegian Black Metal Second Wave: A Space for Performative Politics
Chapter 4: Musical Experience as Penumbra, Haecceity & Utopian Fractal
Chapter 5: Indonesian Death Metal Music and Alleged or Apparent Criminality: Policing Death
Chapter 6: Decriminalising Rap Beat by Beat: Two Questions in Search of Answers
Chapter 7: Human Rights and Harms: Music
Chapter 8: Music in the Collective Lives of Prisoners
Chapter 9: The Benefits of Music Engagement Projects on Young People: A Music and Education Perspective
Chapter 2: Revolutionary Music and American Protests: Four Dead in Ohio
Chapter 3: The Norwegian Black Metal Second Wave: A Space for Performative Politics
Chapter 4: Musical Experience as Penumbra, Haecceity & Utopian Fractal
Chapter 5: Indonesian Death Metal Music and Alleged or Apparent Criminality: Policing Death
Chapter 6: Decriminalising Rap Beat by Beat: Two Questions in Search of Answers
Chapter 7: Human Rights and Harms: Music
Chapter 8: Music in the Collective Lives of Prisoners
Chapter 9: The Benefits of Music Engagement Projects on Young People: A Music and Education Perspective
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
music genres and crime;cultural impact of music;crime and politics;Music and human rights;resistance and music;Criminalising Rap;black metal music;Musical revolution;Black Metal;Death Metal;Violate;Young Men;Occupy Wall Street;Youth Justice System;In-cell Television;White Supremacist Capitalist Patriarchy;Sonoric Folds;Musical Listening;Revolutionary Suicide;Carceral Spaces;Metal Scene;Music Programme;Critical Criminology;Dead Kennedys;Black Women Rappers;Hip Hop Wars;Varg Vikernes;Drowning Pool;Narrative Criminology;Traditional Heavy Metal;Drill Music;Rap Music;Young Prisoners
