Music and Sound in European Theatre
portes grátis
Music and Sound in European Theatre
Practices, Performances, Perspectives
Quick, Tamara Yasmin; Roesner, David
Taylor & Francis Ltd
11/2024
356
Dura
9781032675114
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Contributors
Acknowledgements
Foreword
Introduction
Part 1. Setting the Scene
What is Theatre Music?
More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music
Part 2. Theatre Music and Musical Heritages in Transition
'For your time draweth fast, if ye will saved be' - Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann
Kilam as Theatre Music in Kurdish Theatre in Turkey
Ways of Listening: Maqam Music on the Contemporary Stage
Mixtape Dramaturgy. The Case of Jan Klata
Part 3. Theatre Music and / as Performance
Theatre Music as Theatrical Scene - Reflections on a 'Disciplinary Dilemma'
Staging (Theatre) Music Reception: Voicing Unacoustics in Sophocles' Trackers
More Than Unseen Sounds - Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice
Part 4. Theatre Music and / as Experience
Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience
The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a Literary Theatre
At the Interface of 'Theatre Music' and 'Music Theatre'. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher
The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences
Part 5. Theatre Music Between and Beyond Genres
Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic
Inside Yellow Sound and the Vibrations of the Audience's Soul
Narrating Exilic Stories through Composed Atmospheres: A Cognitive-Narratological Investigation of Music in Singuliere Odyssee
Part 6. Theatre Music and Training
An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene
The Shaping of "Good Sound" in Handbooks for Theatre Sound Creation
Index
Acknowledgements
Foreword
Introduction
Part 1. Setting the Scene
What is Theatre Music?
More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music
Part 2. Theatre Music and Musical Heritages in Transition
'For your time draweth fast, if ye will saved be' - Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann
Kilam as Theatre Music in Kurdish Theatre in Turkey
Ways of Listening: Maqam Music on the Contemporary Stage
Mixtape Dramaturgy. The Case of Jan Klata
Part 3. Theatre Music and / as Performance
Theatre Music as Theatrical Scene - Reflections on a 'Disciplinary Dilemma'
Staging (Theatre) Music Reception: Voicing Unacoustics in Sophocles' Trackers
More Than Unseen Sounds - Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice
Part 4. Theatre Music and / as Experience
Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience
The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a Literary Theatre
At the Interface of 'Theatre Music' and 'Music Theatre'. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher
The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences
Part 5. Theatre Music Between and Beyond Genres
Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic
Inside Yellow Sound and the Vibrations of the Audience's Soul
Narrating Exilic Stories through Composed Atmospheres: A Cognitive-Narratological Investigation of Music in Singuliere Odyssee
Part 6. Theatre Music and Training
An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene
The Shaping of "Good Sound" in Handbooks for Theatre Sound Creation
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Theatre music;Opera;Postdramatic theatre
List of Contributors
Acknowledgements
Foreword
Introduction
Part 1. Setting the Scene
What is Theatre Music?
More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music
Part 2. Theatre Music and Musical Heritages in Transition
'For your time draweth fast, if ye will saved be' - Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann
Kilam as Theatre Music in Kurdish Theatre in Turkey
Ways of Listening: Maqam Music on the Contemporary Stage
Mixtape Dramaturgy. The Case of Jan Klata
Part 3. Theatre Music and / as Performance
Theatre Music as Theatrical Scene - Reflections on a 'Disciplinary Dilemma'
Staging (Theatre) Music Reception: Voicing Unacoustics in Sophocles' Trackers
More Than Unseen Sounds - Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice
Part 4. Theatre Music and / as Experience
Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience
The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a Literary Theatre
At the Interface of 'Theatre Music' and 'Music Theatre'. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher
The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences
Part 5. Theatre Music Between and Beyond Genres
Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic
Inside Yellow Sound and the Vibrations of the Audience's Soul
Narrating Exilic Stories through Composed Atmospheres: A Cognitive-Narratological Investigation of Music in Singuliere Odyssee
Part 6. Theatre Music and Training
An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene
The Shaping of "Good Sound" in Handbooks for Theatre Sound Creation
Index
Acknowledgements
Foreword
Introduction
Part 1. Setting the Scene
What is Theatre Music?
More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music
Part 2. Theatre Music and Musical Heritages in Transition
'For your time draweth fast, if ye will saved be' - Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann
Kilam as Theatre Music in Kurdish Theatre in Turkey
Ways of Listening: Maqam Music on the Contemporary Stage
Mixtape Dramaturgy. The Case of Jan Klata
Part 3. Theatre Music and / as Performance
Theatre Music as Theatrical Scene - Reflections on a 'Disciplinary Dilemma'
Staging (Theatre) Music Reception: Voicing Unacoustics in Sophocles' Trackers
More Than Unseen Sounds - Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice
Part 4. Theatre Music and / as Experience
Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience
The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a Literary Theatre
At the Interface of 'Theatre Music' and 'Music Theatre'. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher
The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences
Part 5. Theatre Music Between and Beyond Genres
Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic
Inside Yellow Sound and the Vibrations of the Audience's Soul
Narrating Exilic Stories through Composed Atmospheres: A Cognitive-Narratological Investigation of Music in Singuliere Odyssee
Part 6. Theatre Music and Training
An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene
The Shaping of "Good Sound" in Handbooks for Theatre Sound Creation
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.