Music, Sound, and Documentary Film in the Global South
portes grátis
Music, Sound, and Documentary Film in the Global South
Pillai, Malavika P.; Izquierdo, Lucas; Brunou, Miki; Ballengee, Christopher L.; Pineda, Yovanna; Bagoo, Andre; Maiti, Rounak; Araujo, Daniel Nevarez; Kafumbe, Damascus; James, Rajesh
Lexington Books
10/2022
194
Dura
Inglês
9781666902952
15 a 20 dias
Descrição não disponível.
Introduction: Being Heard: Music, Sound, and Documentary Film in the Global South
Christopher L. Ballengee
Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic Horizons at Films Division India, 1950-1975
Rounak Maiti
Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the Sound of Laughter
Michael Newell Witte
Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic Approach
Damascus Kafumbe
Chapter 4. Narrating a Revolutionary Life through Song: Personal, Political, and Musical Choices in Making Singing a Great Dream
Anna Stirr and Bhakta Syangtan
Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood
Rajesh James and Malavika Pillai
Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries
Daniel Nevarez Araujo and Nelson Varas-Diaz
Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's Neoliberal Soundscapes
Yovanna Pineda and Lucas Izquierdo
Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and Encounters of History and the Everyday in Antonio Wong Rengifo's Chronotopias of the Peruvian Amazon
Aleksander Sedzielarz
Chapter 9. Aural Identities: Auditive Representations of Ethnicity in Documentary Film
Miki Brunou
Chapter 10. Only Connect: Two Trinidads, Two Documentaries
Andre Bagoo
About the Contributors
Christopher L. Ballengee
Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic Horizons at Films Division India, 1950-1975
Rounak Maiti
Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the Sound of Laughter
Michael Newell Witte
Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic Approach
Damascus Kafumbe
Chapter 4. Narrating a Revolutionary Life through Song: Personal, Political, and Musical Choices in Making Singing a Great Dream
Anna Stirr and Bhakta Syangtan
Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood
Rajesh James and Malavika Pillai
Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries
Daniel Nevarez Araujo and Nelson Varas-Diaz
Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's Neoliberal Soundscapes
Yovanna Pineda and Lucas Izquierdo
Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and Encounters of History and the Everyday in Antonio Wong Rengifo's Chronotopias of the Peruvian Amazon
Aleksander Sedzielarz
Chapter 9. Aural Identities: Auditive Representations of Ethnicity in Documentary Film
Miki Brunou
Chapter 10. Only Connect: Two Trinidads, Two Documentaries
Andre Bagoo
About the Contributors
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
African film;cinema studies;Documentary Films;Ethnomusicology;film history;Film Sound;Latin American film;nonfiction film;sound design;South Asian film
Introduction: Being Heard: Music, Sound, and Documentary Film in the Global South
Christopher L. Ballengee
Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic Horizons at Films Division India, 1950-1975
Rounak Maiti
Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the Sound of Laughter
Michael Newell Witte
Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic Approach
Damascus Kafumbe
Chapter 4. Narrating a Revolutionary Life through Song: Personal, Political, and Musical Choices in Making Singing a Great Dream
Anna Stirr and Bhakta Syangtan
Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood
Rajesh James and Malavika Pillai
Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries
Daniel Nevarez Araujo and Nelson Varas-Diaz
Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's Neoliberal Soundscapes
Yovanna Pineda and Lucas Izquierdo
Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and Encounters of History and the Everyday in Antonio Wong Rengifo's Chronotopias of the Peruvian Amazon
Aleksander Sedzielarz
Chapter 9. Aural Identities: Auditive Representations of Ethnicity in Documentary Film
Miki Brunou
Chapter 10. Only Connect: Two Trinidads, Two Documentaries
Andre Bagoo
About the Contributors
Christopher L. Ballengee
Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic Horizons at Films Division India, 1950-1975
Rounak Maiti
Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the Sound of Laughter
Michael Newell Witte
Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic Approach
Damascus Kafumbe
Chapter 4. Narrating a Revolutionary Life through Song: Personal, Political, and Musical Choices in Making Singing a Great Dream
Anna Stirr and Bhakta Syangtan
Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood
Rajesh James and Malavika Pillai
Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries
Daniel Nevarez Araujo and Nelson Varas-Diaz
Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's Neoliberal Soundscapes
Yovanna Pineda and Lucas Izquierdo
Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and Encounters of History and the Everyday in Antonio Wong Rengifo's Chronotopias of the Peruvian Amazon
Aleksander Sedzielarz
Chapter 9. Aural Identities: Auditive Representations of Ethnicity in Documentary Film
Miki Brunou
Chapter 10. Only Connect: Two Trinidads, Two Documentaries
Andre Bagoo
About the Contributors
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
