Multimodal Comics
portes grátis
Multimodal Comics
The Evolution of Comics Studies
Round, Julia; Murray, Christopher; Gangnes, Madeline B.
Intellect Books
05/2024
300
Dura
Inglês
9781789389494
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Figures
Foreword
Roger Sabin
Introduction
Madeline B. Gangnes, Christopher Murray, and Julia Round
SECTION ONE: MULTIPLICITY AND (INTER)TEXTUALITY
The Shape of Comic Book Reading
A. David Lewis
Re-inventing the Origins of the Boy Who Wouldn't Grow Up: Regis Loisel's Peter Pan
Armelle Blin-Rolland
The Myth of Eco: Cultural Populism and Comics Studies
Marc Singer
Intertwining Verbal and Visual Elements in Printed Narratives for Adults
Pascal Lefevre
SECTION TWO: METACOMICS AND THE DIGITAL
Spiegelman's Magic Box: MetaMaus and the Archive of Representation
Elisabeth R. Friedman
Meaning from Movement: Blurring the Temporal Border between Animation and Comics
Joshua Gowdy
SECTION THREE: LINGUISTICS AND LANGUAGE
Narrative, Language, and Comics-as-Literature
Hannah Miodrag
The Cognitive Grammar of 'I': Viewing Arrangements in Graphic Autobiographies
Christian W. Schneider
SECTION FOUR: SOUND AND VISION
Sound Affects: Visualizing Music, Musicians, and (Sub)Cultural Identity in BECK and Scott Pilgrim
Camilo Diaz Pino
The Musicalization of Graphic Narratives and P. Craig Russell's Graphic Novel Operas, 'The Magic Flute' and 'Salome'
Victoria Addis
SECTION FIVE: FROM MATERIAL TO TRANSTEXTUAL AND BEYOND
'Animating' the Narrative in Abstract Comics
Paul Fisher Davies
Multimodal Duck-Rabbitry: Multistable Perception and the Narrative Potential of Fold-Ins
Thomas Hamlyn-Harris and Ross Watkins
Resisting Narrative Immersion
Greice Schneider
Square Eyes: Augmenting Bodies, Boredom, and Things
Merlyn Seller
Afterword
Madeline B. Gangnes, Christopher Murray, and Julia Round
Notes on Contributors
Index
Foreword
Roger Sabin
Introduction
Madeline B. Gangnes, Christopher Murray, and Julia Round
SECTION ONE: MULTIPLICITY AND (INTER)TEXTUALITY
The Shape of Comic Book Reading
A. David Lewis
Re-inventing the Origins of the Boy Who Wouldn't Grow Up: Regis Loisel's Peter Pan
Armelle Blin-Rolland
The Myth of Eco: Cultural Populism and Comics Studies
Marc Singer
Intertwining Verbal and Visual Elements in Printed Narratives for Adults
Pascal Lefevre
SECTION TWO: METACOMICS AND THE DIGITAL
Spiegelman's Magic Box: MetaMaus and the Archive of Representation
Elisabeth R. Friedman
Meaning from Movement: Blurring the Temporal Border between Animation and Comics
Joshua Gowdy
SECTION THREE: LINGUISTICS AND LANGUAGE
Narrative, Language, and Comics-as-Literature
Hannah Miodrag
The Cognitive Grammar of 'I': Viewing Arrangements in Graphic Autobiographies
Christian W. Schneider
SECTION FOUR: SOUND AND VISION
Sound Affects: Visualizing Music, Musicians, and (Sub)Cultural Identity in BECK and Scott Pilgrim
Camilo Diaz Pino
The Musicalization of Graphic Narratives and P. Craig Russell's Graphic Novel Operas, 'The Magic Flute' and 'Salome'
Victoria Addis
SECTION FIVE: FROM MATERIAL TO TRANSTEXTUAL AND BEYOND
'Animating' the Narrative in Abstract Comics
Paul Fisher Davies
Multimodal Duck-Rabbitry: Multistable Perception and the Narrative Potential of Fold-Ins
Thomas Hamlyn-Harris and Ross Watkins
Resisting Narrative Immersion
Greice Schneider
Square Eyes: Augmenting Bodies, Boredom, and Things
Merlyn Seller
Afterword
Madeline B. Gangnes, Christopher Murray, and Julia Round
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
linguistics; multiplicity; metacomics; digital comics; intertextuality; materiality; multimodality; transmedia; narrative; communication; adaptation; comics; graphic novels
List of Figures
Foreword
Roger Sabin
Introduction
Madeline B. Gangnes, Christopher Murray, and Julia Round
SECTION ONE: MULTIPLICITY AND (INTER)TEXTUALITY
The Shape of Comic Book Reading
A. David Lewis
Re-inventing the Origins of the Boy Who Wouldn't Grow Up: Regis Loisel's Peter Pan
Armelle Blin-Rolland
The Myth of Eco: Cultural Populism and Comics Studies
Marc Singer
Intertwining Verbal and Visual Elements in Printed Narratives for Adults
Pascal Lefevre
SECTION TWO: METACOMICS AND THE DIGITAL
Spiegelman's Magic Box: MetaMaus and the Archive of Representation
Elisabeth R. Friedman
Meaning from Movement: Blurring the Temporal Border between Animation and Comics
Joshua Gowdy
SECTION THREE: LINGUISTICS AND LANGUAGE
Narrative, Language, and Comics-as-Literature
Hannah Miodrag
The Cognitive Grammar of 'I': Viewing Arrangements in Graphic Autobiographies
Christian W. Schneider
SECTION FOUR: SOUND AND VISION
Sound Affects: Visualizing Music, Musicians, and (Sub)Cultural Identity in BECK and Scott Pilgrim
Camilo Diaz Pino
The Musicalization of Graphic Narratives and P. Craig Russell's Graphic Novel Operas, 'The Magic Flute' and 'Salome'
Victoria Addis
SECTION FIVE: FROM MATERIAL TO TRANSTEXTUAL AND BEYOND
'Animating' the Narrative in Abstract Comics
Paul Fisher Davies
Multimodal Duck-Rabbitry: Multistable Perception and the Narrative Potential of Fold-Ins
Thomas Hamlyn-Harris and Ross Watkins
Resisting Narrative Immersion
Greice Schneider
Square Eyes: Augmenting Bodies, Boredom, and Things
Merlyn Seller
Afterword
Madeline B. Gangnes, Christopher Murray, and Julia Round
Notes on Contributors
Index
Foreword
Roger Sabin
Introduction
Madeline B. Gangnes, Christopher Murray, and Julia Round
SECTION ONE: MULTIPLICITY AND (INTER)TEXTUALITY
The Shape of Comic Book Reading
A. David Lewis
Re-inventing the Origins of the Boy Who Wouldn't Grow Up: Regis Loisel's Peter Pan
Armelle Blin-Rolland
The Myth of Eco: Cultural Populism and Comics Studies
Marc Singer
Intertwining Verbal and Visual Elements in Printed Narratives for Adults
Pascal Lefevre
SECTION TWO: METACOMICS AND THE DIGITAL
Spiegelman's Magic Box: MetaMaus and the Archive of Representation
Elisabeth R. Friedman
Meaning from Movement: Blurring the Temporal Border between Animation and Comics
Joshua Gowdy
SECTION THREE: LINGUISTICS AND LANGUAGE
Narrative, Language, and Comics-as-Literature
Hannah Miodrag
The Cognitive Grammar of 'I': Viewing Arrangements in Graphic Autobiographies
Christian W. Schneider
SECTION FOUR: SOUND AND VISION
Sound Affects: Visualizing Music, Musicians, and (Sub)Cultural Identity in BECK and Scott Pilgrim
Camilo Diaz Pino
The Musicalization of Graphic Narratives and P. Craig Russell's Graphic Novel Operas, 'The Magic Flute' and 'Salome'
Victoria Addis
SECTION FIVE: FROM MATERIAL TO TRANSTEXTUAL AND BEYOND
'Animating' the Narrative in Abstract Comics
Paul Fisher Davies
Multimodal Duck-Rabbitry: Multistable Perception and the Narrative Potential of Fold-Ins
Thomas Hamlyn-Harris and Ross Watkins
Resisting Narrative Immersion
Greice Schneider
Square Eyes: Augmenting Bodies, Boredom, and Things
Merlyn Seller
Afterword
Madeline B. Gangnes, Christopher Murray, and Julia Round
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
