Modern Murders

Modern Murders

The Turn-of-the-Century's Backlash Against Melodramatic and Sensational Representations of Murder, 1880-1914

Michael-Berger, Lee

Taylor & Francis Ltd

10/2024

176

Mole

9781032120225

Pré-lançamento - envio 15 a 20 dias após a sua edição

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Prologue: Knocking at the Gate of Turn-of-the-Century Modernity 1. Murder Overkill 2. Hilarious Homicides: Satirizing Sensational Murders 3. "Craving for Everything that is Impossible in London" 4. "The Actual Catastrophe": Representing Murder on the London Stage 5. A Working Class (Tragic) Hero Is Something to Be 6. The Many Murders of Stephen Phillips, the Outdated Modernist Epilogue: The Big Bloodless Brawl Prior to the Big Blood Letting
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Sensationalism;Victorian;Melodrama;Mass culture;19th century;20th century;Cultural authority;Modern art;Modern culture;Satire;Vorticism;fin de siecle;LNA;National Anti-Vivisection Society;Vice Versa;Great Famine;Francesca Da Rimini;Emily Hobhouse;Le Gallienne;Capital Punishment;Sensational Murders;Modern Murder;Subjective Force;Malice Aforethought;Mens Rea;William Archer;Argos Watches;Dorset Street;Illustrated Police News;Camden Town Group;Newgate Calendar;Sensational Melodrama;Shelley Society;Majesty's Theatre;Man's Laughter;Religious Disparity;Irish Republican Brotherhood