London as Screen Gateway
portes grátis
London as Screen Gateway
Evans, Elizabeth; Guha, Malini
Taylor & Francis Ltd
11/2024
256
Mole
9781032197968
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Figures
List of Contributors
Introduction
Part I
London as Archive
1. 'The BFI: London's gateway to Cinema and Media studies for all': Interview with Sarah Currant, Melanie Hoyes, and Emma Smart
2. Millennium Mills: London's last post-industrial ruin and its media history and industry
3. Sherlock Holmes, Archive London: Phantasms of Authenticity at the Festival of Britain, 1951
4. Watching the Detectives: Poe, Luther, and the Surveilled City
5. Adaptations and Intertexts: How Disney Imagines London in 'Mary Poppins' and Saving Mr. Banks
6. The Rough and the Smooth: Touching and the Tactile in British London Films of the 1920s
Part II
London Locations
7. London Film-Location Walking Tours: Labouring at the intersection of text, location and place
8. 'Rivers Can Be Very Sinister Places': Alfred Hitchcock Takes a Satirical, Sinister London Crime Cruise in Frenzy
9. Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to Bandersnatch
10. London and the carnivalesque in Catastrophe (Channel 4, 2015-2019), and Fleabag (BBC, 2016 - 2019)
Part III
London and Beyond
11. Leaving London: The BBC, Channel 4 and The Symbolic Diversity of Location
12. Invisible London: Unveiling the Immigrant Landscape in The Receptionist
13. Piccadilly Lights as Pandemic Portal? The Case of Circa Art's Public Projection Series
Afterword: Peak London: the spectacular and the banal in the ABC decade
List of Contributors
Introduction
Part I
London as Archive
1. 'The BFI: London's gateway to Cinema and Media studies for all': Interview with Sarah Currant, Melanie Hoyes, and Emma Smart
2. Millennium Mills: London's last post-industrial ruin and its media history and industry
3. Sherlock Holmes, Archive London: Phantasms of Authenticity at the Festival of Britain, 1951
4. Watching the Detectives: Poe, Luther, and the Surveilled City
5. Adaptations and Intertexts: How Disney Imagines London in 'Mary Poppins' and Saving Mr. Banks
6. The Rough and the Smooth: Touching and the Tactile in British London Films of the 1920s
Part II
London Locations
7. London Film-Location Walking Tours: Labouring at the intersection of text, location and place
8. 'Rivers Can Be Very Sinister Places': Alfred Hitchcock Takes a Satirical, Sinister London Crime Cruise in Frenzy
9. Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to Bandersnatch
10. London and the carnivalesque in Catastrophe (Channel 4, 2015-2019), and Fleabag (BBC, 2016 - 2019)
Part III
London and Beyond
11. Leaving London: The BBC, Channel 4 and The Symbolic Diversity of Location
12. Invisible London: Unveiling the Immigrant Landscape in The Receptionist
13. Piccadilly Lights as Pandemic Portal? The Case of Circa Art's Public Projection Series
Afterword: Peak London: the spectacular and the banal in the ABC decade
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
London;British cinema;British TV;tourism;film industry;TV industry;TV production;BFI;TV detectives;film history;representation;location;Tv Detective;Young Man;Mary Poppins;UK Television;UK Broadcaster;Wide UK;Main Character;BFI Southbank;UK Media;Screen Industries;Postfeminist Television;Prestige Television;Passionate Adventure;Film Tourism Experience;BBC North;Massage Parlour;Black Mirror;Wide UK Population;Paddington Bear;UK Nation;Tour Participants;Sex Workers;1920s British Cinema
List of Figures
List of Contributors
Introduction
Part I
London as Archive
1. 'The BFI: London's gateway to Cinema and Media studies for all': Interview with Sarah Currant, Melanie Hoyes, and Emma Smart
2. Millennium Mills: London's last post-industrial ruin and its media history and industry
3. Sherlock Holmes, Archive London: Phantasms of Authenticity at the Festival of Britain, 1951
4. Watching the Detectives: Poe, Luther, and the Surveilled City
5. Adaptations and Intertexts: How Disney Imagines London in 'Mary Poppins' and Saving Mr. Banks
6. The Rough and the Smooth: Touching and the Tactile in British London Films of the 1920s
Part II
London Locations
7. London Film-Location Walking Tours: Labouring at the intersection of text, location and place
8. 'Rivers Can Be Very Sinister Places': Alfred Hitchcock Takes a Satirical, Sinister London Crime Cruise in Frenzy
9. Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to Bandersnatch
10. London and the carnivalesque in Catastrophe (Channel 4, 2015-2019), and Fleabag (BBC, 2016 - 2019)
Part III
London and Beyond
11. Leaving London: The BBC, Channel 4 and The Symbolic Diversity of Location
12. Invisible London: Unveiling the Immigrant Landscape in The Receptionist
13. Piccadilly Lights as Pandemic Portal? The Case of Circa Art's Public Projection Series
Afterword: Peak London: the spectacular and the banal in the ABC decade
List of Contributors
Introduction
Part I
London as Archive
1. 'The BFI: London's gateway to Cinema and Media studies for all': Interview with Sarah Currant, Melanie Hoyes, and Emma Smart
2. Millennium Mills: London's last post-industrial ruin and its media history and industry
3. Sherlock Holmes, Archive London: Phantasms of Authenticity at the Festival of Britain, 1951
4. Watching the Detectives: Poe, Luther, and the Surveilled City
5. Adaptations and Intertexts: How Disney Imagines London in 'Mary Poppins' and Saving Mr. Banks
6. The Rough and the Smooth: Touching and the Tactile in British London Films of the 1920s
Part II
London Locations
7. London Film-Location Walking Tours: Labouring at the intersection of text, location and place
8. 'Rivers Can Be Very Sinister Places': Alfred Hitchcock Takes a Satirical, Sinister London Crime Cruise in Frenzy
9. Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to Bandersnatch
10. London and the carnivalesque in Catastrophe (Channel 4, 2015-2019), and Fleabag (BBC, 2016 - 2019)
Part III
London and Beyond
11. Leaving London: The BBC, Channel 4 and The Symbolic Diversity of Location
12. Invisible London: Unveiling the Immigrant Landscape in The Receptionist
13. Piccadilly Lights as Pandemic Portal? The Case of Circa Art's Public Projection Series
Afterword: Peak London: the spectacular and the banal in the ABC decade
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
London;British cinema;British TV;tourism;film industry;TV industry;TV production;BFI;TV detectives;film history;representation;location;Tv Detective;Young Man;Mary Poppins;UK Television;UK Broadcaster;Wide UK;Main Character;BFI Southbank;UK Media;Screen Industries;Postfeminist Television;Prestige Television;Passionate Adventure;Film Tourism Experience;BBC North;Massage Parlour;Black Mirror;Wide UK Population;Paddington Bear;UK Nation;Tour Participants;Sex Workers;1920s British Cinema
