Intermedial Art Practices as Cultural Resilience

Intermedial Art Practices as Cultural Resilience

Blair, Lindsay; Manfredi, Camille

Taylor & Francis Ltd

09/2024

192

Dura

9781032536019

Pré-lançamento - envio 15 a 20 dias após a sua edição

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1. Introduction Part I: Film-Poetry and Cultural Resilience 2. In Praise of Peripheral Vision: Films about Poetry and Poems about Film 3. Voice and Identifying New Diegetic and Dialogic Frameworks in the Poetry Film 4. Film and Identity: Hugh MacDiarmid: A Portrait (Margaret Tait, 1964) 5. Borders and Lines of Fracture: John Burnside, Roseanne Watt and Havergey Part II: Spaces, Places, History and Politics and Intermedial Practice 6. The Moving and the Static: Radical Re-imaginings in the Works of Daniel Reeves and Helen MacAlister 7. "the lightest membrane between you and the landscape": Thomas A Clark's Practice and Film Poems" 8. Post-naturalist Figurative Strategies in Breton-language Public Television Documentaries: the Case of Plijadur an Ijin by Mikael Baudu 9. The Representation of St Kilda in Contemporary Creative Works in Literature in French and in Art 10. The National Theatre of Scotland and Multimediality: Lament for Sheku Bayoh (2020) and How The Earth Must See Itself (2020) Part III: Sonorous Landscapes 11. Musical Settings as Cultural Weapons: Some Archipelagic Thoughts 12. Yann Madec and Pierre Stephan's Diafonik: Across Matter, Contexts and Time 13. Eternal Surging: Consciousness and the Sonorous Gaelic Landscape
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transmedia;culture;Scotland;United Kingdom;Brittany;France;hybrid;digital;technology;poetry;film;song;story;oral;contemporary;identity;image;diversity;Europe;Margaret Tait;John Burnside;Roseanne Watt;Daniel Reeves;Helen MacAlister;Thomas A Clark;film-poetry;Breton;Mikael Baudu;French;Yann Madec;Pierre Stephan;Scottish;Gaelic;literature