Hybridity in Early Modern Art
portes grátis
Hybridity in Early Modern Art
Rislow, Madeline; Elston, Ashley
Taylor & Francis Ltd
09/2021
178
Dura
Inglês
9780367363062
15 a 20 dias
510
Descrição não disponível.
Introduction: Hybridity in Early Modern Art
Ashley Elston and Madeline Rislow
Part 1: Hybrid Media
1. Connecting Human and Divine: Carlo Crivelli's Hybrid Media
Amanda Hilliam
2. Collaboration and Dissonance in Siena's Bichi Altarpiece
Ashley Elston
3. Emblems and Hybridity in a Southern German Epitaph Sculpture
Catharine Ingersoll
4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press Prints
Michelle Moseley-Christian
5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth Centuries
Larisa Grollemond
Part 2: Hybrid Time
6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle Ages
Kirstin Noreen
7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across Time
Madeline Rislow
8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari's Pieve Altarpieces
Sally J. Cornelison
9. Style and Meaning Beyond Europe: Bernardo Bitti and Mannerism
Christa Irwin
Ashley Elston and Madeline Rislow
Part 1: Hybrid Media
1. Connecting Human and Divine: Carlo Crivelli's Hybrid Media
Amanda Hilliam
2. Collaboration and Dissonance in Siena's Bichi Altarpiece
Ashley Elston
3. Emblems and Hybridity in a Southern German Epitaph Sculpture
Catharine Ingersoll
4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press Prints
Michelle Moseley-Christian
5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth Centuries
Larisa Grollemond
Part 2: Hybrid Time
6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle Ages
Kirstin Noreen
7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across Time
Madeline Rislow
8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari's Pieve Altarpieces
Sally J. Cornelison
9. Style and Meaning Beyond Europe: Bernardo Bitti and Mannerism
Christa Irwin
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
early modern;art history;objects;time;medium;Michael Baxandall;period eye;Europe;material;visual culture;Alexander Nagel;Christopher Wood;Renaissance;anachronic;materiality;Della;Christ Child;Nicholas III;Nationale De France;Giorgio Vasari;Vice Versa;Leo III;Wild Woman;Julius III;Early Modern European Art;Hagiographic Scenes;Emblem Books;Wild Folk;Santo Sepolcro;Illuminated Books;Giulio Bonasone;City's Patron Saint;Single Sheet Prints;Imitation Gems;Early Modern Art;Henri II;Rhetorica Ad Herennium;Sixteenth Century Peru;Guillaume Rouille;Mannerist Paintings
Introduction: Hybridity in Early Modern Art
Ashley Elston and Madeline Rislow
Part 1: Hybrid Media
1. Connecting Human and Divine: Carlo Crivelli's Hybrid Media
Amanda Hilliam
2. Collaboration and Dissonance in Siena's Bichi Altarpiece
Ashley Elston
3. Emblems and Hybridity in a Southern German Epitaph Sculpture
Catharine Ingersoll
4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press Prints
Michelle Moseley-Christian
5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth Centuries
Larisa Grollemond
Part 2: Hybrid Time
6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle Ages
Kirstin Noreen
7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across Time
Madeline Rislow
8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari's Pieve Altarpieces
Sally J. Cornelison
9. Style and Meaning Beyond Europe: Bernardo Bitti and Mannerism
Christa Irwin
Ashley Elston and Madeline Rislow
Part 1: Hybrid Media
1. Connecting Human and Divine: Carlo Crivelli's Hybrid Media
Amanda Hilliam
2. Collaboration and Dissonance in Siena's Bichi Altarpiece
Ashley Elston
3. Emblems and Hybridity in a Southern German Epitaph Sculpture
Catharine Ingersoll
4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press Prints
Michelle Moseley-Christian
5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth Centuries
Larisa Grollemond
Part 2: Hybrid Time
6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle Ages
Kirstin Noreen
7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across Time
Madeline Rislow
8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari's Pieve Altarpieces
Sally J. Cornelison
9. Style and Meaning Beyond Europe: Bernardo Bitti and Mannerism
Christa Irwin
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
early modern;art history;objects;time;medium;Michael Baxandall;period eye;Europe;material;visual culture;Alexander Nagel;Christopher Wood;Renaissance;anachronic;materiality;Della;Christ Child;Nicholas III;Nationale De France;Giorgio Vasari;Vice Versa;Leo III;Wild Woman;Julius III;Early Modern European Art;Hagiographic Scenes;Emblem Books;Wild Folk;Santo Sepolcro;Illuminated Books;Giulio Bonasone;City's Patron Saint;Single Sheet Prints;Imitation Gems;Early Modern Art;Henri II;Rhetorica Ad Herennium;Sixteenth Century Peru;Guillaume Rouille;Mannerist Paintings