Half Sound, Half Philosophy
portes grátis
Half Sound, Half Philosophy
Aesthetics, Politics, and History of China's Sound Art
Wang, Professor Jing
Bloomsbury Publishing Plc
08/2022
232
Mole
Inglês
9781501374777
15 a 20 dias
Descrição não disponível.
Acknowledgements
List of Illustrations
Introduction
1. Sound, Resonance, the Philosophy of Qi
Ancient Chinese Acoustics
The Philosophy of Qi
Sound Explained Through Qi-Philosophy
Conclusion
2. A Brief History of Sound in China's Contemporary Art
Conditions and Precursors
New Media Art After 2000
Sound Art after 2000
3. A Brief History of Electronic and Experimental Music in China
The Electronic Instrument Builders
Academic Electronic Music: Inauguration
Non-Academic Electronic and Experimental Music
Conclusion
4. Shanshui-Thought in Experimental Music Practice
Shanshui-Thought: An Overview
Shanshui: The Existential and the Epistemological
Making Shanshui-Thought Audible: Two Aesthetic Qualities
Conclusion
5. In Praise of Strange Sounds of the Shamanistic
The Minor Tradition in Ancient Chinese Culture: Shamanism and Chimei Wangliang
Acoustic Cultural Heritage and Nationalism
Huanghu and Its Two Aesthetic Operations of Resonance and Withdrawal
Conclusion
6. Ubiquitous Control: From Cosmic Bell, Loudspeakers to Immanent Humming
Zhang Peili and Anti-monumentality of Sound
Zhang Ding and the Military-entertainment-art Complex
Liu Chuang and the (Im)Possibility of Not Being Governed
Conclusion: Qi-Thinking, or Cybernetics: A way of Going On
Glossary of Terms
Bibliography
Index
List of Illustrations
Introduction
1. Sound, Resonance, the Philosophy of Qi
Ancient Chinese Acoustics
The Philosophy of Qi
Sound Explained Through Qi-Philosophy
Conclusion
2. A Brief History of Sound in China's Contemporary Art
Conditions and Precursors
New Media Art After 2000
Sound Art after 2000
3. A Brief History of Electronic and Experimental Music in China
The Electronic Instrument Builders
Academic Electronic Music: Inauguration
Non-Academic Electronic and Experimental Music
Conclusion
4. Shanshui-Thought in Experimental Music Practice
Shanshui-Thought: An Overview
Shanshui: The Existential and the Epistemological
Making Shanshui-Thought Audible: Two Aesthetic Qualities
Conclusion
5. In Praise of Strange Sounds of the Shamanistic
The Minor Tradition in Ancient Chinese Culture: Shamanism and Chimei Wangliang
Acoustic Cultural Heritage and Nationalism
Huanghu and Its Two Aesthetic Operations of Resonance and Withdrawal
Conclusion
6. Ubiquitous Control: From Cosmic Bell, Loudspeakers to Immanent Humming
Zhang Peili and Anti-monumentality of Sound
Zhang Ding and the Military-entertainment-art Complex
Liu Chuang and the (Im)Possibility of Not Being Governed
Conclusion: Qi-Thinking, or Cybernetics: A way of Going On
Glossary of Terms
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Acknowledgements
List of Illustrations
Introduction
1. Sound, Resonance, the Philosophy of Qi
Ancient Chinese Acoustics
The Philosophy of Qi
Sound Explained Through Qi-Philosophy
Conclusion
2. A Brief History of Sound in China's Contemporary Art
Conditions and Precursors
New Media Art After 2000
Sound Art after 2000
3. A Brief History of Electronic and Experimental Music in China
The Electronic Instrument Builders
Academic Electronic Music: Inauguration
Non-Academic Electronic and Experimental Music
Conclusion
4. Shanshui-Thought in Experimental Music Practice
Shanshui-Thought: An Overview
Shanshui: The Existential and the Epistemological
Making Shanshui-Thought Audible: Two Aesthetic Qualities
Conclusion
5. In Praise of Strange Sounds of the Shamanistic
The Minor Tradition in Ancient Chinese Culture: Shamanism and Chimei Wangliang
Acoustic Cultural Heritage and Nationalism
Huanghu and Its Two Aesthetic Operations of Resonance and Withdrawal
Conclusion
6. Ubiquitous Control: From Cosmic Bell, Loudspeakers to Immanent Humming
Zhang Peili and Anti-monumentality of Sound
Zhang Ding and the Military-entertainment-art Complex
Liu Chuang and the (Im)Possibility of Not Being Governed
Conclusion: Qi-Thinking, or Cybernetics: A way of Going On
Glossary of Terms
Bibliography
Index
List of Illustrations
Introduction
1. Sound, Resonance, the Philosophy of Qi
Ancient Chinese Acoustics
The Philosophy of Qi
Sound Explained Through Qi-Philosophy
Conclusion
2. A Brief History of Sound in China's Contemporary Art
Conditions and Precursors
New Media Art After 2000
Sound Art after 2000
3. A Brief History of Electronic and Experimental Music in China
The Electronic Instrument Builders
Academic Electronic Music: Inauguration
Non-Academic Electronic and Experimental Music
Conclusion
4. Shanshui-Thought in Experimental Music Practice
Shanshui-Thought: An Overview
Shanshui: The Existential and the Epistemological
Making Shanshui-Thought Audible: Two Aesthetic Qualities
Conclusion
5. In Praise of Strange Sounds of the Shamanistic
The Minor Tradition in Ancient Chinese Culture: Shamanism and Chimei Wangliang
Acoustic Cultural Heritage and Nationalism
Huanghu and Its Two Aesthetic Operations of Resonance and Withdrawal
Conclusion
6. Ubiquitous Control: From Cosmic Bell, Loudspeakers to Immanent Humming
Zhang Peili and Anti-monumentality of Sound
Zhang Ding and the Military-entertainment-art Complex
Liu Chuang and the (Im)Possibility of Not Being Governed
Conclusion: Qi-Thinking, or Cybernetics: A way of Going On
Glossary of Terms
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
