Global Film Color
portes grátis
Global Film Color
The Monopack Revolution at Midcentury
Millard, Kathryn; Heckman, Heather; Yumibe, Joshua; Mazumdar, Ranjani; Sanyal, Kamalika; Street, Sarah; Cavendish, Philip; Major, Laura; Sinclair Dootson, Kirsty; Soloman, Stefan
Rutgers University Press
05/2024
258
Mole
Inglês
9781978836808
15 a 20 dias
Descrição não disponível.
Introduction SARAH STREET AND JOSHUA YUMIBE
Mapping the Laboratory: Technicolor across Asia and Europe: KIRSTY SINCLAIR DOOTSON
"Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen: JOSEPHINE DIECKE
"We're Not in Sweden Anymore": Technicolor's Brief Venture in Swedish Cinema: KAMALIKA SANYAL
"Risk versus Conformity": Soviet Color Film, 1956-1982: PHILIP CAVENDISH
Eastman Color in 1960s India: RANJANI MA ZUMDAR
Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition: ELENA GIPPONI
Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China: LINDA C. ZHANG
The Chinese Film Collection at the University of South Carolina: HEATHER HECKMAN, LAURA MAJOR, AND LYDIA PAPPAS
The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957-1963: WILLIAM CARROLL
Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s: RAFAEL DE LUNA FREIRE
British Film Criticism and Global Color: SARAH STREET
All about Landscape: The Shift to Color in Australian Film at Midcentury: KATHRYN MILLARD AND STEFAN SOLOMON
Moving Monochromatics: Paul Sharits and Color Field Aesthetics in a Global Context: GREGORY ZINMAN
On Vivid Colors and Afrotropes in African and Diasporic Cinemas: JOSHUA YUMIBE
Acknowledgments
Notes on Contributors
_______________________________________________________________________________________________________
List of Figures
List of Tables
List of Color Plates
Acknowledgments
Introduction
Chapter 1: Mapping the Laboratory: Technicolor across Asia and Europe, Kirsty Sinclair Dootson
Chapter 2: "Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen, Josephine Diecke
Chapter 3:"We're not in Sweden Anymore": Technicolor's Brief, Brief Venture in Swedish Cinema, Kamalika Sanyal
Chapter 4: "Risk versus Conformity": Soviet Color Film, 1956-1982, Philip Cavendish
Chapter 5: Eastman Color in 1960s India, Ranjani Mazumdar
Chapter 6: Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition, Elena Gipponi
Chapter 7: Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China, Linda Zhang
Chapter 8: The Chinese Film Collection at the University of South Carolina, Heather Heckman, Laura Major, Lydia Pappas
Chapter 9: The Lights that Raised Up a Storm: Neon and the Nikkatsu Action Color Film (1957-1963), William Carroll
Chapter 10: Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s, Rafael de Luna Freire
Chapter 11: British Film Criticism and Global Color, Sarah Street
Chapter 12: All about Landscape: The Shift to Color in Australian Film at Midcentury, Kathryn Millard and Stefan Soloman
Chapter 13: Moving Monochromatics: Paul Sharits and Color Field Aesthetics, Greg Zinman
Chapter 14: On Vivid Colors and Afrotropes in African and Diasporic Cinemas, Joshua Yumibe
Notes on Contributors
Index
Mapping the Laboratory: Technicolor across Asia and Europe: KIRSTY SINCLAIR DOOTSON
"Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen: JOSEPHINE DIECKE
"We're Not in Sweden Anymore": Technicolor's Brief Venture in Swedish Cinema: KAMALIKA SANYAL
"Risk versus Conformity": Soviet Color Film, 1956-1982: PHILIP CAVENDISH
Eastman Color in 1960s India: RANJANI MA ZUMDAR
Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition: ELENA GIPPONI
Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China: LINDA C. ZHANG
The Chinese Film Collection at the University of South Carolina: HEATHER HECKMAN, LAURA MAJOR, AND LYDIA PAPPAS
The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957-1963: WILLIAM CARROLL
Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s: RAFAEL DE LUNA FREIRE
British Film Criticism and Global Color: SARAH STREET
All about Landscape: The Shift to Color in Australian Film at Midcentury: KATHRYN MILLARD AND STEFAN SOLOMON
Moving Monochromatics: Paul Sharits and Color Field Aesthetics in a Global Context: GREGORY ZINMAN
On Vivid Colors and Afrotropes in African and Diasporic Cinemas: JOSHUA YUMIBE
Acknowledgments
Notes on Contributors
_______________________________________________________________________________________________________
List of Figures
List of Tables
List of Color Plates
Acknowledgments
Introduction
Chapter 1: Mapping the Laboratory: Technicolor across Asia and Europe, Kirsty Sinclair Dootson
Chapter 2: "Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen, Josephine Diecke
Chapter 3:"We're not in Sweden Anymore": Technicolor's Brief, Brief Venture in Swedish Cinema, Kamalika Sanyal
Chapter 4: "Risk versus Conformity": Soviet Color Film, 1956-1982, Philip Cavendish
Chapter 5: Eastman Color in 1960s India, Ranjani Mazumdar
Chapter 6: Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition, Elena Gipponi
Chapter 7: Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China, Linda Zhang
Chapter 8: The Chinese Film Collection at the University of South Carolina, Heather Heckman, Laura Major, Lydia Pappas
Chapter 9: The Lights that Raised Up a Storm: Neon and the Nikkatsu Action Color Film (1957-1963), William Carroll
Chapter 10: Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s, Rafael de Luna Freire
Chapter 11: British Film Criticism and Global Color, Sarah Street
Chapter 12: All about Landscape: The Shift to Color in Australian Film at Midcentury, Kathryn Millard and Stefan Soloman
Chapter 13: Moving Monochromatics: Paul Sharits and Color Field Aesthetics, Greg Zinman
Chapter 14: On Vivid Colors and Afrotropes in African and Diasporic Cinemas, Joshua Yumibe
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
film; media; cinema; movies; film studies; cinema studies; media studies; Agfacolor; Eastmancolor; Fujicolor; color; cinematography; color-grading; foreign film; global film
Introduction SARAH STREET AND JOSHUA YUMIBE
Mapping the Laboratory: Technicolor across Asia and Europe: KIRSTY SINCLAIR DOOTSON
"Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen: JOSEPHINE DIECKE
"We're Not in Sweden Anymore": Technicolor's Brief Venture in Swedish Cinema: KAMALIKA SANYAL
"Risk versus Conformity": Soviet Color Film, 1956-1982: PHILIP CAVENDISH
Eastman Color in 1960s India: RANJANI MA ZUMDAR
Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition: ELENA GIPPONI
Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China: LINDA C. ZHANG
The Chinese Film Collection at the University of South Carolina: HEATHER HECKMAN, LAURA MAJOR, AND LYDIA PAPPAS
The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957-1963: WILLIAM CARROLL
Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s: RAFAEL DE LUNA FREIRE
British Film Criticism and Global Color: SARAH STREET
All about Landscape: The Shift to Color in Australian Film at Midcentury: KATHRYN MILLARD AND STEFAN SOLOMON
Moving Monochromatics: Paul Sharits and Color Field Aesthetics in a Global Context: GREGORY ZINMAN
On Vivid Colors and Afrotropes in African and Diasporic Cinemas: JOSHUA YUMIBE
Acknowledgments
Notes on Contributors
_______________________________________________________________________________________________________
List of Figures
List of Tables
List of Color Plates
Acknowledgments
Introduction
Chapter 1: Mapping the Laboratory: Technicolor across Asia and Europe, Kirsty Sinclair Dootson
Chapter 2: "Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen, Josephine Diecke
Chapter 3:"We're not in Sweden Anymore": Technicolor's Brief, Brief Venture in Swedish Cinema, Kamalika Sanyal
Chapter 4: "Risk versus Conformity": Soviet Color Film, 1956-1982, Philip Cavendish
Chapter 5: Eastman Color in 1960s India, Ranjani Mazumdar
Chapter 6: Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition, Elena Gipponi
Chapter 7: Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China, Linda Zhang
Chapter 8: The Chinese Film Collection at the University of South Carolina, Heather Heckman, Laura Major, Lydia Pappas
Chapter 9: The Lights that Raised Up a Storm: Neon and the Nikkatsu Action Color Film (1957-1963), William Carroll
Chapter 10: Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s, Rafael de Luna Freire
Chapter 11: British Film Criticism and Global Color, Sarah Street
Chapter 12: All about Landscape: The Shift to Color in Australian Film at Midcentury, Kathryn Millard and Stefan Soloman
Chapter 13: Moving Monochromatics: Paul Sharits and Color Field Aesthetics, Greg Zinman
Chapter 14: On Vivid Colors and Afrotropes in African and Diasporic Cinemas, Joshua Yumibe
Notes on Contributors
Index
Mapping the Laboratory: Technicolor across Asia and Europe: KIRSTY SINCLAIR DOOTSON
"Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen: JOSEPHINE DIECKE
"We're Not in Sweden Anymore": Technicolor's Brief Venture in Swedish Cinema: KAMALIKA SANYAL
"Risk versus Conformity": Soviet Color Film, 1956-1982: PHILIP CAVENDISH
Eastman Color in 1960s India: RANJANI MA ZUMDAR
Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition: ELENA GIPPONI
Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China: LINDA C. ZHANG
The Chinese Film Collection at the University of South Carolina: HEATHER HECKMAN, LAURA MAJOR, AND LYDIA PAPPAS
The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957-1963: WILLIAM CARROLL
Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s: RAFAEL DE LUNA FREIRE
British Film Criticism and Global Color: SARAH STREET
All about Landscape: The Shift to Color in Australian Film at Midcentury: KATHRYN MILLARD AND STEFAN SOLOMON
Moving Monochromatics: Paul Sharits and Color Field Aesthetics in a Global Context: GREGORY ZINMAN
On Vivid Colors and Afrotropes in African and Diasporic Cinemas: JOSHUA YUMIBE
Acknowledgments
Notes on Contributors
_______________________________________________________________________________________________________
List of Figures
List of Tables
List of Color Plates
Acknowledgments
Introduction
Chapter 1: Mapping the Laboratory: Technicolor across Asia and Europe, Kirsty Sinclair Dootson
Chapter 2: "Keeping Your Enemies Closer": Strategies of Knowledge Transfer at the East German Filmfabrik Wolfen, Josephine Diecke
Chapter 3:"We're not in Sweden Anymore": Technicolor's Brief, Brief Venture in Swedish Cinema, Kamalika Sanyal
Chapter 4: "Risk versus Conformity": Soviet Color Film, 1956-1982, Philip Cavendish
Chapter 5: Eastman Color in 1960s India, Ranjani Mazumdar
Chapter 6: Coloring the Coastline: Italian Beachside Comedies and the Color Film Transition, Elena Gipponi
Chapter 7: Technological and Athletic Splendor: The Formation of Color in the Socialist Sports Film in China, Linda Zhang
Chapter 8: The Chinese Film Collection at the University of South Carolina, Heather Heckman, Laura Major, Lydia Pappas
Chapter 9: The Lights that Raised Up a Storm: Neon and the Nikkatsu Action Color Film (1957-1963), William Carroll
Chapter 10: Color as a Foreign Accent: Brazilian Films and Film Laboratories in the 1950s, Rafael de Luna Freire
Chapter 11: British Film Criticism and Global Color, Sarah Street
Chapter 12: All about Landscape: The Shift to Color in Australian Film at Midcentury, Kathryn Millard and Stefan Soloman
Chapter 13: Moving Monochromatics: Paul Sharits and Color Field Aesthetics, Greg Zinman
Chapter 14: On Vivid Colors and Afrotropes in African and Diasporic Cinemas, Joshua Yumibe
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
