Gender and Action Films 1980-2000
portes grátis
Gender and Action Films 1980-2000
Beauty in Motion
Gerrard, Steven; Middlemost, Renee
Emerald Publishing Limited
11/2022
248
Dura
Inglês
9781801175074
15 a 20 dias
Descrição não disponível.
Introduction; Steven Gerrard and Renee Middlemost
Part 1. Masculinity and Anxiety
Chapter 1. From Total Recall to Last Action Hero(ine): Sex, Violence and Sharon Stone in the 1990s; Susan Hopkins
Chapter 2. Gender Spaces in Action Films: The Mad Max Franchise; Eduardo Barros-Grela
Chapter 3. "I'll be no man's slave and no man's whore, and if I can't kill them all, by the gods they'll know I've tried." Swords, Sorcery and Barbarian Queens; Steven Gerrard
Chapter 4. Masculinity and the Buddy Cop Film; Racheal Harris
Chapter 5. Riding the Waves of Crisis: Point Break and Masculinity in 1990s American Action Cinema; Kate Bowen
Part 2. Transformative Femininity
Chapter 6. Motherhood and Machoism: The Multi-Dimensional Ellen Ripley of James Cameron's Aliens; Brennan Thomas
Chapter 7. Babes on Bikes: Shame, Rape Revenge, and a Woman on a Motorcycle as an Action Heroine; Rebecca Johinke
Chapter 8. Action Women in Contemporary Colombian Cinema: Female Warriors and Emancipations Within Illegal Armed Organisations; Karol Valderrama-Burgos
Chapter 9. 'Sexism in Survival Situations': Reconsidering Gender in Jurassic Park; Travis Holland and Lisa Watt
Part 3. Gender/Politics and 80s Action
Chapter 10. Sword-Wielding and Gun-Shooting Women: Gender and Post-Colonial Hong Kong in Wong Kar-wai's Films; Chin-Pang Lei
Chapter 11. Gender, Ideational Populism, and the Eighties Action Cinema; John Quinn
Chapter 12. A Rainbow-Coloured Riot on Hollywood Boulevard: Even an Avenging Angel Needs a Little Help From Her Elderly and LGBTQ Friends Sometimes; Lee Broughton
Part 4. Gender and Action Stars
Chapter 13. Arnold's Anima: Gender Subversion in Schwarzenegger's Commando; Tim Butler Garrett
Chapter 14. From The One to John Wick: Keanu Reeves and the Action Genre; Rebecca Feasey
Conclusion; Steven Gerrard and Renee Middlemost
Part 1. Masculinity and Anxiety
Chapter 1. From Total Recall to Last Action Hero(ine): Sex, Violence and Sharon Stone in the 1990s; Susan Hopkins
Chapter 2. Gender Spaces in Action Films: The Mad Max Franchise; Eduardo Barros-Grela
Chapter 3. "I'll be no man's slave and no man's whore, and if I can't kill them all, by the gods they'll know I've tried." Swords, Sorcery and Barbarian Queens; Steven Gerrard
Chapter 4. Masculinity and the Buddy Cop Film; Racheal Harris
Chapter 5. Riding the Waves of Crisis: Point Break and Masculinity in 1990s American Action Cinema; Kate Bowen
Part 2. Transformative Femininity
Chapter 6. Motherhood and Machoism: The Multi-Dimensional Ellen Ripley of James Cameron's Aliens; Brennan Thomas
Chapter 7. Babes on Bikes: Shame, Rape Revenge, and a Woman on a Motorcycle as an Action Heroine; Rebecca Johinke
Chapter 8. Action Women in Contemporary Colombian Cinema: Female Warriors and Emancipations Within Illegal Armed Organisations; Karol Valderrama-Burgos
Chapter 9. 'Sexism in Survival Situations': Reconsidering Gender in Jurassic Park; Travis Holland and Lisa Watt
Part 3. Gender/Politics and 80s Action
Chapter 10. Sword-Wielding and Gun-Shooting Women: Gender and Post-Colonial Hong Kong in Wong Kar-wai's Films; Chin-Pang Lei
Chapter 11. Gender, Ideational Populism, and the Eighties Action Cinema; John Quinn
Chapter 12. A Rainbow-Coloured Riot on Hollywood Boulevard: Even an Avenging Angel Needs a Little Help From Her Elderly and LGBTQ Friends Sometimes; Lee Broughton
Part 4. Gender and Action Stars
Chapter 13. Arnold's Anima: Gender Subversion in Schwarzenegger's Commando; Tim Butler Garrett
Chapter 14. From The One to John Wick: Keanu Reeves and the Action Genre; Rebecca Feasey
Conclusion; Steven Gerrard and Renee Middlemost
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Action genre; Social change; Social issues; Action stars; Female representation; Gender and sexuality; Race; Social movements; Feminism
Introduction; Steven Gerrard and Renee Middlemost
Part 1. Masculinity and Anxiety
Chapter 1. From Total Recall to Last Action Hero(ine): Sex, Violence and Sharon Stone in the 1990s; Susan Hopkins
Chapter 2. Gender Spaces in Action Films: The Mad Max Franchise; Eduardo Barros-Grela
Chapter 3. "I'll be no man's slave and no man's whore, and if I can't kill them all, by the gods they'll know I've tried." Swords, Sorcery and Barbarian Queens; Steven Gerrard
Chapter 4. Masculinity and the Buddy Cop Film; Racheal Harris
Chapter 5. Riding the Waves of Crisis: Point Break and Masculinity in 1990s American Action Cinema; Kate Bowen
Part 2. Transformative Femininity
Chapter 6. Motherhood and Machoism: The Multi-Dimensional Ellen Ripley of James Cameron's Aliens; Brennan Thomas
Chapter 7. Babes on Bikes: Shame, Rape Revenge, and a Woman on a Motorcycle as an Action Heroine; Rebecca Johinke
Chapter 8. Action Women in Contemporary Colombian Cinema: Female Warriors and Emancipations Within Illegal Armed Organisations; Karol Valderrama-Burgos
Chapter 9. 'Sexism in Survival Situations': Reconsidering Gender in Jurassic Park; Travis Holland and Lisa Watt
Part 3. Gender/Politics and 80s Action
Chapter 10. Sword-Wielding and Gun-Shooting Women: Gender and Post-Colonial Hong Kong in Wong Kar-wai's Films; Chin-Pang Lei
Chapter 11. Gender, Ideational Populism, and the Eighties Action Cinema; John Quinn
Chapter 12. A Rainbow-Coloured Riot on Hollywood Boulevard: Even an Avenging Angel Needs a Little Help From Her Elderly and LGBTQ Friends Sometimes; Lee Broughton
Part 4. Gender and Action Stars
Chapter 13. Arnold's Anima: Gender Subversion in Schwarzenegger's Commando; Tim Butler Garrett
Chapter 14. From The One to John Wick: Keanu Reeves and the Action Genre; Rebecca Feasey
Conclusion; Steven Gerrard and Renee Middlemost
Part 1. Masculinity and Anxiety
Chapter 1. From Total Recall to Last Action Hero(ine): Sex, Violence and Sharon Stone in the 1990s; Susan Hopkins
Chapter 2. Gender Spaces in Action Films: The Mad Max Franchise; Eduardo Barros-Grela
Chapter 3. "I'll be no man's slave and no man's whore, and if I can't kill them all, by the gods they'll know I've tried." Swords, Sorcery and Barbarian Queens; Steven Gerrard
Chapter 4. Masculinity and the Buddy Cop Film; Racheal Harris
Chapter 5. Riding the Waves of Crisis: Point Break and Masculinity in 1990s American Action Cinema; Kate Bowen
Part 2. Transformative Femininity
Chapter 6. Motherhood and Machoism: The Multi-Dimensional Ellen Ripley of James Cameron's Aliens; Brennan Thomas
Chapter 7. Babes on Bikes: Shame, Rape Revenge, and a Woman on a Motorcycle as an Action Heroine; Rebecca Johinke
Chapter 8. Action Women in Contemporary Colombian Cinema: Female Warriors and Emancipations Within Illegal Armed Organisations; Karol Valderrama-Burgos
Chapter 9. 'Sexism in Survival Situations': Reconsidering Gender in Jurassic Park; Travis Holland and Lisa Watt
Part 3. Gender/Politics and 80s Action
Chapter 10. Sword-Wielding and Gun-Shooting Women: Gender and Post-Colonial Hong Kong in Wong Kar-wai's Films; Chin-Pang Lei
Chapter 11. Gender, Ideational Populism, and the Eighties Action Cinema; John Quinn
Chapter 12. A Rainbow-Coloured Riot on Hollywood Boulevard: Even an Avenging Angel Needs a Little Help From Her Elderly and LGBTQ Friends Sometimes; Lee Broughton
Part 4. Gender and Action Stars
Chapter 13. Arnold's Anima: Gender Subversion in Schwarzenegger's Commando; Tim Butler Garrett
Chapter 14. From The One to John Wick: Keanu Reeves and the Action Genre; Rebecca Feasey
Conclusion; Steven Gerrard and Renee Middlemost
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
