Film, Environment, Comedy

Introduction: Defining Eco-Comedy Part 1: Comic Genres and the Green World: Pastoral, Anti-Pastoral, and Post-Pastoral 1. The Green World and the Screwball Comedy: A Pastoral World of Play 2. Turning Romance Green: Anti- and Post-Pastoral Approaches to Love in Gendered Comedies 3. The Shape of Water (2017) and the Post-Pastoral Comic Mash-Up Part 2: Laughter, Eco-Heroes, and Evolutionary Narratives of Consumption 4. The Dead Can't Dance and Blood Quantum: Contrasting Indigenous Visions "Feeding" the Zombie Apocalypse 5. Turning Climate Crises into Climate Solutions in Woman at War (2018) 6. Housing, Labor, and Comic Evolutionary Narratives in Sorry to Bother You (2018) 7. Consuming Fast Fashion in The Man in the White Suit and In Fabric Part 3: Environmental Nostalgia, Fuel, and the Carnivalesque 8. Nature Guarding "Her Treasures" in Oil Comedies: Local Hero (1983) Versus Fubar: Balls to the Wall (2010) 9. Disney and Pixar's Cars Franchise: Comic Environmental Nostalgia Versus Simulacra 10. Conclusion: Eco-comedies in Context

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• Humanidades
• Teoria e crítica de filmes
• Ciência ambiental, engenharia e tecnologia
• Estudos de meios de comunicação
• Estudos cultirais

ecocinema;comedy;environment;film;pastoral;consumption;climate crisis;environmental injustice;racism;sexism;colonialism;gentrification;Environmental Issues;Romantic Comedies;Screwball Comedy;Wo;Climate Fiction;Evolutionary Narratives;Green World;Blood Quantum;Fairy Tale;Natural World;Zombie Apocalypse;Hero's Journey;Pastoral Play;Pastoral Elements;Nonhuman Nature;Love Serenade;Comic Horror;Comic Tropes;Superimposed;Zombie Virus;Sapphires;Lady Eve;Man Flint;Murray River