Electronica, Dance and Club Music
portes grátis
Electronica, Dance and Club Music
Butler, Mark J.
Taylor & Francis Ltd
10/2024
568
Mole
9781032918624
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Contents: Introduction; Part I Production, Performance and Aesthetics: When sound meets movement: performance in electronic dance music, Pedro Peixoto Ferreira; From refrain to rave: the decline of figure and the rise of ground, Philip Tagg; Conceptualizing rhythm and meter in electronic dance music, Mark J. Butler; Producing kwaito: nkosi sikelel' iAfrika after apartheid, Gavin Steingo; The disc jockey as composer, or how I became a composing DJ, Kai Fikentscher; On the process and aesthetics of sampling in electronic music production, Tara Rodgers; The aesthetics of failure: 'post-digital' tendencies in contemporary computer music, Kim Cascone; 'A pixel is a pixel. A club is a club': toward a hermeneutics of Berlin style DJ and VJ culture, Sebastian Klotz. Part II The Body, the Spirit and (the Regulation of ) Pleasure: In defence of disco, Richard Dyer; In the empire of the beat: discipline and disco, Walter Hughes; 'I want to see all my friends at once': Arthur Russell and the queering of gay disco, Tim Lawrence; I feel love: disco and its discontents, Tavia Nyong'o; Sampling sexuality: gender, technology and the body in dance music, Barbara Bradby; Sampling (hetero)sexuality: diva-ness and discipline in electronic dance music, Susana Loza; Dancing with desire: cultural embodiment in Tijuana's nor-tec music and dance, Alejandro L. Madrid; The spiritual economy of nightclubs and raves: osho sannyasins as party promoters in Ibiza and Pune/Goa, Anthony D'Andrea; Electronic dance music culture and religion: an overview, Graham St John; Soundtrack to an uncivil society: rave culture, the Criminal Justice Act and the politics of modernity, Jeremy Gilbert. Part III Identities, Belongings and Distinctions: Genres, subgenres, sub-subgenres and more: musical and social differentiation within electronic/dance music communities, Kembrew McLeod; Exploring the meaning of the mainstream (or why Sharon and Tracy dance around their handbags), Sarah Thornton; Women and the early B
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Young Men;floor;Psy Trance;Pedro Peixoto Ferreira;DJ Mix;Philip Tagg;DJ Booth;Mark J. Butler;Rave Event;Gavin Steingo;Frankie Knuckles;Kai Fikentscher;1970s Disco;Tara Rodgers;Contemporary Society;Kim Cascone;Disco Diva;Sebastian Klotz;EDM;Richard Dyer;Disco Music;Walter Hughes;Electronic Music;Tim Lawrence;African American Musical Tradition;Tavia Nyong'o;Dance Crowds;Barbara Bradby;Asian Underground Music;Susana Loza;Expressive Expatriates;Alejandro L. Madrid;VIP Room;Anthony D'Andrea;Goa Trance;Graham St John;Goa Freaks;Jeremy Gilbert;Asian Underground;Kembrew McLeod;El Divino;Sarah Thornton;EDMC;Maria Pini;Nkosi Sikelel;Falu Bakrania;British Asian;Stephen Amico;African American Cultural Politics;Fiona Buckland;Kane Race;Sean Albiez;Arun Saldanha;Ben Malbon
Contents: Introduction; Part I Production, Performance and Aesthetics: When sound meets movement: performance in electronic dance music, Pedro Peixoto Ferreira; From refrain to rave: the decline of figure and the rise of ground, Philip Tagg; Conceptualizing rhythm and meter in electronic dance music, Mark J. Butler; Producing kwaito: nkosi sikelel' iAfrika after apartheid, Gavin Steingo; The disc jockey as composer, or how I became a composing DJ, Kai Fikentscher; On the process and aesthetics of sampling in electronic music production, Tara Rodgers; The aesthetics of failure: 'post-digital' tendencies in contemporary computer music, Kim Cascone; 'A pixel is a pixel. A club is a club': toward a hermeneutics of Berlin style DJ and VJ culture, Sebastian Klotz. Part II The Body, the Spirit and (the Regulation of ) Pleasure: In defence of disco, Richard Dyer; In the empire of the beat: discipline and disco, Walter Hughes; 'I want to see all my friends at once': Arthur Russell and the queering of gay disco, Tim Lawrence; I feel love: disco and its discontents, Tavia Nyong'o; Sampling sexuality: gender, technology and the body in dance music, Barbara Bradby; Sampling (hetero)sexuality: diva-ness and discipline in electronic dance music, Susana Loza; Dancing with desire: cultural embodiment in Tijuana's nor-tec music and dance, Alejandro L. Madrid; The spiritual economy of nightclubs and raves: osho sannyasins as party promoters in Ibiza and Pune/Goa, Anthony D'Andrea; Electronic dance music culture and religion: an overview, Graham St John; Soundtrack to an uncivil society: rave culture, the Criminal Justice Act and the politics of modernity, Jeremy Gilbert. Part III Identities, Belongings and Distinctions: Genres, subgenres, sub-subgenres and more: musical and social differentiation within electronic/dance music communities, Kembrew McLeod; Exploring the meaning of the mainstream (or why Sharon and Tracy dance around their handbags), Sarah Thornton; Women and the early B
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;floor;Psy Trance;Pedro Peixoto Ferreira;DJ Mix;Philip Tagg;DJ Booth;Mark J. Butler;Rave Event;Gavin Steingo;Frankie Knuckles;Kai Fikentscher;1970s Disco;Tara Rodgers;Contemporary Society;Kim Cascone;Disco Diva;Sebastian Klotz;EDM;Richard Dyer;Disco Music;Walter Hughes;Electronic Music;Tim Lawrence;African American Musical Tradition;Tavia Nyong'o;Dance Crowds;Barbara Bradby;Asian Underground Music;Susana Loza;Expressive Expatriates;Alejandro L. Madrid;VIP Room;Anthony D'Andrea;Goa Trance;Graham St John;Goa Freaks;Jeremy Gilbert;Asian Underground;Kembrew McLeod;El Divino;Sarah Thornton;EDMC;Maria Pini;Nkosi Sikelel;Falu Bakrania;British Asian;Stephen Amico;African American Cultural Politics;Fiona Buckland;Kane Race;Sean Albiez;Arun Saldanha;Ben Malbon
