Dynamic Still Life for Artists
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Dynamic Still Life for Artists
A Modern Guide to Essential Concepts and Techniques
Sedwick, Sarah
Quarto Publishing Group USA Inc
11/2022
160
Mole
Inglês
9780760377000
15 a 20 dias
662
Descrição não disponível.
INTRODUCTION
Welcome to Dynamic Still Life for Artists
Why Still Life?
My Art Journey
Your Art Journey
1 PAINTING SPACES AND STUDIOS
Different Artists, Different Spaces
Studio Setup for Still Life: The Basics
Materials and Tools: The Must-Have and the Good-to-Have
Paint Choices and Palette Layout
Studio Lighting
2 WHAT TO PAINT? SETTING UP A STILL LIFE THAT "CLICKS"
Diving into Still Life
Still Life Setup: The Three Vs
Lighting Your Still Life
Subject Matter: Thinking Outside the Box
Borrowing Inspiration
Exercise: Experimenting with Still Life Setup and Lighting
3 PLANNING YOUR DYNAMIC STILL LIFE: COMPOSITION AND VALUE STUDIES
Preparation Pays Off
Composition: What Is It and Why Does It Matter?
Using a Viewfinder Contrast: The Key to Creating a Focal Point
Thumbnail Sketches
Exercise: One Still Life, Three Formats: Creating Thumbnail Sketches
Format First, Then Size and Scale
Value Studies: A Solid Foundation
A Hierarchy of Values: Highlights and Dark Accents
Exercise: Creating a Value Study in Black and White Oils
4 PAINTING YOUR DYNAMIC STILL LIFE: ALLA PRIMA IN THREE STEPS
Step 1: Underpainting
Step 2: Color Mixing
Step 3: Applying Color
Paint Outside the Box: Alternative Materials
Battling Overwhelm: Breaking the Process into "Bites"
No "Bad" Painting Days
Exercise: The Three-Step Still Life
5 YOUR ART JOURNEY CONTINUES
Momentum: The Most Important Thing
Jump-Starting Momentum
Comparison Is the Thief of Joy
Finding Friends and Mentors
6 CONCLUSION: YOUR UNIQUE ARTISTIC FINGERPRINT
Resources
Acknowledgments
About the Author
Index
Welcome to Dynamic Still Life for Artists
Why Still Life?
My Art Journey
Your Art Journey
1 PAINTING SPACES AND STUDIOS
Different Artists, Different Spaces
Studio Setup for Still Life: The Basics
Materials and Tools: The Must-Have and the Good-to-Have
Paint Choices and Palette Layout
Studio Lighting
2 WHAT TO PAINT? SETTING UP A STILL LIFE THAT "CLICKS"
Diving into Still Life
Still Life Setup: The Three Vs
Lighting Your Still Life
Subject Matter: Thinking Outside the Box
Borrowing Inspiration
Exercise: Experimenting with Still Life Setup and Lighting
3 PLANNING YOUR DYNAMIC STILL LIFE: COMPOSITION AND VALUE STUDIES
Preparation Pays Off
Composition: What Is It and Why Does It Matter?
Using a Viewfinder Contrast: The Key to Creating a Focal Point
Thumbnail Sketches
Exercise: One Still Life, Three Formats: Creating Thumbnail Sketches
Format First, Then Size and Scale
Value Studies: A Solid Foundation
A Hierarchy of Values: Highlights and Dark Accents
Exercise: Creating a Value Study in Black and White Oils
4 PAINTING YOUR DYNAMIC STILL LIFE: ALLA PRIMA IN THREE STEPS
Step 1: Underpainting
Step 2: Color Mixing
Step 3: Applying Color
Paint Outside the Box: Alternative Materials
Battling Overwhelm: Breaking the Process into "Bites"
No "Bad" Painting Days
Exercise: The Three-Step Still Life
5 YOUR ART JOURNEY CONTINUES
Momentum: The Most Important Thing
Jump-Starting Momentum
Comparison Is the Thief of Joy
Finding Friends and Mentors
6 CONCLUSION: YOUR UNIQUE ARTISTIC FINGERPRINT
Resources
Acknowledgments
About the Author
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
how to paint and draw still life book;art instruction;guide;found objects;things;flower arrangement;botanical;fruit;vegetable;realistic painting;loose realism;representational art;traditional;drawing;value;lighting;composition;creating form;composition;color;space;art studio;home;lighting;easel;atelier;paintbrush;palette;palette knife;oil paint;acrylic;pigments;solvent;medium;setting up;variety;value;vantage point;inspiration;creative;combining colors;mixing;textures;copying vs inspiration;simple;shapes;focal point;thumbnail sketch;viewfinder;format;square format;horizontal format;vertical;framing;quick sketch;value study;abstract arrangement;black and white;five values;alla prima;toned paper;toning a canvas;blocking in;refining;color mixing;palette layout;using a palette knife;applying color;direction of brushstrokes;loading a brush;
INTRODUCTION
Welcome to Dynamic Still Life for Artists
Why Still Life?
My Art Journey
Your Art Journey
1 PAINTING SPACES AND STUDIOS
Different Artists, Different Spaces
Studio Setup for Still Life: The Basics
Materials and Tools: The Must-Have and the Good-to-Have
Paint Choices and Palette Layout
Studio Lighting
2 WHAT TO PAINT? SETTING UP A STILL LIFE THAT "CLICKS"
Diving into Still Life
Still Life Setup: The Three Vs
Lighting Your Still Life
Subject Matter: Thinking Outside the Box
Borrowing Inspiration
Exercise: Experimenting with Still Life Setup and Lighting
3 PLANNING YOUR DYNAMIC STILL LIFE: COMPOSITION AND VALUE STUDIES
Preparation Pays Off
Composition: What Is It and Why Does It Matter?
Using a Viewfinder Contrast: The Key to Creating a Focal Point
Thumbnail Sketches
Exercise: One Still Life, Three Formats: Creating Thumbnail Sketches
Format First, Then Size and Scale
Value Studies: A Solid Foundation
A Hierarchy of Values: Highlights and Dark Accents
Exercise: Creating a Value Study in Black and White Oils
4 PAINTING YOUR DYNAMIC STILL LIFE: ALLA PRIMA IN THREE STEPS
Step 1: Underpainting
Step 2: Color Mixing
Step 3: Applying Color
Paint Outside the Box: Alternative Materials
Battling Overwhelm: Breaking the Process into "Bites"
No "Bad" Painting Days
Exercise: The Three-Step Still Life
5 YOUR ART JOURNEY CONTINUES
Momentum: The Most Important Thing
Jump-Starting Momentum
Comparison Is the Thief of Joy
Finding Friends and Mentors
6 CONCLUSION: YOUR UNIQUE ARTISTIC FINGERPRINT
Resources
Acknowledgments
About the Author
Index
Welcome to Dynamic Still Life for Artists
Why Still Life?
My Art Journey
Your Art Journey
1 PAINTING SPACES AND STUDIOS
Different Artists, Different Spaces
Studio Setup for Still Life: The Basics
Materials and Tools: The Must-Have and the Good-to-Have
Paint Choices and Palette Layout
Studio Lighting
2 WHAT TO PAINT? SETTING UP A STILL LIFE THAT "CLICKS"
Diving into Still Life
Still Life Setup: The Three Vs
Lighting Your Still Life
Subject Matter: Thinking Outside the Box
Borrowing Inspiration
Exercise: Experimenting with Still Life Setup and Lighting
3 PLANNING YOUR DYNAMIC STILL LIFE: COMPOSITION AND VALUE STUDIES
Preparation Pays Off
Composition: What Is It and Why Does It Matter?
Using a Viewfinder Contrast: The Key to Creating a Focal Point
Thumbnail Sketches
Exercise: One Still Life, Three Formats: Creating Thumbnail Sketches
Format First, Then Size and Scale
Value Studies: A Solid Foundation
A Hierarchy of Values: Highlights and Dark Accents
Exercise: Creating a Value Study in Black and White Oils
4 PAINTING YOUR DYNAMIC STILL LIFE: ALLA PRIMA IN THREE STEPS
Step 1: Underpainting
Step 2: Color Mixing
Step 3: Applying Color
Paint Outside the Box: Alternative Materials
Battling Overwhelm: Breaking the Process into "Bites"
No "Bad" Painting Days
Exercise: The Three-Step Still Life
5 YOUR ART JOURNEY CONTINUES
Momentum: The Most Important Thing
Jump-Starting Momentum
Comparison Is the Thief of Joy
Finding Friends and Mentors
6 CONCLUSION: YOUR UNIQUE ARTISTIC FINGERPRINT
Resources
Acknowledgments
About the Author
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
how to paint and draw still life book;art instruction;guide;found objects;things;flower arrangement;botanical;fruit;vegetable;realistic painting;loose realism;representational art;traditional;drawing;value;lighting;composition;creating form;composition;color;space;art studio;home;lighting;easel;atelier;paintbrush;palette;palette knife;oil paint;acrylic;pigments;solvent;medium;setting up;variety;value;vantage point;inspiration;creative;combining colors;mixing;textures;copying vs inspiration;simple;shapes;focal point;thumbnail sketch;viewfinder;format;square format;horizontal format;vertical;framing;quick sketch;value study;abstract arrangement;black and white;five values;alla prima;toned paper;toning a canvas;blocking in;refining;color mixing;palette layout;using a palette knife;applying color;direction of brushstrokes;loading a brush;