"Don't Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties
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"Don't Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties
The Complete History of British Pierrot Troupes & Concert Parties
Lidington, Tony
Taylor & Francis Ltd
09/2022
406
Dura
Inglês
9780367489205
15 a 20 dias
957
Descrição não disponível.
List of figures
Thanks!
Support for writing and illustrations
Acknowledgements
Note about cover images
Preface: "The Pierrot fable"
Introduction
1 "Here we are again!": Current practice
2 "Trope to troupe": The origins of Pierrot in Britain
3 Minstrels: White and black
4 "The Seaside Minstrels"
5 Proliferation
6 "Bringing Blighty to the Boys with troupes for the troops": Pierrot troupes and concert parties in the First World War
7 Ambiguities in the evolution of the form and its developments during the inter-war years
8 Khaki-clad pierrot heroes: British concert parties/pierrot troupes in the Second World War
9 "It's that troupe again ...": Concert party adaptations for the airwaves and post-war British pop culture
10 "Impacts and reverberations": The ways in which the seaside troupe format has directly affected contemporary culture
11 Conclusion: Pierrots and concert parties provide a portal to past, present and future popular culture
Appendices
Appendix 1: Timeline of pierrot/concert-party projects by Tony Lidington
Appendix 2: Programme for Moore & Burgess Minstrels, April 14th 1877
Appendix 3: early members of Clifford Essex's troupe
Appendix 4: Table illustrating the date of the first connections to seaside resorts by steamer and railway
Appendix 5: Spreadsheet of troupes with the words "Royal" or "Imperial" in the title
Appendix 6: List of troupes formed prior to the First World War
Appendix 7: Song books & publishers for pierrot troupes and concert parties
Appendix 8: List of troupes operating in the First World War
Appendix 9: Pierrot troupe list for 1918-1939
Appendix 10: Numbers of ENSA performances (from information provided by Basil Dean)
Appendix 11: Annual budgetary expenditures for ENSA
Appendix 12: List of seaside shows opening 1946-1961
Appendix 13: The Roosters
Glossary of terms
References
Index
Thanks!
Support for writing and illustrations
Acknowledgements
Note about cover images
Preface: "The Pierrot fable"
Introduction
1 "Here we are again!": Current practice
2 "Trope to troupe": The origins of Pierrot in Britain
3 Minstrels: White and black
4 "The Seaside Minstrels"
5 Proliferation
6 "Bringing Blighty to the Boys with troupes for the troops": Pierrot troupes and concert parties in the First World War
7 Ambiguities in the evolution of the form and its developments during the inter-war years
8 Khaki-clad pierrot heroes: British concert parties/pierrot troupes in the Second World War
9 "It's that troupe again ...": Concert party adaptations for the airwaves and post-war British pop culture
10 "Impacts and reverberations": The ways in which the seaside troupe format has directly affected contemporary culture
11 Conclusion: Pierrots and concert parties provide a portal to past, present and future popular culture
Appendices
Appendix 1: Timeline of pierrot/concert-party projects by Tony Lidington
Appendix 2: Programme for Moore & Burgess Minstrels, April 14th 1877
Appendix 3: early members of Clifford Essex's troupe
Appendix 4: Table illustrating the date of the first connections to seaside resorts by steamer and railway
Appendix 5: Spreadsheet of troupes with the words "Royal" or "Imperial" in the title
Appendix 6: List of troupes formed prior to the First World War
Appendix 7: Song books & publishers for pierrot troupes and concert parties
Appendix 8: List of troupes operating in the First World War
Appendix 9: Pierrot troupe list for 1918-1939
Appendix 10: Numbers of ENSA performances (from information provided by Basil Dean)
Appendix 11: Annual budgetary expenditures for ENSA
Appendix 12: List of seaside shows opening 1946-1961
Appendix 13: The Roosters
Glossary of terms
References
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
- História social e cultural
- Estudos teatrais
- Guias de arte, museus, locais históricos e galerias
- Teatro de marionetes, de miniatura e de brinquedo
- História inglesa e irlandesa
- História moderna para o século 20: c1700 a c 1900
- Artes: temas gerais
- Os grupos sociais
- Artes de representação (performativas)
- Estudos cultirais
Afro-America;Britain;Italian commedia dell'arte;French Mime;History;Pierrot Troupes;Performance;Theatre;Concert Party;Concert Parties;Al Fresco;Blackface Performance;Pierrot Costume;Author's Collection;Young Men;Pierrot Shows;Seaside Entertainment;Minstrel Troupes;Pier Pavilion;Blackface Minstrelsy;Intangible Cultural Heritage;Blackface Minstrel;Floral Hall;Home Town;Max Miller;Summer Show;Pop Star;Arlecchino;Half Hot Mum;Make Up;ENSA;De Bear;Full Costume
List of figures
Thanks!
Support for writing and illustrations
Acknowledgements
Note about cover images
Preface: "The Pierrot fable"
Introduction
1 "Here we are again!": Current practice
2 "Trope to troupe": The origins of Pierrot in Britain
3 Minstrels: White and black
4 "The Seaside Minstrels"
5 Proliferation
6 "Bringing Blighty to the Boys with troupes for the troops": Pierrot troupes and concert parties in the First World War
7 Ambiguities in the evolution of the form and its developments during the inter-war years
8 Khaki-clad pierrot heroes: British concert parties/pierrot troupes in the Second World War
9 "It's that troupe again ...": Concert party adaptations for the airwaves and post-war British pop culture
10 "Impacts and reverberations": The ways in which the seaside troupe format has directly affected contemporary culture
11 Conclusion: Pierrots and concert parties provide a portal to past, present and future popular culture
Appendices
Appendix 1: Timeline of pierrot/concert-party projects by Tony Lidington
Appendix 2: Programme for Moore & Burgess Minstrels, April 14th 1877
Appendix 3: early members of Clifford Essex's troupe
Appendix 4: Table illustrating the date of the first connections to seaside resorts by steamer and railway
Appendix 5: Spreadsheet of troupes with the words "Royal" or "Imperial" in the title
Appendix 6: List of troupes formed prior to the First World War
Appendix 7: Song books & publishers for pierrot troupes and concert parties
Appendix 8: List of troupes operating in the First World War
Appendix 9: Pierrot troupe list for 1918-1939
Appendix 10: Numbers of ENSA performances (from information provided by Basil Dean)
Appendix 11: Annual budgetary expenditures for ENSA
Appendix 12: List of seaside shows opening 1946-1961
Appendix 13: The Roosters
Glossary of terms
References
Index
Thanks!
Support for writing and illustrations
Acknowledgements
Note about cover images
Preface: "The Pierrot fable"
Introduction
1 "Here we are again!": Current practice
2 "Trope to troupe": The origins of Pierrot in Britain
3 Minstrels: White and black
4 "The Seaside Minstrels"
5 Proliferation
6 "Bringing Blighty to the Boys with troupes for the troops": Pierrot troupes and concert parties in the First World War
7 Ambiguities in the evolution of the form and its developments during the inter-war years
8 Khaki-clad pierrot heroes: British concert parties/pierrot troupes in the Second World War
9 "It's that troupe again ...": Concert party adaptations for the airwaves and post-war British pop culture
10 "Impacts and reverberations": The ways in which the seaside troupe format has directly affected contemporary culture
11 Conclusion: Pierrots and concert parties provide a portal to past, present and future popular culture
Appendices
Appendix 1: Timeline of pierrot/concert-party projects by Tony Lidington
Appendix 2: Programme for Moore & Burgess Minstrels, April 14th 1877
Appendix 3: early members of Clifford Essex's troupe
Appendix 4: Table illustrating the date of the first connections to seaside resorts by steamer and railway
Appendix 5: Spreadsheet of troupes with the words "Royal" or "Imperial" in the title
Appendix 6: List of troupes formed prior to the First World War
Appendix 7: Song books & publishers for pierrot troupes and concert parties
Appendix 8: List of troupes operating in the First World War
Appendix 9: Pierrot troupe list for 1918-1939
Appendix 10: Numbers of ENSA performances (from information provided by Basil Dean)
Appendix 11: Annual budgetary expenditures for ENSA
Appendix 12: List of seaside shows opening 1946-1961
Appendix 13: The Roosters
Glossary of terms
References
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
- História social e cultural
- Estudos teatrais
- Guias de arte, museus, locais históricos e galerias
- Teatro de marionetes, de miniatura e de brinquedo
- História inglesa e irlandesa
- História moderna para o século 20: c1700 a c 1900
- Artes: temas gerais
- Os grupos sociais
- Artes de representação (performativas)
- Estudos cultirais
Afro-America;Britain;Italian commedia dell'arte;French Mime;History;Pierrot Troupes;Performance;Theatre;Concert Party;Concert Parties;Al Fresco;Blackface Performance;Pierrot Costume;Author's Collection;Young Men;Pierrot Shows;Seaside Entertainment;Minstrel Troupes;Pier Pavilion;Blackface Minstrelsy;Intangible Cultural Heritage;Blackface Minstrel;Floral Hall;Home Town;Max Miller;Summer Show;Pop Star;Arlecchino;Half Hot Mum;Make Up;ENSA;De Bear;Full Costume
