Deep-Time Images in the Age of Globalization
portes grátis
Deep-Time Images in the Age of Globalization
Rock Art in the 21st Century
Abadia, Oscar Moro; McDonald, Josephine; Conkey, Margaret W.
Springer International Publishing AG
09/2024
317
Mole
9783031546402
15 a 20 dias
Descrição não disponível.
Introduction. Deep-Times Images And The Challenges Of Globalization (Oscar Moro Abadia, Margaret Conkey, Jo McDonald).- Part I. Recentering Rock Art.- Chapter 1. 'Out Of Franco-Cantabria': The Globalization of Pleistocene Rock Art (Aitor Ruiz-Redondo).- Chapter 2. Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia (Adam Brumm, Adhi Agus Oktaviana, Maxime Aubert).- Chapter 3. Rock Art, Modes Of Existence, And Cosmopolitics: A View From The Southern Andes (Andres Troncoso).- Chapter 4. Regional Reponses to Global Climate Change: Exploring Anthropomophic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe during the Late and Terminal Pleistocene (Peter Veth, Sam Harper, and Martin Porr).- Part II. Comparative Views on Global Art.- Chapter 5. The Divide Between 'European' And 'Indigenous' Rock Arts: Exploring A Eurocentic Bias In The Age Of Globalization (Oscar Moro Abadia, Amy C. Chase).- Chapter 6. Rock Art Research and Knowledge-Production in the Context of Globalisations. A Comparative Approach to the Cases of Patagonia-Argentina and Eastern Canada (Danae Fiore, Bryn Tapper, Dagmara Zawadzka, Agustin Acevedo).- Chapter 7. The Framework for Ochre Experiences (Foes): Towards A Transdisciplinary Perspective on the Earth Material Heritage of Ochre (Elizabeth C. Velliky, Tammy Hodgskiss, Larissa Mendoza Straffon, Heidi Gustafson, Ann Gollifer, Magnus Haaland).- Chapter 8. Why Do Old Dates Fascinate Prehistorians? (Georges Sauvet).- Part III. Interdisciplinary Global Rock Art.- Chapter 9. What Were Rock Art Sites Like In The Past? Reconstructing the Shapes of Sites as Cultural Settings (Jean-Jacques Delannoy, Bruno David, Kim Genuite).- Chapter 10. The Earliest Dated Pictures in the Dispersal of Psychologically Modern Humans: A Middle Paleolithic Painted Rock Shelter (C. 45ka) At Wadi Defeit, Egypt (Whitney Davis).- Chapter 11. Understanding Rock Art: What Neuroscience Can Add (John Onians).- Chapter 12. "... And Those Who Expect To Return To The Source Will Find Fog": Resonances of Prehistory in Modern Art (Remi Labrusse).- Part IV. Tensions in Rock Art Management: Local Vs Global.- Chapter 13. The Unesco World Heritage List In A Globalized World: The Case Of The Paleolithic Caves Of Northern Spain (1985 - 2008) (Eduardo Palacio-Perez).- Chapter 14. Local - National - Global: Defining Indigenous Values of Murujuga's Cultural Landscape in the Frame of International Patrimony (Amy Stevens and Jo McDonald).- Chapter 15. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa (Silvia Tomaskova).- Chapter 16. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World (Paul S.C. Tacon).- Part V. Rock Art and the Challenges of the Global Now.- Chapter 17. Translation and Transformation: The Materiality of Rock Art in a World of Bytes (John Robb).- Chapter 18. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (Jamie Hampson, Sam Challis).- Chapter 19. Replicated Temporality. Time, Originality, and Rock Art Replicas (Laura Mayer, Martin Porr).- Chapter 20. Slow Science but Fast Forward: The Political Economy of Rock Art Research in a "Globalized" World (Margaret W. Conkey).- Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Archaeology and globalization;Artifact and art at Diepkloof Rock Shelter;Art Historical Theory and Method for Rock Art Appreciation;Deep-time imagery;European Palaeolithic cave art;Globalization and material culture;Holocene arts;Indigenous knowledges;Indonesia's Pleistocene rock art;Neuroscience and Understanding Rock Art;Open Access;Perceptions of Indigenous identity;Pleistocene arts;Postcolonial Legacy and Indigenous Heritage in South Africa;Recent advances in archaeological research;Rock art and cultural heritage;Rock art and time-averaged buried deposits in archaeology;Rock Art, Modes of Existence and Cosmopolitics;Rock art finger fluting and hand stencils;Rock art research and knowledge-construction
Introduction. Deep-Times Images And The Challenges Of Globalization (Oscar Moro Abadia, Margaret Conkey, Jo McDonald).- Part I. Recentering Rock Art.- Chapter 1. 'Out Of Franco-Cantabria': The Globalization of Pleistocene Rock Art (Aitor Ruiz-Redondo).- Chapter 2. Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia (Adam Brumm, Adhi Agus Oktaviana, Maxime Aubert).- Chapter 3. Rock Art, Modes Of Existence, And Cosmopolitics: A View From The Southern Andes (Andres Troncoso).- Chapter 4. Regional Reponses to Global Climate Change: Exploring Anthropomophic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe during the Late and Terminal Pleistocene (Peter Veth, Sam Harper, and Martin Porr).- Part II. Comparative Views on Global Art.- Chapter 5. The Divide Between 'European' And 'Indigenous' Rock Arts: Exploring A Eurocentic Bias In The Age Of Globalization (Oscar Moro Abadia, Amy C. Chase).- Chapter 6. Rock Art Research and Knowledge-Production in the Context of Globalisations. A Comparative Approach to the Cases of Patagonia-Argentina and Eastern Canada (Danae Fiore, Bryn Tapper, Dagmara Zawadzka, Agustin Acevedo).- Chapter 7. The Framework for Ochre Experiences (Foes): Towards A Transdisciplinary Perspective on the Earth Material Heritage of Ochre (Elizabeth C. Velliky, Tammy Hodgskiss, Larissa Mendoza Straffon, Heidi Gustafson, Ann Gollifer, Magnus Haaland).- Chapter 8. Why Do Old Dates Fascinate Prehistorians? (Georges Sauvet).- Part III. Interdisciplinary Global Rock Art.- Chapter 9. What Were Rock Art Sites Like In The Past? Reconstructing the Shapes of Sites as Cultural Settings (Jean-Jacques Delannoy, Bruno David, Kim Genuite).- Chapter 10. The Earliest Dated Pictures in the Dispersal of Psychologically Modern Humans: A Middle Paleolithic Painted Rock Shelter (C. 45ka) At Wadi Defeit, Egypt (Whitney Davis).- Chapter 11. Understanding Rock Art: What Neuroscience Can Add (John Onians).- Chapter 12. "... And Those Who Expect To Return To The Source Will Find Fog": Resonances of Prehistory in Modern Art (Remi Labrusse).- Part IV. Tensions in Rock Art Management: Local Vs Global.- Chapter 13. The Unesco World Heritage List In A Globalized World: The Case Of The Paleolithic Caves Of Northern Spain (1985 - 2008) (Eduardo Palacio-Perez).- Chapter 14. Local - National - Global: Defining Indigenous Values of Murujuga's Cultural Landscape in the Frame of International Patrimony (Amy Stevens and Jo McDonald).- Chapter 15. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa (Silvia Tomaskova).- Chapter 16. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World (Paul S.C. Tacon).- Part V. Rock Art and the Challenges of the Global Now.- Chapter 17. Translation and Transformation: The Materiality of Rock Art in a World of Bytes (John Robb).- Chapter 18. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (Jamie Hampson, Sam Challis).- Chapter 19. Replicated Temporality. Time, Originality, and Rock Art Replicas (Laura Mayer, Martin Porr).- Chapter 20. Slow Science but Fast Forward: The Political Economy of Rock Art Research in a "Globalized" World (Margaret W. Conkey).- Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Archaeology and globalization;Artifact and art at Diepkloof Rock Shelter;Art Historical Theory and Method for Rock Art Appreciation;Deep-time imagery;European Palaeolithic cave art;Globalization and material culture;Holocene arts;Indigenous knowledges;Indonesia's Pleistocene rock art;Neuroscience and Understanding Rock Art;Open Access;Perceptions of Indigenous identity;Pleistocene arts;Postcolonial Legacy and Indigenous Heritage in South Africa;Recent advances in archaeological research;Rock art and cultural heritage;Rock art and time-averaged buried deposits in archaeology;Rock Art, Modes of Existence and Cosmopolitics;Rock art finger fluting and hand stencils;Rock art research and knowledge-construction
