Dada Data
portes grátis
Dada Data
Contemporary Art Practice in the Era of Post-Truth Politics
Hegenbart, Sarah; Koelmel, Mara-Johanna
Bloomsbury Publishing PLC
09/2024
344
Mole
Inglês
9781350227651
15 a 20 dias
Descrição não disponível.
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction: From Dada Tricks to Post-Truth Politics, Mara-Johanna Koelmel (Leuphana University Lueneburg, Germany & The Courtauld Institute of Art, UK) and Sarah Hegenbart (Technical University Munich, Germany)
1. FROM DADA TO DATA
1.1. Dadadatadada: From Dada to Data and Back Again, Mara-Johanna Koelmel (Leuphana University Lueneburg, Germany & The Courtauld Institute of Art, UK)
1.2. Clouds, Critique & Contradiction: Programming Dissent in Dada and Data Art, Meredith Hoy (Herberger Institute for Design and the Arts, Arizona State University, USA)
1.3. The Legacy of the Berlin Dada Media Hoaxes in Contemporary Parafictive Acts, Rebecca Smith (Liverpool School of Art and Design, Liverpool John Moores University, UK)
Visual Essay by Montage Maedels
2. GLOBAL DADA
2.1. Sheida Soleimani, Cyborg: Photomontage in an Expanding Network, Matthew Biro (University of Michigan, USA)
2.2. Black Dada Data: Collage as a Tool of Resistance against White Supremacy Thinking in the Digital
Age, Sarah Hegenbart (Technical University Munich, Germany)
2.3. Dada's African South, Roger van Wyk (Independent Curator and Director of Educentric)
2.4 Paula Rego: A Dada Attitude against Authority in the Post-War Period, Leonor de Oliveira (Universidade NOVA de Lisboa, Portugal)
Visual Essay by donna Kukama
3. BIG DADA DATA
3.1. Big Dada, Big Data: Schwitters's Merzbau, the Private and the Trash, Natalie Koerner (Royal Danish Academy of Fine Arts / University of Copenhagen, Denmark)
3.2. Identity, Ecology, and the Arts in the Age of Big Data Mining, Roberto Simanowski (University of Basel, Switzerland)
3.3 The Digital Revolution as Counter-Revolution, Joshua Simon (Pennsylvania Academy of Fine Arts, USA)
Visual Essay by Kemang Wa Lehulere
4. DADA x ALT-RIGHT. FAKING THE TRUTH
4.1. Down the Rabbit Hole of The Alt-Right Complex: Artists Exploring Far Right Online Culture, Inke Arns (Curator and Artistic Director, Hartware MedienKunstVerein, Germany)
4.2. Fashwave: The Alt-Right's Aestheticization of Politics and Violence, Maik Fielitz (Institute for Peace Studies and Security Policy at the University of Hamburg, Germany) and Lisa Bogerts (Independent Researcher, Germany)
4.3. Post-Internet Art and the Alt-Right Visual Culture, Vid Simoniti (University of Liverpool, UK)
Visual Essay by IOCOSE
5. DADA DATA TACTICS
5.1. Pixel Pirates: Theft as Strategy in the Art of Joan Ross and Soda Jerk, Jaime Tsai (National Art School, Sydney, Australia)
3.3. Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data, Annet Dekker (Independent Researcher, Writer and Curator)
5.3. The Multiple Narratives of Post-Truth Politics, Told through Picture, Jack Southern (University of Gloucestershire, City and Guilds of London Art School, UK)
Index
Notes on Contributors
Acknowledgements
Introduction: From Dada Tricks to Post-Truth Politics, Mara-Johanna Koelmel (Leuphana University Lueneburg, Germany & The Courtauld Institute of Art, UK) and Sarah Hegenbart (Technical University Munich, Germany)
1. FROM DADA TO DATA
1.1. Dadadatadada: From Dada to Data and Back Again, Mara-Johanna Koelmel (Leuphana University Lueneburg, Germany & The Courtauld Institute of Art, UK)
1.2. Clouds, Critique & Contradiction: Programming Dissent in Dada and Data Art, Meredith Hoy (Herberger Institute for Design and the Arts, Arizona State University, USA)
1.3. The Legacy of the Berlin Dada Media Hoaxes in Contemporary Parafictive Acts, Rebecca Smith (Liverpool School of Art and Design, Liverpool John Moores University, UK)
Visual Essay by Montage Maedels
2. GLOBAL DADA
2.1. Sheida Soleimani, Cyborg: Photomontage in an Expanding Network, Matthew Biro (University of Michigan, USA)
2.2. Black Dada Data: Collage as a Tool of Resistance against White Supremacy Thinking in the Digital
Age, Sarah Hegenbart (Technical University Munich, Germany)
2.3. Dada's African South, Roger van Wyk (Independent Curator and Director of Educentric)
2.4 Paula Rego: A Dada Attitude against Authority in the Post-War Period, Leonor de Oliveira (Universidade NOVA de Lisboa, Portugal)
Visual Essay by donna Kukama
3. BIG DADA DATA
3.1. Big Dada, Big Data: Schwitters's Merzbau, the Private and the Trash, Natalie Koerner (Royal Danish Academy of Fine Arts / University of Copenhagen, Denmark)
3.2. Identity, Ecology, and the Arts in the Age of Big Data Mining, Roberto Simanowski (University of Basel, Switzerland)
3.3 The Digital Revolution as Counter-Revolution, Joshua Simon (Pennsylvania Academy of Fine Arts, USA)
Visual Essay by Kemang Wa Lehulere
4. DADA x ALT-RIGHT. FAKING THE TRUTH
4.1. Down the Rabbit Hole of The Alt-Right Complex: Artists Exploring Far Right Online Culture, Inke Arns (Curator and Artistic Director, Hartware MedienKunstVerein, Germany)
4.2. Fashwave: The Alt-Right's Aestheticization of Politics and Violence, Maik Fielitz (Institute for Peace Studies and Security Policy at the University of Hamburg, Germany) and Lisa Bogerts (Independent Researcher, Germany)
4.3. Post-Internet Art and the Alt-Right Visual Culture, Vid Simoniti (University of Liverpool, UK)
Visual Essay by IOCOSE
5. DADA DATA TACTICS
5.1. Pixel Pirates: Theft as Strategy in the Art of Joan Ross and Soda Jerk, Jaime Tsai (National Art School, Sydney, Australia)
3.3. Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data, Annet Dekker (Independent Researcher, Writer and Curator)
5.3. The Multiple Narratives of Post-Truth Politics, Told through Picture, Jack Southern (University of Gloucestershire, City and Guilds of London Art School, UK)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Aesthetics; Alt-Right; Big Data; Collage; Contemporary Art; Counter-cultural strategies; Dada; Data; Digital Art; Fake News; Fascism; Global South; Montage; Post-Truth; Politics; Populism; Post Internet Art; Resistance; Revolution; White Supremacy
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction: From Dada Tricks to Post-Truth Politics, Mara-Johanna Koelmel (Leuphana University Lueneburg, Germany & The Courtauld Institute of Art, UK) and Sarah Hegenbart (Technical University Munich, Germany)
1. FROM DADA TO DATA
1.1. Dadadatadada: From Dada to Data and Back Again, Mara-Johanna Koelmel (Leuphana University Lueneburg, Germany & The Courtauld Institute of Art, UK)
1.2. Clouds, Critique & Contradiction: Programming Dissent in Dada and Data Art, Meredith Hoy (Herberger Institute for Design and the Arts, Arizona State University, USA)
1.3. The Legacy of the Berlin Dada Media Hoaxes in Contemporary Parafictive Acts, Rebecca Smith (Liverpool School of Art and Design, Liverpool John Moores University, UK)
Visual Essay by Montage Maedels
2. GLOBAL DADA
2.1. Sheida Soleimani, Cyborg: Photomontage in an Expanding Network, Matthew Biro (University of Michigan, USA)
2.2. Black Dada Data: Collage as a Tool of Resistance against White Supremacy Thinking in the Digital
Age, Sarah Hegenbart (Technical University Munich, Germany)
2.3. Dada's African South, Roger van Wyk (Independent Curator and Director of Educentric)
2.4 Paula Rego: A Dada Attitude against Authority in the Post-War Period, Leonor de Oliveira (Universidade NOVA de Lisboa, Portugal)
Visual Essay by donna Kukama
3. BIG DADA DATA
3.1. Big Dada, Big Data: Schwitters's Merzbau, the Private and the Trash, Natalie Koerner (Royal Danish Academy of Fine Arts / University of Copenhagen, Denmark)
3.2. Identity, Ecology, and the Arts in the Age of Big Data Mining, Roberto Simanowski (University of Basel, Switzerland)
3.3 The Digital Revolution as Counter-Revolution, Joshua Simon (Pennsylvania Academy of Fine Arts, USA)
Visual Essay by Kemang Wa Lehulere
4. DADA x ALT-RIGHT. FAKING THE TRUTH
4.1. Down the Rabbit Hole of The Alt-Right Complex: Artists Exploring Far Right Online Culture, Inke Arns (Curator and Artistic Director, Hartware MedienKunstVerein, Germany)
4.2. Fashwave: The Alt-Right's Aestheticization of Politics and Violence, Maik Fielitz (Institute for Peace Studies and Security Policy at the University of Hamburg, Germany) and Lisa Bogerts (Independent Researcher, Germany)
4.3. Post-Internet Art and the Alt-Right Visual Culture, Vid Simoniti (University of Liverpool, UK)
Visual Essay by IOCOSE
5. DADA DATA TACTICS
5.1. Pixel Pirates: Theft as Strategy in the Art of Joan Ross and Soda Jerk, Jaime Tsai (National Art School, Sydney, Australia)
3.3. Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data, Annet Dekker (Independent Researcher, Writer and Curator)
5.3. The Multiple Narratives of Post-Truth Politics, Told through Picture, Jack Southern (University of Gloucestershire, City and Guilds of London Art School, UK)
Index
Notes on Contributors
Acknowledgements
Introduction: From Dada Tricks to Post-Truth Politics, Mara-Johanna Koelmel (Leuphana University Lueneburg, Germany & The Courtauld Institute of Art, UK) and Sarah Hegenbart (Technical University Munich, Germany)
1. FROM DADA TO DATA
1.1. Dadadatadada: From Dada to Data and Back Again, Mara-Johanna Koelmel (Leuphana University Lueneburg, Germany & The Courtauld Institute of Art, UK)
1.2. Clouds, Critique & Contradiction: Programming Dissent in Dada and Data Art, Meredith Hoy (Herberger Institute for Design and the Arts, Arizona State University, USA)
1.3. The Legacy of the Berlin Dada Media Hoaxes in Contemporary Parafictive Acts, Rebecca Smith (Liverpool School of Art and Design, Liverpool John Moores University, UK)
Visual Essay by Montage Maedels
2. GLOBAL DADA
2.1. Sheida Soleimani, Cyborg: Photomontage in an Expanding Network, Matthew Biro (University of Michigan, USA)
2.2. Black Dada Data: Collage as a Tool of Resistance against White Supremacy Thinking in the Digital
Age, Sarah Hegenbart (Technical University Munich, Germany)
2.3. Dada's African South, Roger van Wyk (Independent Curator and Director of Educentric)
2.4 Paula Rego: A Dada Attitude against Authority in the Post-War Period, Leonor de Oliveira (Universidade NOVA de Lisboa, Portugal)
Visual Essay by donna Kukama
3. BIG DADA DATA
3.1. Big Dada, Big Data: Schwitters's Merzbau, the Private and the Trash, Natalie Koerner (Royal Danish Academy of Fine Arts / University of Copenhagen, Denmark)
3.2. Identity, Ecology, and the Arts in the Age of Big Data Mining, Roberto Simanowski (University of Basel, Switzerland)
3.3 The Digital Revolution as Counter-Revolution, Joshua Simon (Pennsylvania Academy of Fine Arts, USA)
Visual Essay by Kemang Wa Lehulere
4. DADA x ALT-RIGHT. FAKING THE TRUTH
4.1. Down the Rabbit Hole of The Alt-Right Complex: Artists Exploring Far Right Online Culture, Inke Arns (Curator and Artistic Director, Hartware MedienKunstVerein, Germany)
4.2. Fashwave: The Alt-Right's Aestheticization of Politics and Violence, Maik Fielitz (Institute for Peace Studies and Security Policy at the University of Hamburg, Germany) and Lisa Bogerts (Independent Researcher, Germany)
4.3. Post-Internet Art and the Alt-Right Visual Culture, Vid Simoniti (University of Liverpool, UK)
Visual Essay by IOCOSE
5. DADA DATA TACTICS
5.1. Pixel Pirates: Theft as Strategy in the Art of Joan Ross and Soda Jerk, Jaime Tsai (National Art School, Sydney, Australia)
3.3. Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data, Annet Dekker (Independent Researcher, Writer and Curator)
5.3. The Multiple Narratives of Post-Truth Politics, Told through Picture, Jack Southern (University of Gloucestershire, City and Guilds of London Art School, UK)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
