(Counter-)Archive: Memorial Practices of the Soviet Underground

Part 1: Archiving Subcultures.- Chapter 1: Klavdia Smola, Ilya Kukulin, Annelie Bachmaier: (Counter-)Archive: Memorial Practices of the Soviet Underground. Introduction.- Chapter 2: Juliane Fuerst: Notes from the Zone of Kaif: An Exploration of the Azazello Archive.- Chapter 3: Nathalie Moine: Sound Archives from the Margin of the Soviet: Recording Gypsy Tales and Songs in the late Soviet Union.- Part 2: Archival Aesthetics and Poetics.- Chapter 4: Ilja Kukuj: "Keeping the Thread": on the Archival Practices of Ry Nikonova and Sergei Sigei.- Chapter 5: Mikhail Pavlovets: Collected Works, or Texts Selected and Discarded, or Under Construction and Other Words by Boniface and German Lukomnikov as an Exercise in Authorial Self-Archiving.- Chapter 6: Mary Nicholas: Co-Authorship, Collaboration, and Other 'Counter-Archival' Gestures in Late-Soviet Moscow Conceptualism.- Part 3: Artists as Collectors, Philologists, and Cultural Historians.- Chapter 7: Ann Komaromi: The Samizdat Journal Chasy (The Clock) and the Counter-Archive of Unofficial Culture.- Chapter 8: Christian Zehnder: The Leningrad Underground as an Archive of Modernism: Considering Informal Philology in the Late Soviet Union.- Part 4: The Afterlife of Memory.- Chapter 9: Klavdia Smola: Archiving the Life World: Memorial Practices of the Late Soviet Underground and After.- Chapter 10: Maria Engstroem, Aleksei Semenenko: Recycling the Underground: Archive and Memory Politics in Contemporary Russia.- Chapter 11: Dorine Schellens: Collecting, Archiving, Canonizing: The Role of Exhibitions in the Transnational Reception History of Moscow Conceptualism.- Chapter 12: Michal Mrugalski: The Warsaw Summit of Archivists: Il?ia and Emilia Kabakov's Meeting with Joseph Kosuth on the Borderline between Soviet and Western Banality.- Part 5: Artistic Testimonies.- Chapter 13: Sabine Haensgen: Translating Moscow Conceptualism.- Chapter 14: Andrei Khlobystin: Wonders and Curiosities.- Chapter 15: Vadim Zakharov: The Artist as Institution: Self-Organization as Institutional Practice(s) in Moscow Conceptualism.- Chapter 16: Elena Penskaia: Archival Strategies and Literary Memory in Vsevolod Nekrasov's Legacy.- Chapter 17: Pavel Arseniev: "Poetry was forever, until it was no more": On the New Temporality and Media-Context of the Contemporary Cultural Movement.

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• História de outras terras
• Historia da arte / estilos de arte e design
• Historiografia
• Estudos cultirais
• História social e cultural

counter-archives;Archive;Soviet history;self-archiving;Memory;suppressed memory;Slavic studies;unofficial culture;underground culture;cultural memory;art history;communism