Contemporary Lusophone African Film
portes grátis
Contemporary Lusophone African Film
Transnational Communities and Alternative Modernities
de Medeiros, Paulo; Apa, Livia
Taylor & Francis Ltd
05/2024
210
Mole
9780367523169
15 a 20 dias
Descrição não disponível.
Introduction: Situating Lusophone African Cinema ; 1. Lusophone African Cinema as World-Cinema ; 2. Lusophone Filmmaking in the realm of transnational African cinemas: from 'global ethnic' to 'global aesthetic' ; 3. Sounds of Liberation: Sarah Maldoror's Sambizanga (1972) and Miguel Gomes' Tabu (2012) ; 4. Resistance and Political Awareness Through the Eye-Camera of Sarah Maldoror ; 5. The eleventh island: Cape Verde, the moving images and its diaspora ; 6. Postcolonial Testimony and the ruins of empire ; 7. In the Name of the Rosa: The Ethnographic Reflex in the Cinema of Licinio Azevedo ; 8. From the tabanca to Bissau, from Bissau to the Diaspora: Social Narratives in the Bissau-Guinean Popular Cinema ; 9. The Representation of Ritual and Cinema as a Ritual in Revolutionary Mozambique: Ruy Guerra's 'Mueda, Memoria e Massacre' ; 10. A melancholic outlook on 40 years of lusophone audio-visual production and Guinea, the two faces of the war as case study ; 11. 'We need to dress ourselves in the black light': an authorial analysis of Lusophone African cinema - Flora Gomes's case ; 12. Pedro Pimenta, in Interview with Livia Apa
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Cape Verdeans;remapping world cinema;Young Man;African Cinema;World Cinema;Lusophone Films;Lusophone Cinema;Pedro Costa;B-Film;Follow;Rob Stone;Os;Stephanie Dennison;National Film Institute;Paul Cooke;Alex Marlow-Mann;Warwick Research Collective;Lusophone African Film;Mario;Global aesthetics;Held;Transnational Communities;Orlando;Lusophone African;Lusophone Africa;Sarah Maldoror;Cape Verdean Migrants;Audiovisual Productions;Manthia Diawara;Children's Republic;Nouvelle Vague;Liberation Script;Cape Verdean Identity;Violates;Clip
Introduction: Situating Lusophone African Cinema ; 1. Lusophone African Cinema as World-Cinema ; 2. Lusophone Filmmaking in the realm of transnational African cinemas: from 'global ethnic' to 'global aesthetic' ; 3. Sounds of Liberation: Sarah Maldoror's Sambizanga (1972) and Miguel Gomes' Tabu (2012) ; 4. Resistance and Political Awareness Through the Eye-Camera of Sarah Maldoror ; 5. The eleventh island: Cape Verde, the moving images and its diaspora ; 6. Postcolonial Testimony and the ruins of empire ; 7. In the Name of the Rosa: The Ethnographic Reflex in the Cinema of Licinio Azevedo ; 8. From the tabanca to Bissau, from Bissau to the Diaspora: Social Narratives in the Bissau-Guinean Popular Cinema ; 9. The Representation of Ritual and Cinema as a Ritual in Revolutionary Mozambique: Ruy Guerra's 'Mueda, Memoria e Massacre' ; 10. A melancholic outlook on 40 years of lusophone audio-visual production and Guinea, the two faces of the war as case study ; 11. 'We need to dress ourselves in the black light': an authorial analysis of Lusophone African cinema - Flora Gomes's case ; 12. Pedro Pimenta, in Interview with Livia Apa
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Cape Verdeans;remapping world cinema;Young Man;African Cinema;World Cinema;Lusophone Films;Lusophone Cinema;Pedro Costa;B-Film;Follow;Rob Stone;Os;Stephanie Dennison;National Film Institute;Paul Cooke;Alex Marlow-Mann;Warwick Research Collective;Lusophone African Film;Mario;Global aesthetics;Held;Transnational Communities;Orlando;Lusophone African;Lusophone Africa;Sarah Maldoror;Cape Verdean Migrants;Audiovisual Productions;Manthia Diawara;Children's Republic;Nouvelle Vague;Liberation Script;Cape Verdean Identity;Violates;Clip
