Contemporary Art in Heritage Spaces

Contemporary Art in Heritage Spaces

Powell, Anna; Park, Gill; Cass, Nick

Taylor & Francis Ltd

02/2022

254

Mole

Inglês

9781032235783

15 a 20 dias

470

Descrição não disponível.
Introduction

Part I: Reimagining Heritage

2. Mapping Contemporary Art in the Heritage Experience

3. Making Cities: Places, Production, and (Im)material Heritage

4. Gestured by Brass Art: Gestures, Ambiguity, and Material Transformation at Chetham's Library

Part II: Alternative Histories

5. Making the Invisible Visible in Capability Brown's Lost Landscapes

6. A Room of One's Own: Strategies of Feminist Arts Interventions

7. Contemporary Interventions and Conflict: The Possibilities of 'Critical Historical Consciousness' as a Mode of Heritage Production

8. Mapping Contemporary Art in the Heritage Experience: Mary Eleanor Bowes and The Orangery Urns

Part III: Disciplinary Dialogues

9. Expanded Interiors: Bringing Contemporary Site-Specific Fine-Art Practice to Roman Houses at Herculaneum and Pompeii.

10. Practicing History: Art, Archives, and Footnotes

11. Understanding the Audience Experience of Contemporary Visual Arts at Geevor Mine World Heritage Site: A Dialogue between a Contemporary Artist and a Sociologist

Part IV: Liminal Spaces

12. Numinous Experiences in the Home of the Brontes

13. Transactions of an Artist's Placement: Planning Berwick-upon-Tweed with Sander Van Raemdonck

14. Bruce Nauman at York St Mary's: A Hermeneutic Enquiry into 'The Intersection'
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Creative Engagement Process;Played Back;Contemporary;Midas Touch;Art;Leeds Beckett University;Heritage;UNESCO World Heritage Site Status;Space;Belsay Hall;Intersecting;Anorexia Nervosa;Practice;Temple Newsam House;Cass;UK Heritage;Park;UK Location;Powell;Heritage Partners;Intervention;Contemporary Art Interventions;Site;APG;Intersection;York Museums Trust;Role;Imperial War Museum North;Impact;Critical Historical Consciousness;Value;Contemporary Art;Interpretation;Monk's House;Audience;Roman Wall Painting;Tourism;Nauman's Works;Visitor;Expanded Interiors;History;Patrick Eyres;Exhibition;Nalini Malani;Regeneration;Harewood House;Collaboration;Henry Lascelles;regeneration agendas;visitor economy;heritage contexts