Contemporary Art in Heritage Spaces
portes grátis
Contemporary Art in Heritage Spaces
Powell, Anna; Park, Gill; Cass, Nick
Taylor & Francis Ltd
02/2022
254
Mole
Inglês
9781032235783
15 a 20 dias
470
Descrição não disponível.
Introduction
Part I: Reimagining Heritage
2. Mapping Contemporary Art in the Heritage Experience
3. Making Cities: Places, Production, and (Im)material Heritage
4. Gestured by Brass Art: Gestures, Ambiguity, and Material Transformation at Chetham's Library
Part II: Alternative Histories
5. Making the Invisible Visible in Capability Brown's Lost Landscapes
6. A Room of One's Own: Strategies of Feminist Arts Interventions
7. Contemporary Interventions and Conflict: The Possibilities of 'Critical Historical Consciousness' as a Mode of Heritage Production
8. Mapping Contemporary Art in the Heritage Experience: Mary Eleanor Bowes and The Orangery Urns
Part III: Disciplinary Dialogues
9. Expanded Interiors: Bringing Contemporary Site-Specific Fine-Art Practice to Roman Houses at Herculaneum and Pompeii.
10. Practicing History: Art, Archives, and Footnotes
11. Understanding the Audience Experience of Contemporary Visual Arts at Geevor Mine World Heritage Site: A Dialogue between a Contemporary Artist and a Sociologist
Part IV: Liminal Spaces
12. Numinous Experiences in the Home of the Brontes
13. Transactions of an Artist's Placement: Planning Berwick-upon-Tweed with Sander Van Raemdonck
14. Bruce Nauman at York St Mary's: A Hermeneutic Enquiry into 'The Intersection'
Part I: Reimagining Heritage
2. Mapping Contemporary Art in the Heritage Experience
3. Making Cities: Places, Production, and (Im)material Heritage
4. Gestured by Brass Art: Gestures, Ambiguity, and Material Transformation at Chetham's Library
Part II: Alternative Histories
5. Making the Invisible Visible in Capability Brown's Lost Landscapes
6. A Room of One's Own: Strategies of Feminist Arts Interventions
7. Contemporary Interventions and Conflict: The Possibilities of 'Critical Historical Consciousness' as a Mode of Heritage Production
8. Mapping Contemporary Art in the Heritage Experience: Mary Eleanor Bowes and The Orangery Urns
Part III: Disciplinary Dialogues
9. Expanded Interiors: Bringing Contemporary Site-Specific Fine-Art Practice to Roman Houses at Herculaneum and Pompeii.
10. Practicing History: Art, Archives, and Footnotes
11. Understanding the Audience Experience of Contemporary Visual Arts at Geevor Mine World Heritage Site: A Dialogue between a Contemporary Artist and a Sociologist
Part IV: Liminal Spaces
12. Numinous Experiences in the Home of the Brontes
13. Transactions of an Artist's Placement: Planning Berwick-upon-Tweed with Sander Van Raemdonck
14. Bruce Nauman at York St Mary's: A Hermeneutic Enquiry into 'The Intersection'
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Creative Engagement Process;Played Back;Contemporary;Midas Touch;Art;Leeds Beckett University;Heritage;UNESCO World Heritage Site Status;Space;Belsay Hall;Intersecting;Anorexia Nervosa;Practice;Temple Newsam House;Cass;UK Heritage;Park;UK Location;Powell;Heritage Partners;Intervention;Contemporary Art Interventions;Site;APG;Intersection;York Museums Trust;Role;Imperial War Museum North;Impact;Critical Historical Consciousness;Value;Contemporary Art;Interpretation;Monk's House;Audience;Roman Wall Painting;Tourism;Nauman's Works;Visitor;Expanded Interiors;History;Patrick Eyres;Exhibition;Nalini Malani;Regeneration;Harewood House;Collaboration;Henry Lascelles;regeneration agendas;visitor economy;heritage contexts
Introduction
Part I: Reimagining Heritage
2. Mapping Contemporary Art in the Heritage Experience
3. Making Cities: Places, Production, and (Im)material Heritage
4. Gestured by Brass Art: Gestures, Ambiguity, and Material Transformation at Chetham's Library
Part II: Alternative Histories
5. Making the Invisible Visible in Capability Brown's Lost Landscapes
6. A Room of One's Own: Strategies of Feminist Arts Interventions
7. Contemporary Interventions and Conflict: The Possibilities of 'Critical Historical Consciousness' as a Mode of Heritage Production
8. Mapping Contemporary Art in the Heritage Experience: Mary Eleanor Bowes and The Orangery Urns
Part III: Disciplinary Dialogues
9. Expanded Interiors: Bringing Contemporary Site-Specific Fine-Art Practice to Roman Houses at Herculaneum and Pompeii.
10. Practicing History: Art, Archives, and Footnotes
11. Understanding the Audience Experience of Contemporary Visual Arts at Geevor Mine World Heritage Site: A Dialogue between a Contemporary Artist and a Sociologist
Part IV: Liminal Spaces
12. Numinous Experiences in the Home of the Brontes
13. Transactions of an Artist's Placement: Planning Berwick-upon-Tweed with Sander Van Raemdonck
14. Bruce Nauman at York St Mary's: A Hermeneutic Enquiry into 'The Intersection'
Part I: Reimagining Heritage
2. Mapping Contemporary Art in the Heritage Experience
3. Making Cities: Places, Production, and (Im)material Heritage
4. Gestured by Brass Art: Gestures, Ambiguity, and Material Transformation at Chetham's Library
Part II: Alternative Histories
5. Making the Invisible Visible in Capability Brown's Lost Landscapes
6. A Room of One's Own: Strategies of Feminist Arts Interventions
7. Contemporary Interventions and Conflict: The Possibilities of 'Critical Historical Consciousness' as a Mode of Heritage Production
8. Mapping Contemporary Art in the Heritage Experience: Mary Eleanor Bowes and The Orangery Urns
Part III: Disciplinary Dialogues
9. Expanded Interiors: Bringing Contemporary Site-Specific Fine-Art Practice to Roman Houses at Herculaneum and Pompeii.
10. Practicing History: Art, Archives, and Footnotes
11. Understanding the Audience Experience of Contemporary Visual Arts at Geevor Mine World Heritage Site: A Dialogue between a Contemporary Artist and a Sociologist
Part IV: Liminal Spaces
12. Numinous Experiences in the Home of the Brontes
13. Transactions of an Artist's Placement: Planning Berwick-upon-Tweed with Sander Van Raemdonck
14. Bruce Nauman at York St Mary's: A Hermeneutic Enquiry into 'The Intersection'
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Creative Engagement Process;Played Back;Contemporary;Midas Touch;Art;Leeds Beckett University;Heritage;UNESCO World Heritage Site Status;Space;Belsay Hall;Intersecting;Anorexia Nervosa;Practice;Temple Newsam House;Cass;UK Heritage;Park;UK Location;Powell;Heritage Partners;Intervention;Contemporary Art Interventions;Site;APG;Intersection;York Museums Trust;Role;Imperial War Museum North;Impact;Critical Historical Consciousness;Value;Contemporary Art;Interpretation;Monk's House;Audience;Roman Wall Painting;Tourism;Nauman's Works;Visitor;Expanded Interiors;History;Patrick Eyres;Exhibition;Nalini Malani;Regeneration;Harewood House;Collaboration;Henry Lascelles;regeneration agendas;visitor economy;heritage contexts