Concert Halls by Nagata Acoustics
portes grátis
Concert Halls by Nagata Acoustics
Thirty Years of Acoustical Design for Music Venues and Vineyard-Style Auditoria
Toyota, Yasuhisa; Komoda, Motoo; Bergal, Erik; Beckmann, Daniel; Quiquerez, Marc
Springer Nature Switzerland AG
02/2022
339
Mole
Inglês
9783030424527
15 a 20 dias
1075
Descrição não disponível.
Part1. Project Anthology.- Chapter1. Suntory Hall.- Chapter2. Kyoto Concert Hall.- Chapter3. Sapporo Concert Hall "Kitara".- Chapter4. Richard B. Fisher Center for the Performing Arts.- Chapter5. Walt Disney Concert Hall.- Chapter6. Muza Kawasaki Symphony Hall.- Chapter7. Mariinsky Concert Hall.- Chapter8. Danish Radio Concert House.- Chapter9. New World Symphony.- Chapter10. Helsinki Music Centre Concert Hall.- Chapter11. Kauffman Center for the Performing Arts: Muriel Kauffman Theatre.- Chapter12. Kauffman Center for the Performing Arts: Helzberg Hall.- Chapter13. Soka Performing Arts Center.- Chapter14. Isabella Stewart Gardner Museum.- Chapter15. USC Brain and Creativity Institute.- Chapter16. Bing Concert Hall.- Chapter17. Charles Bronfman Auditorium.- Chapter18. Auditorium Giovanni Arvedi.- Chapter19. Shanghai Symphony Hall.- Chapter20. NOSPR Katowice.- Chapter21. Auditorium, Fondation Louis Vuitton.- Chapter22. Radio France Concert Hall.- Chapter23. Philharmonie de Paris.- Chapter24. Musco Center for the Arts.- Chapter25. Lotte Concert Hall.- Chapter26. Elbphilharmonie Hamburg.- Chapter27. Pierre Boulez Saal.- Chapter28. La Seine Musicale.- Chapter29. Repino Hall.- Chapter30. Jinji Lake Concert Hall.- Chapter31. Zaryadye Concert Hall.- Chapter32. The Conrad Prebys Performing Arts Center.- Part2. Topics on Acoustics and Acoustical Design.- Chapter33. Vienna Musikvereinssaal as the Starting Point of Discussion.- Chapter34. Berlin Philharmonie and the Birth of the Vineyard-style Concept.- Chapter35. Surround Seating Paradigm.- Chapter36. Foundational Projects of Nagata Acoustics.- Chapter37. Reverberation Time, Other Metrics, and Underlying Goals.- Chapter38. Computer Simulation.- Chapter39. Scale Model Testing.- Chapter40. The Importance of Stage Acoustics.- Chapter41. Ceiling Height, Ensemble Reflectors, and Soffits.- Chapter42. Acclimation to a New Hall.- Chapter43. Orchestral Balance.- Chapter44. Orchestra Layout.- Chapter45. Excessive Sound Exposure on Stage.- Chapter46. Stage Risers.- Chapter47. Stage Structure.- Chapter48. Adjustable vs. Fixed Acoustics.- Chapter49. Sound System Design in Concert Halls.- Chapter50. Semi-staged Productions in Concert Halls.- Chapter51. Concert Hall Organ Design.- Chapter52. A New Direction of Concert Hall Design.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
concert hall acoustics;concert hall design philosophy;concert hall architecture acoustics;vineyard style concert hall;surround style concert hall;terraced concert hall;music theater in the round acoustics design;history Nagata Acoustics;Yasuhisa Toyota career;acoustic scale model test;acoustical metric analysis;methodology acoustic design;technology acoustic design;acoustic computer simulations concert halls;Walt Disney Concert Hall acoustics design;Elbphilharmonie Nagata
Part1. Project Anthology.- Chapter1. Suntory Hall.- Chapter2. Kyoto Concert Hall.- Chapter3. Sapporo Concert Hall "Kitara".- Chapter4. Richard B. Fisher Center for the Performing Arts.- Chapter5. Walt Disney Concert Hall.- Chapter6. Muza Kawasaki Symphony Hall.- Chapter7. Mariinsky Concert Hall.- Chapter8. Danish Radio Concert House.- Chapter9. New World Symphony.- Chapter10. Helsinki Music Centre Concert Hall.- Chapter11. Kauffman Center for the Performing Arts: Muriel Kauffman Theatre.- Chapter12. Kauffman Center for the Performing Arts: Helzberg Hall.- Chapter13. Soka Performing Arts Center.- Chapter14. Isabella Stewart Gardner Museum.- Chapter15. USC Brain and Creativity Institute.- Chapter16. Bing Concert Hall.- Chapter17. Charles Bronfman Auditorium.- Chapter18. Auditorium Giovanni Arvedi.- Chapter19. Shanghai Symphony Hall.- Chapter20. NOSPR Katowice.- Chapter21. Auditorium, Fondation Louis Vuitton.- Chapter22. Radio France Concert Hall.- Chapter23. Philharmonie de Paris.- Chapter24. Musco Center for the Arts.- Chapter25. Lotte Concert Hall.- Chapter26. Elbphilharmonie Hamburg.- Chapter27. Pierre Boulez Saal.- Chapter28. La Seine Musicale.- Chapter29. Repino Hall.- Chapter30. Jinji Lake Concert Hall.- Chapter31. Zaryadye Concert Hall.- Chapter32. The Conrad Prebys Performing Arts Center.- Part2. Topics on Acoustics and Acoustical Design.- Chapter33. Vienna Musikvereinssaal as the Starting Point of Discussion.- Chapter34. Berlin Philharmonie and the Birth of the Vineyard-style Concept.- Chapter35. Surround Seating Paradigm.- Chapter36. Foundational Projects of Nagata Acoustics.- Chapter37. Reverberation Time, Other Metrics, and Underlying Goals.- Chapter38. Computer Simulation.- Chapter39. Scale Model Testing.- Chapter40. The Importance of Stage Acoustics.- Chapter41. Ceiling Height, Ensemble Reflectors, and Soffits.- Chapter42. Acclimation to a New Hall.- Chapter43. Orchestral Balance.- Chapter44. Orchestra Layout.- Chapter45. Excessive Sound Exposure on Stage.- Chapter46. Stage Risers.- Chapter47. Stage Structure.- Chapter48. Adjustable vs. Fixed Acoustics.- Chapter49. Sound System Design in Concert Halls.- Chapter50. Semi-staged Productions in Concert Halls.- Chapter51. Concert Hall Organ Design.- Chapter52. A New Direction of Concert Hall Design.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
concert hall acoustics;concert hall design philosophy;concert hall architecture acoustics;vineyard style concert hall;surround style concert hall;terraced concert hall;music theater in the round acoustics design;history Nagata Acoustics;Yasuhisa Toyota career;acoustic scale model test;acoustical metric analysis;methodology acoustic design;technology acoustic design;acoustic computer simulations concert halls;Walt Disney Concert Hall acoustics design;Elbphilharmonie Nagata
