Concentrationary Imaginaries
portes grátis
Concentrationary Imaginaries
Tracing Totalitarian Violence in Popular Culture
Pollock, Griselda; Silverman, Max
Bloomsbury Publishing PLC
09/2021
330
Mole
Inglês
9781350229556
15 a 20 dias
732
Descrição não disponível.
List of Illustrations
Acknowledgements
Series Preface: Concentrationary Memories: The Politics of Representation, Griselda Pollock and Max Silverman
Introduction
A Concentrationary Imaginary?, Griselda Pollock
Part I. Thinking
1. Framing Horror, Adriana Cavarero
2. Between Realism and Fiction: Arendt and Levi on Concentrationary Imaginaries, Olivia Guaraldo
3. Totality, Convergence, Synchronization, Ian James
Part II. Desire
4. Wrap me up in Sadist Knots: Representations of Sadism-From Naziploitation to Torture Porn, Aaron Kerner
5. Redemption or Transformation: Blasphemy and the Concentrationary Imaginary in Liliana Cavani's The Night Porter (1974), Griselda Pollock
Part III. Camp
6. Seep and Creep: the Concentrationary Imaginary in Martin Scorsese's Shutter Island (2010), Benjamin Hannavy Cousen
7. Haneke and the Camps, Max Silverman
8. Spec(tac)ularizing 'Campness': Nikita and La Femme Nikita the Series, Brenda Hollweg
Notes
Bibliography
Notes on Contributors
Index
Acknowledgements
Series Preface: Concentrationary Memories: The Politics of Representation, Griselda Pollock and Max Silverman
Introduction
A Concentrationary Imaginary?, Griselda Pollock
Part I. Thinking
1. Framing Horror, Adriana Cavarero
2. Between Realism and Fiction: Arendt and Levi on Concentrationary Imaginaries, Olivia Guaraldo
3. Totality, Convergence, Synchronization, Ian James
Part II. Desire
4. Wrap me up in Sadist Knots: Representations of Sadism-From Naziploitation to Torture Porn, Aaron Kerner
5. Redemption or Transformation: Blasphemy and the Concentrationary Imaginary in Liliana Cavani's The Night Porter (1974), Griselda Pollock
Part III. Camp
6. Seep and Creep: the Concentrationary Imaginary in Martin Scorsese's Shutter Island (2010), Benjamin Hannavy Cousen
7. Haneke and the Camps, Max Silverman
8. Spec(tac)ularizing 'Campness': Nikita and La Femme Nikita the Series, Brenda Hollweg
Notes
Bibliography
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
List of Illustrations
Acknowledgements
Series Preface: Concentrationary Memories: The Politics of Representation, Griselda Pollock and Max Silverman
Introduction
A Concentrationary Imaginary?, Griselda Pollock
Part I. Thinking
1. Framing Horror, Adriana Cavarero
2. Between Realism and Fiction: Arendt and Levi on Concentrationary Imaginaries, Olivia Guaraldo
3. Totality, Convergence, Synchronization, Ian James
Part II. Desire
4. Wrap me up in Sadist Knots: Representations of Sadism-From Naziploitation to Torture Porn, Aaron Kerner
5. Redemption or Transformation: Blasphemy and the Concentrationary Imaginary in Liliana Cavani's The Night Porter (1974), Griselda Pollock
Part III. Camp
6. Seep and Creep: the Concentrationary Imaginary in Martin Scorsese's Shutter Island (2010), Benjamin Hannavy Cousen
7. Haneke and the Camps, Max Silverman
8. Spec(tac)ularizing 'Campness': Nikita and La Femme Nikita the Series, Brenda Hollweg
Notes
Bibliography
Notes on Contributors
Index
Acknowledgements
Series Preface: Concentrationary Memories: The Politics of Representation, Griselda Pollock and Max Silverman
Introduction
A Concentrationary Imaginary?, Griselda Pollock
Part I. Thinking
1. Framing Horror, Adriana Cavarero
2. Between Realism and Fiction: Arendt and Levi on Concentrationary Imaginaries, Olivia Guaraldo
3. Totality, Convergence, Synchronization, Ian James
Part II. Desire
4. Wrap me up in Sadist Knots: Representations of Sadism-From Naziploitation to Torture Porn, Aaron Kerner
5. Redemption or Transformation: Blasphemy and the Concentrationary Imaginary in Liliana Cavani's The Night Porter (1974), Griselda Pollock
Part III. Camp
6. Seep and Creep: the Concentrationary Imaginary in Martin Scorsese's Shutter Island (2010), Benjamin Hannavy Cousen
7. Haneke and the Camps, Max Silverman
8. Spec(tac)ularizing 'Campness': Nikita and La Femme Nikita the Series, Brenda Hollweg
Notes
Bibliography
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.