Claudio Monteverdi's Venetian Operas
portes grátis
Claudio Monteverdi's Venetian Operas
Sources, Performance, Interpretation
La Via, Stefano; Rosand, Ellen
Taylor & Francis Ltd
07/2022
286
Dura
Inglês
9780367191962
15 a 20 dias
453
Descrição não disponível.
PART I: Context and Sources
1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L'Incoronazione di Poppea
2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of Le ore ociose (1656).
3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes
4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance Practice, and Authorship
5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d'Ulisse in patria.
6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES
PART II: Performance and Interpretation
7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi
8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles.
9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d'Ulisse.
10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.
11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings of L'incoronazione di Poppea.
12. Jane Glover. Conducting Monteverdi's Venetian Operas.
1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L'Incoronazione di Poppea
2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of Le ore ociose (1656).
3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes
4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance Practice, and Authorship
5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d'Ulisse in patria.
6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES
PART II: Performance and Interpretation
7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi
8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles.
9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d'Ulisse.
10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.
11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings of L'incoronazione di Poppea.
12. Jane Glover. Conducting Monteverdi's Venetian Operas.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Ellen Rosand;Ashgate Interdisciplinary Studies in Opera;Monteverdi;Monteverdi's Venetian Operas;musicology;music history;opera studies;performance studies;early music;baroque music;baroque opera;Italian opera;libretto;Badoaro;Busenello;textual criticism;historical exegesis;dramaturgy;staging;mise-en-scene;aesthetics;L'incoronazione di Poppea;Il ritorno d'Ulisse;casting;singing;reciting;conducting;theater;Di Poppea;National Library;Accademia Degli Incogniti;Il Ritorno;Pietro Andrea Ziani;Gli Amori;Lorenzo Bianconi;Muzio Scevola;Venetian Opera;Recitar Cantando;Act III;Ferrante Pallavicino;Stile Recitativo;La Finta;Claudio Monteverdi;Il Pastor Fido;Monteverdi's Opera;Pastor Fido;Guarini's Il Pastor Fido;Teatro Di;Malipiero's Edition;Monteverdi's Work;Front Flyleaf;Phrygian Cadence
PART I: Context and Sources
1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L'Incoronazione di Poppea
2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of Le ore ociose (1656).
3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes
4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance Practice, and Authorship
5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d'Ulisse in patria.
6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES
PART II: Performance and Interpretation
7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi
8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles.
9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d'Ulisse.
10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.
11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings of L'incoronazione di Poppea.
12. Jane Glover. Conducting Monteverdi's Venetian Operas.
1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L'Incoronazione di Poppea
2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of Le ore ociose (1656).
3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes
4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance Practice, and Authorship
5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d'Ulisse in patria.
6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES
PART II: Performance and Interpretation
7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi
8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles.
9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d'Ulisse.
10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.
11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings of L'incoronazione di Poppea.
12. Jane Glover. Conducting Monteverdi's Venetian Operas.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Ellen Rosand;Ashgate Interdisciplinary Studies in Opera;Monteverdi;Monteverdi's Venetian Operas;musicology;music history;opera studies;performance studies;early music;baroque music;baroque opera;Italian opera;libretto;Badoaro;Busenello;textual criticism;historical exegesis;dramaturgy;staging;mise-en-scene;aesthetics;L'incoronazione di Poppea;Il ritorno d'Ulisse;casting;singing;reciting;conducting;theater;Di Poppea;National Library;Accademia Degli Incogniti;Il Ritorno;Pietro Andrea Ziani;Gli Amori;Lorenzo Bianconi;Muzio Scevola;Venetian Opera;Recitar Cantando;Act III;Ferrante Pallavicino;Stile Recitativo;La Finta;Claudio Monteverdi;Il Pastor Fido;Monteverdi's Opera;Pastor Fido;Guarini's Il Pastor Fido;Teatro Di;Malipiero's Edition;Monteverdi's Work;Front Flyleaf;Phrygian Cadence
