Call Me by Your Name

Call Me by Your Name

Perspectives on the Film

Lamberti, Edward; Williams, Michael

Intellect Books

07/2024

350

Dura

Inglês

9781789389425

Pré-lançamento - envio 15 a 20 dias após a sua edição

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List of Figures



List of Tables



Acknowledgements



Introduction: Somewhere in Northern Italy - Edward Lamberti and Michael Williams







Part I: Style





Temporary Paradise: Queer Space, Time and Pastoral Visions in Call Me by Your Name - Adam Vaughan
'But You Know, There Have Been Queer Characters from the Very First Film': Call Me by Your Name and the Long Shadow of James Ivory - Claire Monk
'Is It Better to Speak or Die?': Adaptation and Elio's Interiority - Stuart Richards
Music as Narrator in Call Me by Your Name - Kingsley Marshall
Sex Sounds: On Aural Explicitness in Call Me by Your Name - Sarah Artt
Call Me by Your Name and the Ethics of Distance - Edward Lamberti



Part II: Themes





Call Me by Your Name, Chrononormativity and the (Queer?) Future of Italian Teen Film - Daniel Paul
Plato to Elio: Ancient and Modern Sexualities in Call Me by Your Name - Nikolai Endres
'Daring You to Desire Them': Digital Classicism, Star Bodies and Call Me by Your Name - Michael Williams
Call Me Bi Any Other Name: Anal Monstration, Formal Bisexualization, Gay Indigestion - Jacob Engelberg



Part III: Reception





Call Me by Your Name and Film Festivals - Ruby Cheung
Tell Tim Chalamet to Tweet at Me: Timothee Chalamet's Social Media Silence, Presence and Performed (B)romance with Armie Hammer - Francesca Sobande
The Sexiest Risk-Taker? Armie Hammer, White Masculinity and Call Me by Your Name - Jonathan A. Cannon
'Finally, a Gay Movie without a Bad Vibe': Queer Nostalgia, Affection and Gender Identity in Call Me by Your Name - Vinicius Ferreira, Victor Schlude and Gesa Cavalcanti


Notes on Contributors



Index
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Social media; Fan studies; Film festivals; Antiquity; Stardom; Film sound; Film music; Performance; Adaptation; LGBTQ+; Queer theory; Gay identity; Romance; Italian cinema