Breaking into TV Writing
Breaking into TV Writing
How to Get Your First Job, Build Your Network, and Claw Your Way Into the Writers' Room
Schettini, Anton
Turner Publishing Company
10/2024
256
Mole
9781684429875
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
FOREWORD by Lawrence Konner
PART I: FLIP THE DOLPHIN
Chapter 1: WHY SHOULD WE LISTEN TO YOU?
Chapter 2: FIRST STEP-MOVE TO LA
Chapter 3: MY STORY
PART II: THE WRITERS' ROOM
Chapter 4: THE WRITERS
Chapter 5: THE LIFE OF AN EPISODE
Chapter 6: PILOTS
Chapter 7: STREAMING AND MINI-ROOMS
Chapter 8: HOW TO BEHAVE IN A WRITERS' ROOM
PART III: ASSISTANTING
Chapter 9: GETTING YOUR FIRST JOB
Chapter 10: JOB POSTING RED FLAGS
Chapter 11: MEET PEOPLE AND BOTHER THEM
Chapter 12: ASSISTANT JOBS
Chapter 13: THE FINANCIAL REALITIES OF BEING AN ASSISTANT
Chapter 14: NEGOTIATING YOUR ASSISTANT SALARY
Chapter 15: THE ASSISTANT ATTITUDE AND WHEN TO QUIT
Chapter 16: IF YOU CAN, SKIP IT: A FINAL WORD ON ASSISTANTING
PART IV: BREAKING IN: THE OTHER ROUTES
Chapter 17: SCREENWRITING COMPETITIONS
Chapter 18: WORKSHOPS, FELLOWSHIPS, AND LABS
Chapter 19: STAND-UP, IMPROV, AND SKETCH COMEDY
Chapter 20: BE CREATIVE, MAKE THINGS, AND USE WHAT YOU'VE GOT
Chapter 21: SOCIAL MEDIA & GETTING YOUR STUFF OUT THERE
PART V: THE SCRIPT
Chapter 22: FIRST OF ALL, JUST WRITE
Chapter 23: YOUR SCRIPT
Chapter 24: ECONOMICS OF A TV SCRIPT
PART VI: THE UNIONS
Chapter 25: IATSE LOCAL 871
Chapter 26: WGA
PART VII: A FREELANCE ECONOMY & THE FUTURE OF TV WRITING
Chapter 27: THE 2023 WGA WRITERS' STRIKE
Chapter 28: CARVING OUT YOUR UNIQUE PATH
ACKNOWLEDGMENTS
GLOSSARY
RESOURCES
INDEX
PART I: FLIP THE DOLPHIN
Chapter 1: WHY SHOULD WE LISTEN TO YOU?
Chapter 2: FIRST STEP-MOVE TO LA
Chapter 3: MY STORY
PART II: THE WRITERS' ROOM
Chapter 4: THE WRITERS
Chapter 5: THE LIFE OF AN EPISODE
Chapter 6: PILOTS
Chapter 7: STREAMING AND MINI-ROOMS
Chapter 8: HOW TO BEHAVE IN A WRITERS' ROOM
PART III: ASSISTANTING
Chapter 9: GETTING YOUR FIRST JOB
Chapter 10: JOB POSTING RED FLAGS
Chapter 11: MEET PEOPLE AND BOTHER THEM
Chapter 12: ASSISTANT JOBS
Chapter 13: THE FINANCIAL REALITIES OF BEING AN ASSISTANT
Chapter 14: NEGOTIATING YOUR ASSISTANT SALARY
Chapter 15: THE ASSISTANT ATTITUDE AND WHEN TO QUIT
Chapter 16: IF YOU CAN, SKIP IT: A FINAL WORD ON ASSISTANTING
PART IV: BREAKING IN: THE OTHER ROUTES
Chapter 17: SCREENWRITING COMPETITIONS
Chapter 18: WORKSHOPS, FELLOWSHIPS, AND LABS
Chapter 19: STAND-UP, IMPROV, AND SKETCH COMEDY
Chapter 20: BE CREATIVE, MAKE THINGS, AND USE WHAT YOU'VE GOT
Chapter 21: SOCIAL MEDIA & GETTING YOUR STUFF OUT THERE
PART V: THE SCRIPT
Chapter 22: FIRST OF ALL, JUST WRITE
Chapter 23: YOUR SCRIPT
Chapter 24: ECONOMICS OF A TV SCRIPT
PART VI: THE UNIONS
Chapter 25: IATSE LOCAL 871
Chapter 26: WGA
PART VII: A FREELANCE ECONOMY & THE FUTURE OF TV WRITING
Chapter 27: THE 2023 WGA WRITERS' STRIKE
Chapter 28: CARVING OUT YOUR UNIQUE PATH
ACKNOWLEDGMENTS
GLOSSARY
RESOURCES
INDEX
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
writing; local; network; sole; agent; manager; dolphin; screen; freelancing; Los Angeles; season; tv; Hollywood; workshop; scriptwriting; writer; proprietor; screenwriting; producer; iatse; assistanting; script; salary; stand-up; assistant; flip; competition; wga; writers room; gigging; 871; gig; stream; freelance; LA; career; television; freelancer; episode; improv; streaming; labs
FOREWORD by Lawrence Konner
PART I: FLIP THE DOLPHIN
Chapter 1: WHY SHOULD WE LISTEN TO YOU?
Chapter 2: FIRST STEP-MOVE TO LA
Chapter 3: MY STORY
PART II: THE WRITERS' ROOM
Chapter 4: THE WRITERS
Chapter 5: THE LIFE OF AN EPISODE
Chapter 6: PILOTS
Chapter 7: STREAMING AND MINI-ROOMS
Chapter 8: HOW TO BEHAVE IN A WRITERS' ROOM
PART III: ASSISTANTING
Chapter 9: GETTING YOUR FIRST JOB
Chapter 10: JOB POSTING RED FLAGS
Chapter 11: MEET PEOPLE AND BOTHER THEM
Chapter 12: ASSISTANT JOBS
Chapter 13: THE FINANCIAL REALITIES OF BEING AN ASSISTANT
Chapter 14: NEGOTIATING YOUR ASSISTANT SALARY
Chapter 15: THE ASSISTANT ATTITUDE AND WHEN TO QUIT
Chapter 16: IF YOU CAN, SKIP IT: A FINAL WORD ON ASSISTANTING
PART IV: BREAKING IN: THE OTHER ROUTES
Chapter 17: SCREENWRITING COMPETITIONS
Chapter 18: WORKSHOPS, FELLOWSHIPS, AND LABS
Chapter 19: STAND-UP, IMPROV, AND SKETCH COMEDY
Chapter 20: BE CREATIVE, MAKE THINGS, AND USE WHAT YOU'VE GOT
Chapter 21: SOCIAL MEDIA & GETTING YOUR STUFF OUT THERE
PART V: THE SCRIPT
Chapter 22: FIRST OF ALL, JUST WRITE
Chapter 23: YOUR SCRIPT
Chapter 24: ECONOMICS OF A TV SCRIPT
PART VI: THE UNIONS
Chapter 25: IATSE LOCAL 871
Chapter 26: WGA
PART VII: A FREELANCE ECONOMY & THE FUTURE OF TV WRITING
Chapter 27: THE 2023 WGA WRITERS' STRIKE
Chapter 28: CARVING OUT YOUR UNIQUE PATH
ACKNOWLEDGMENTS
GLOSSARY
RESOURCES
INDEX
PART I: FLIP THE DOLPHIN
Chapter 1: WHY SHOULD WE LISTEN TO YOU?
Chapter 2: FIRST STEP-MOVE TO LA
Chapter 3: MY STORY
PART II: THE WRITERS' ROOM
Chapter 4: THE WRITERS
Chapter 5: THE LIFE OF AN EPISODE
Chapter 6: PILOTS
Chapter 7: STREAMING AND MINI-ROOMS
Chapter 8: HOW TO BEHAVE IN A WRITERS' ROOM
PART III: ASSISTANTING
Chapter 9: GETTING YOUR FIRST JOB
Chapter 10: JOB POSTING RED FLAGS
Chapter 11: MEET PEOPLE AND BOTHER THEM
Chapter 12: ASSISTANT JOBS
Chapter 13: THE FINANCIAL REALITIES OF BEING AN ASSISTANT
Chapter 14: NEGOTIATING YOUR ASSISTANT SALARY
Chapter 15: THE ASSISTANT ATTITUDE AND WHEN TO QUIT
Chapter 16: IF YOU CAN, SKIP IT: A FINAL WORD ON ASSISTANTING
PART IV: BREAKING IN: THE OTHER ROUTES
Chapter 17: SCREENWRITING COMPETITIONS
Chapter 18: WORKSHOPS, FELLOWSHIPS, AND LABS
Chapter 19: STAND-UP, IMPROV, AND SKETCH COMEDY
Chapter 20: BE CREATIVE, MAKE THINGS, AND USE WHAT YOU'VE GOT
Chapter 21: SOCIAL MEDIA & GETTING YOUR STUFF OUT THERE
PART V: THE SCRIPT
Chapter 22: FIRST OF ALL, JUST WRITE
Chapter 23: YOUR SCRIPT
Chapter 24: ECONOMICS OF A TV SCRIPT
PART VI: THE UNIONS
Chapter 25: IATSE LOCAL 871
Chapter 26: WGA
PART VII: A FREELANCE ECONOMY & THE FUTURE OF TV WRITING
Chapter 27: THE 2023 WGA WRITERS' STRIKE
Chapter 28: CARVING OUT YOUR UNIQUE PATH
ACKNOWLEDGMENTS
GLOSSARY
RESOURCES
INDEX
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
writing; local; network; sole; agent; manager; dolphin; screen; freelancing; Los Angeles; season; tv; Hollywood; workshop; scriptwriting; writer; proprietor; screenwriting; producer; iatse; assistanting; script; salary; stand-up; assistant; flip; competition; wga; writers room; gigging; 871; gig; stream; freelance; LA; career; television; freelancer; episode; improv; streaming; labs
