Audience Experience and Contemporary Classical Music
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Audience Experience and Contemporary Classical Music
Negotiating the Experimental and the Accessible in a High Art Subculture
Emerson, Gina
Taylor & Francis Ltd
03/2023
224
Dura
Inglês
9780367696818
15 a 20 dias
Descrição não disponível.
List of Figures
List of Tables
List of Abbreviations
Acknowledgements
Foreword by Professor Stephanie Pitts
Chapter 1: Introduction
Chapter 2: Conceptualising and Researching Audience Experience
Chapter 3: Contemporary Classical Music and its Audiences
Chapter 4: Who and Why? Demographics and Motivations to Attend
Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions
Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCM
Chapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCM
Chapter 8: CCM and Audience Participation: A Case Study
Chapter 9: Institution-Audience Relationships in CCM Culture
Chapter 10: 'Written without regard to the audience': Classical Music Attendees on CCM
Chapter 11: Conclusion
Appendix 1: Methodological Appendix
Appendix 2: Survey Questionnaires
Appendix 3: Supplementary Tables
Appendix 4: Supplementary Figures
Appendix 5: Full List of Works Performed at the Survey Concerts
Index
List of Tables
List of Abbreviations
Acknowledgements
Foreword by Professor Stephanie Pitts
Chapter 1: Introduction
Chapter 2: Conceptualising and Researching Audience Experience
Chapter 3: Contemporary Classical Music and its Audiences
Chapter 4: Who and Why? Demographics and Motivations to Attend
Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions
Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCM
Chapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCM
Chapter 8: CCM and Audience Participation: A Case Study
Chapter 9: Institution-Audience Relationships in CCM Culture
Chapter 10: 'Written without regard to the audience': Classical Music Attendees on CCM
Chapter 11: Conclusion
Appendix 1: Methodological Appendix
Appendix 2: Survey Questionnaires
Appendix 3: Supplementary Tables
Appendix 4: Supplementary Figures
Appendix 5: Full List of Works Performed at the Survey Concerts
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sarah Price;Performing Arts Attendance;Games Howell Post-hoc Tests;Contemporary Classical Music;Warsaw Autumn;Veljo Tormis;Snape Maltings;Wien Modern;Classical Music Audience;UK Discussion;Darmstadt Summer Courses;Darmstadt Summer;Landscape Series;Concert Experience;Word Association Task;Heiner Goebbels;John Tavener;Dj Set;Beta Coefficient Estimates;Elektra Nonesuch;Living Composers;Classical Audiences;UK Premiere;Classical Sample;Performer Audience Relationship
List of Figures
List of Tables
List of Abbreviations
Acknowledgements
Foreword by Professor Stephanie Pitts
Chapter 1: Introduction
Chapter 2: Conceptualising and Researching Audience Experience
Chapter 3: Contemporary Classical Music and its Audiences
Chapter 4: Who and Why? Demographics and Motivations to Attend
Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions
Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCM
Chapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCM
Chapter 8: CCM and Audience Participation: A Case Study
Chapter 9: Institution-Audience Relationships in CCM Culture
Chapter 10: 'Written without regard to the audience': Classical Music Attendees on CCM
Chapter 11: Conclusion
Appendix 1: Methodological Appendix
Appendix 2: Survey Questionnaires
Appendix 3: Supplementary Tables
Appendix 4: Supplementary Figures
Appendix 5: Full List of Works Performed at the Survey Concerts
Index
List of Tables
List of Abbreviations
Acknowledgements
Foreword by Professor Stephanie Pitts
Chapter 1: Introduction
Chapter 2: Conceptualising and Researching Audience Experience
Chapter 3: Contemporary Classical Music and its Audiences
Chapter 4: Who and Why? Demographics and Motivations to Attend
Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions
Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCM
Chapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCM
Chapter 8: CCM and Audience Participation: A Case Study
Chapter 9: Institution-Audience Relationships in CCM Culture
Chapter 10: 'Written without regard to the audience': Classical Music Attendees on CCM
Chapter 11: Conclusion
Appendix 1: Methodological Appendix
Appendix 2: Survey Questionnaires
Appendix 3: Supplementary Tables
Appendix 4: Supplementary Figures
Appendix 5: Full List of Works Performed at the Survey Concerts
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sarah Price;Performing Arts Attendance;Games Howell Post-hoc Tests;Contemporary Classical Music;Warsaw Autumn;Veljo Tormis;Snape Maltings;Wien Modern;Classical Music Audience;UK Discussion;Darmstadt Summer Courses;Darmstadt Summer;Landscape Series;Concert Experience;Word Association Task;Heiner Goebbels;John Tavener;Dj Set;Beta Coefficient Estimates;Elektra Nonesuch;Living Composers;Classical Audiences;UK Premiere;Classical Sample;Performer Audience Relationship
