Artists and the People

Author's Introduction: Entanglement in the world
Part 1: History, identity and culture: the matrix for the artist's soul
Si Kabayan Nyintreuk: eccentricity and activism
Local knowledge: Jiwa ketok
The unified eye: Where do the Quiet Ones Go?
Etching performance: reflections from praxis
Personal/social/interactive: a formula for the engaged artist
Drawing on the personal-social-interactive
Part 2: Turba, down to 'the people'
People's culture inside and outside institutions
Participation, pedagogy and politics: Made Bayak's Plasticology
Adiboga Wonoasri - cosmopolitanism out of starvation
Jakarta Biennale and Trotoart: social tactics in the city
IBU at Cigondewah: turba as antagonism
Part 3: Kerakyatan: conscientisation for the people
The New Order and New Indonesian Art: Opportunity and Oppression
Conscientisation and the rakyat - global/local entanglement
Rayuan Pulau Kelapa - turba, conscientisation and negotiation
KuehSenyum: actions in social exchange
Tepuk Tangan Nuhun: interventions in gratitude
Back to the Bay: Tita Salina and conceptual conscientisation
Performing opposition: the burial of Made Bayak
Part 4: Ethics and Aesthetics
Local knowledge: gotong royong and rasa
Pirates and maids: gotong royong as horizontal knowledge-building
An ecosystem of production: institutional practices and contemporary art practice in Indonesia
Mamahkuaing: maternal feelings
Rasa: Feeling, Flavour, Taste and Touch
A conversation: true fiction, fictional truth
Impermanent conclusions
An artistic ideology
Originary discourses
Coda

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• Teoria de arte
• Antropologia social e cultural
• Historia da arte / estilos de arte e design