Art in the Cinema
portes grátis
Art in the Cinema
The Mid-Century Art Documentary
Latsis, Dimitrios; Cleppe, Birgit; Jacobs, Dr Steven
Bloomsbury Publishing PLC
02/2023
256
Mole
Inglês
9781350357518
15 a 20 dias
Descrição não disponível.
Preface and Acknowledgements
Introduction: The Mid-Century Celluloid Museum, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Dimitrios Latsis (Toronto Metropolitan University, Canada)
1. The Institutional Breeding Grounds of the Postwar Film on Art, Birgit Cleppe (Ghent University, Belgium)
2. American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War, Dimitrios Latsis (Toronto Metropolitan University, Canada)
3. Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinema Critique, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Josephine-Charlotte Vandekerckhove (Ghent University, Belgium & Verona University, Italy)
4. Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology, Emanuele Pellegrini (IMT School for Advanced Studies, Italy)
5. Andre Bazin's Art Documentary in Saintonge, Angela Dalle Vacche (Georgia Institute of Technology, USA)
6. Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer, Natasha Ritsma (Loyola University Museum of Art, USA)
7. Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read, John Wyver (University of Westminster, UK)
8. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953), Lucy Reynolds (University of Westminster, UK)
9. Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art, Henning Engelke (Goethe University Frankfurt, Germany)
Mid-Twentieth-Century Art Documentaries: A Selected Bibliography
About the Authors
Index
Introduction: The Mid-Century Celluloid Museum, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Dimitrios Latsis (Toronto Metropolitan University, Canada)
1. The Institutional Breeding Grounds of the Postwar Film on Art, Birgit Cleppe (Ghent University, Belgium)
2. American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War, Dimitrios Latsis (Toronto Metropolitan University, Canada)
3. Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinema Critique, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Josephine-Charlotte Vandekerckhove (Ghent University, Belgium & Verona University, Italy)
4. Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology, Emanuele Pellegrini (IMT School for Advanced Studies, Italy)
5. Andre Bazin's Art Documentary in Saintonge, Angela Dalle Vacche (Georgia Institute of Technology, USA)
6. Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer, Natasha Ritsma (Loyola University Museum of Art, USA)
7. Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read, John Wyver (University of Westminster, UK)
8. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953), Lucy Reynolds (University of Westminster, UK)
9. Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art, Henning Engelke (Goethe University Frankfurt, Germany)
Mid-Twentieth-Century Art Documentaries: A Selected Bibliography
About the Authors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Preface and Acknowledgements
Introduction: The Mid-Century Celluloid Museum, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Dimitrios Latsis (Toronto Metropolitan University, Canada)
1. The Institutional Breeding Grounds of the Postwar Film on Art, Birgit Cleppe (Ghent University, Belgium)
2. American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War, Dimitrios Latsis (Toronto Metropolitan University, Canada)
3. Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinema Critique, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Josephine-Charlotte Vandekerckhove (Ghent University, Belgium & Verona University, Italy)
4. Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology, Emanuele Pellegrini (IMT School for Advanced Studies, Italy)
5. Andre Bazin's Art Documentary in Saintonge, Angela Dalle Vacche (Georgia Institute of Technology, USA)
6. Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer, Natasha Ritsma (Loyola University Museum of Art, USA)
7. Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read, John Wyver (University of Westminster, UK)
8. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953), Lucy Reynolds (University of Westminster, UK)
9. Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art, Henning Engelke (Goethe University Frankfurt, Germany)
Mid-Twentieth-Century Art Documentaries: A Selected Bibliography
About the Authors
Index
Introduction: The Mid-Century Celluloid Museum, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Dimitrios Latsis (Toronto Metropolitan University, Canada)
1. The Institutional Breeding Grounds of the Postwar Film on Art, Birgit Cleppe (Ghent University, Belgium)
2. American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War, Dimitrios Latsis (Toronto Metropolitan University, Canada)
3. Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinema Critique, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Josephine-Charlotte Vandekerckhove (Ghent University, Belgium & Verona University, Italy)
4. Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology, Emanuele Pellegrini (IMT School for Advanced Studies, Italy)
5. Andre Bazin's Art Documentary in Saintonge, Angela Dalle Vacche (Georgia Institute of Technology, USA)
6. Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer, Natasha Ritsma (Loyola University Museum of Art, USA)
7. Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read, John Wyver (University of Westminster, UK)
8. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953), Lucy Reynolds (University of Westminster, UK)
9. Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art, Henning Engelke (Goethe University Frankfurt, Germany)
Mid-Twentieth-Century Art Documentaries: A Selected Bibliography
About the Authors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
