Architectural Drawings as Investigating Devices
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Architectural Drawings as Investigating Devices
Architecture's Changing Scope in the 20th Century
Charitonidou, Marianna
Taylor & Francis Ltd
11/2024
270
Mole
9781032444185
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Acknowledgments. Foreword by Gevork Hartoonian. Chapter 1. Introduction. Chapter 2. Different ways of relating fiction to reality and architectural drawings: Object-oriented and subject-oriented modes of representation. Chapter 3. Ludwig Mies van der Rohe and Le Corbusier vis-a-vis the modernist ethos: Around the spirit of truth and clarity. Chapter 4. Individual-community assemblages in post-war era architecture: The dissolution of universality. Chapter 5. Decodification of design process as syntactic analogy: The primacy of the observer in the 1970s & 1980s. Chapter 6. Identification of the architect with the architectural artefact: Autobiography vis-a-vis the design process. Chapter 7. Bernard Tschumi and the intensification of urban conditions: Uncovering the potentialities hidden in the program. Chapter 8. Bernard Tschumi's architecture as the discourse of events: Disjunction and a new definition of metropolis. Chapter 9. Rem Koolhaas and the congestion of metropolis: How the artificial would replace the reality? Chapter 10. Conversing with Bernard Tschumi on his conception of architecture's modes of representation: Instead of epilogue. Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Architecture;Architecture drawings;Investigating;Young Man;National Library;Parc De La Villette;Axonometric Representation;Massimo Scolari;Manhattan Transcripts;Le Corbusier;Bernard Tschumi;AA;Aldo Van Eyck;Elia Zenghelis;John Hejduk;Ludovico Quaroni;Axonometric Views;Le Fresnoy;Axonometric Drawing;Barcelona Pavilion;Diana Agrest;Architectural Artefacts;Chicago Tribune Tower Competition;TU Delft;Rem Koolhaas;CIAM Meeting;Bernard Tschumi Architects;Esprit Nouveau
Acknowledgments. Foreword by Gevork Hartoonian. Chapter 1. Introduction. Chapter 2. Different ways of relating fiction to reality and architectural drawings: Object-oriented and subject-oriented modes of representation. Chapter 3. Ludwig Mies van der Rohe and Le Corbusier vis-a-vis the modernist ethos: Around the spirit of truth and clarity. Chapter 4. Individual-community assemblages in post-war era architecture: The dissolution of universality. Chapter 5. Decodification of design process as syntactic analogy: The primacy of the observer in the 1970s & 1980s. Chapter 6. Identification of the architect with the architectural artefact: Autobiography vis-a-vis the design process. Chapter 7. Bernard Tschumi and the intensification of urban conditions: Uncovering the potentialities hidden in the program. Chapter 8. Bernard Tschumi's architecture as the discourse of events: Disjunction and a new definition of metropolis. Chapter 9. Rem Koolhaas and the congestion of metropolis: How the artificial would replace the reality? Chapter 10. Conversing with Bernard Tschumi on his conception of architecture's modes of representation: Instead of epilogue. Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Architecture;Architecture drawings;Investigating;Young Man;National Library;Parc De La Villette;Axonometric Representation;Massimo Scolari;Manhattan Transcripts;Le Corbusier;Bernard Tschumi;AA;Aldo Van Eyck;Elia Zenghelis;John Hejduk;Ludovico Quaroni;Axonometric Views;Le Fresnoy;Axonometric Drawing;Barcelona Pavilion;Diana Agrest;Architectural Artefacts;Chicago Tribune Tower Competition;TU Delft;Rem Koolhaas;CIAM Meeting;Bernard Tschumi Architects;Esprit Nouveau
