Analyzing Recorded Music
portes grátis
Analyzing Recorded Music
Collected Perspectives on Popular Music Tracks
Moylan, William; Burns, Lori; Alleyne, Mike
Taylor & Francis Ltd
12/2022
416
Mole
Inglês
9780367546311
15 a 20 dias
825
Descrição não disponível.
Section I: Musical Genre, Culture, and Technology 1. "I Been Studying Rain": What Do We Hear When We Listen to the Blues of Robert Johnson? ("Preachin' Blues," 1936) 2. Analyzing Hip-Hop Hacktivism and Automobility in Injury Reserve's (2019) "Jailbreak the Tesla" (feat. Amine) Section II: Track Revelations and Aural Mirrors 3. Hearing through the Grapevine: Marvin Gaye, Norman Whitfield and the Long Journey of Motown's Biggest Hit (1967) 4. "Let the Music Play" (1975): Hearing the Disco Mainstream in Barry White 5. Reaching for Stardom: Live and Studio Sound in Prince's "Purple Rain" (1984) Section III: Layers Make the Record 6. "In a Sky Full of People": Spatial and Cinematic Staging in Seal's "Crazy" (1990) 7. Come Together: Feeling the Distemper of Murk and Elation with the Beatles (1969) and with Sheila E. and Ringo Starr (2017 and 2020) 8. "A Tsunami of Voices": 10cc's "I'm Not in Love" (1975) 9. Counterpoint and Expression in the Music of U2: "Gloria" (1981) Section IV: Sonic Journeys 10. On the Structure of Feeling in Bob Dylan's "I've Made Up My Mind to Give Myself to You" (2020) 11. "You Never Give Me Your Money": The Abbey Road Medley (1969) 12. Listening Beyond the Recording: The Judds' "John Deere Tractor" (1984) Section V: Sampling and Reframing 13. Sonic Materiality and Boom-Bap Embodiment in Conway's "Biscotti Biscuit" (2018): An Autoethnography of Recording Analysis 14. "It Ain't But One Kind of Blues": Kid Koala's Bluesy Embrace of the Fragmented (2012) 15. "Three and a Half Minutes of Attitude": Vocal Delivery, Groove, and Production in Azealia Banks' "212" (2014) Section VI: Deconstructing the Mix and Production Process 16. Can You Hear the Thunder? The Tech-Processual Construction of Environmental and Emotional Situ in Ghost's "Cirice" (2015) 17. Three-Dimensional Doom: My Dying Bride's "Your Broken Shore" (2020) 18. Transforming A Pop Song: The Journey of the Extended Club Remix (Taz Vegas' "Am I Dreaming," 2019) Section VII: Voicing Identity through Genre 19. Framing the Female Voice in Doom Metal: Compositional and Sonic Elements in The Gathering's "Strange Machines" (Mandylion, 1995) 20. Masking: Queer Aesthetics and Production Tricks in Orville Peck's "Hope to Die" (2019) 21. "What Are You Gonna Tell Her?" (2020): Mickey Guyton's Advocacy and Protest for Equality in Country Music 22. Form, Genre, and Vocal Performance in Nicki Minaj's "Stupid Hoe" (2011) 23. Tracks and Transformations in The Wailers' "Concrete Jungle" (1973)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Lyrical Repetition;Purple Rain;Timbral Balance;Country Music;Sonic Elements;Timbral Detail;D7 Chord;Virtual Choir;Pitch Density;Trevor Horn;Sonic Journeys;Slave To The Rhythm;Denser;Playback;Sound Stage;Doom Metal;Backing Vocals;Rhythm Guitar;Dynamic Contour;Abbey Road;Kick Drum;Harmonic Rhythm;Stereo Field;Album Version;Guitar Solo
Section I: Musical Genre, Culture, and Technology 1. "I Been Studying Rain": What Do We Hear When We Listen to the Blues of Robert Johnson? ("Preachin' Blues," 1936) 2. Analyzing Hip-Hop Hacktivism and Automobility in Injury Reserve's (2019) "Jailbreak the Tesla" (feat. Amine) Section II: Track Revelations and Aural Mirrors 3. Hearing through the Grapevine: Marvin Gaye, Norman Whitfield and the Long Journey of Motown's Biggest Hit (1967) 4. "Let the Music Play" (1975): Hearing the Disco Mainstream in Barry White 5. Reaching for Stardom: Live and Studio Sound in Prince's "Purple Rain" (1984) Section III: Layers Make the Record 6. "In a Sky Full of People": Spatial and Cinematic Staging in Seal's "Crazy" (1990) 7. Come Together: Feeling the Distemper of Murk and Elation with the Beatles (1969) and with Sheila E. and Ringo Starr (2017 and 2020) 8. "A Tsunami of Voices": 10cc's "I'm Not in Love" (1975) 9. Counterpoint and Expression in the Music of U2: "Gloria" (1981) Section IV: Sonic Journeys 10. On the Structure of Feeling in Bob Dylan's "I've Made Up My Mind to Give Myself to You" (2020) 11. "You Never Give Me Your Money": The Abbey Road Medley (1969) 12. Listening Beyond the Recording: The Judds' "John Deere Tractor" (1984) Section V: Sampling and Reframing 13. Sonic Materiality and Boom-Bap Embodiment in Conway's "Biscotti Biscuit" (2018): An Autoethnography of Recording Analysis 14. "It Ain't But One Kind of Blues": Kid Koala's Bluesy Embrace of the Fragmented (2012) 15. "Three and a Half Minutes of Attitude": Vocal Delivery, Groove, and Production in Azealia Banks' "212" (2014) Section VI: Deconstructing the Mix and Production Process 16. Can You Hear the Thunder? The Tech-Processual Construction of Environmental and Emotional Situ in Ghost's "Cirice" (2015) 17. Three-Dimensional Doom: My Dying Bride's "Your Broken Shore" (2020) 18. Transforming A Pop Song: The Journey of the Extended Club Remix (Taz Vegas' "Am I Dreaming," 2019) Section VII: Voicing Identity through Genre 19. Framing the Female Voice in Doom Metal: Compositional and Sonic Elements in The Gathering's "Strange Machines" (Mandylion, 1995) 20. Masking: Queer Aesthetics and Production Tricks in Orville Peck's "Hope to Die" (2019) 21. "What Are You Gonna Tell Her?" (2020): Mickey Guyton's Advocacy and Protest for Equality in Country Music 22. Form, Genre, and Vocal Performance in Nicki Minaj's "Stupid Hoe" (2011) 23. Tracks and Transformations in The Wailers' "Concrete Jungle" (1973)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Lyrical Repetition;Purple Rain;Timbral Balance;Country Music;Sonic Elements;Timbral Detail;D7 Chord;Virtual Choir;Pitch Density;Trevor Horn;Sonic Journeys;Slave To The Rhythm;Denser;Playback;Sound Stage;Doom Metal;Backing Vocals;Rhythm Guitar;Dynamic Contour;Abbey Road;Kick Drum;Harmonic Rhythm;Stereo Field;Album Version;Guitar Solo
